A contemporary Iranian couple had planned to leave Iran for a better life in the West, but, by the time they have wrangled a visa from the bureaucracy, the husband’s father has developed Alzheimer’s. The husband refuses to leave his father and the wife leaves the home in protest. They are well-educated and secular. The husband hires a poor and religious woman to care for his father (and she does not tell her husband about her job). Then there is an incident which unravels the lives of both families.
This is a brilliant film. Writer-director Asghar Farhadi has constructed a story in which the audience sees and hears everything that happens, but our understanding of the events and characters evolve. We think we know what has happened, but then other narratives are revealed. Likewise, the moral high ground is passed from one character to another and to another. It’s like Rashomon, but with the audience keeping a single point of view.
Much of that point of view is shared by the ever watchful teenage daughter of the educated couple. She desperately wants her parents back together, views everything through this prism and is powerless to make it happen. She is played by Farhadi’s real life daughter.
Religion towers above the action – and not in a good way. It guides the actions of the religious couple into choices against their interest. The Iranian theocracy restricts the choices of the secular couple and of the judges trying to sort everything out. Almost every character is a good person who is forced to lie to avoid some horrific result otherwise required by the culture.
One final note: it will be a lot harder to make an easy joke at the expense of American lawyers after watching the Iranian justice system in A Separation.
The realistic angst of the chapters makes this a difficult film to watch – not a light date movie for sure. But the payoff is worth it, and it’s a must see.
This film is on the top ten list of over 30 critics and is Roger Ebert’s top-rated film of 2011. It is a lead pipe cinch for the Foreign Language Picture Oscar.
Very tough to watch. Even after a couple of weeks have past since we saw this movie, not sure I can agree with the Movie Gourmet that this is a must see. Two families with two different dysfunctions intersect and everything is changed forever. In some respects I felt like I could go down to family court and see the same kind of drama unfold — and is that really entertainment? All this being said, this is the first post in a long time I have felt compelled to comment on so maybe that says something . . .