This week: a sweet coming of age comedy and a pointed religious satire – all in the same movie. Plus art house cinema comes to your home and remembrances of two wonderful screen actors – one a mega-star and one not so much.
REMEMBRANCES
Silicon Valley native and icon of classic Hollywood, Olivia de Havilland (her real name) was raised in Saratoga and went to Los Gatos High. Her performance in A Midsummer’s Night’s Dream in the Saratoga Community Theater led directly to her appearing in the Hollywood film version of the play at age 19. She starred as the leading lady in her next film, Captain Blood, the first of a series of Warner Brothers costume romances that matched her with Erroll Flynn, with whom she had undeniable chemistry: The Adventures of Robin Hood, The Charge of the Light Brigade, The Santa Fe Trail, Dodge City, They Died with Their Boots On and The Private Lives of Elizabeth and Essex. In this period, she was loaned to David O. Selznick for her most remembered role, that of the profoundly sweet and decent Melanie in Gone with the Wind.
De Havilland won her contractual freedom from Warner Brothers through landmark litigation in 1943. She went on to more serious fare and earned three Oscar nods in the next six years, winning for To Each His Own and The Heiress.
And here’s my remembrance of versatile and prolific actor John Saxon.
ON VIDEO
Yes, God, Yes: A sweet coming of age story and pointed jab at religious hypocrisy; based on writer-director Karen Maine’s own youthful experiences. Yes, God, Yes has been available to stream on Virtual Cinema and is available from the usual VOD platforms.
The Women’s Balcony:. A community of women in a traditional culture revolt in the delightfully smart and funny Israeli comedy. You can stream it on Amazon, Vudu, YouTube and Google Play.
The most eclectic watch-at-home recommendations you’ll find ANYWHERE:
- Dateline-Saigon: the truth will out
- Mucho Mucho Amor: The Legend of Walter Mercado: gentleness and flamboyancy
- Our Kind of Traitor: Skarsgård steals this robust thriller
- Step into Liquid and Riding Giants: Get stoked with the two most bitchin’ surfing documentaries.
- The Truth: Reconciling your truth with another’s.
- John Lewis: Double Trouble: an icon remembered.
- The 11th Green: a thinking person’s conspiracy
- Inmate #1: The Rise of Danny Trejo: redemption never gets old
- Driveways: I can’t think of a more authentic movie about intergenerational relationships than this charming, character-driven indie.
- The Lovebirds: A rom com with a playful plot and a truthful relationship.
- Da 5 Bloods: reflections on the Vietnam War and on the Black experience in America and a great Delroy Lindo (but it’s too long).
- Ella Fitzgerald: Just One of Those Things: A Must See for jazz fans.
- Yourself and Yours: The absurdism of Luis Buñuel meets the social awkwardness of Seinfeld.
- Electrick Children: magical Mormon runaways in Vegas.
- King in the Wilderness: an icon, floundering.
- The Bandit: A Hollywood buddy documentary that features some amazing movie stunts.
ON TV
On August 6, Turner Classic Movies will present Brute Force (1947), the Jules Dassin noir that is by far the best of the Hollywood prison dramas of the 30s and 40s. A convict (Burt Lancaster) is taunted by a sadistic guard (Hume Cronyn) and plans an escape. It’s a pretty violent film for the 1940s, and was inspired by the 1946 Battle of Alcatraz, in which three cons and two guards were killed. Charles Bickford, Whit Bissell and Sam Levene are excellent as fellow cons. On my list of Best Prison Movies.
