In the thriller Before the Fire, this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks.
Ava Boone (Adams) is a Hollywood actress who has found some success “pretending to be a vampire”, as she puts it, on a television series. As a killer flu sweeps America’s cities, her photojournalist husband (Jackson Davis) seeks to save her by tricking her into refuge with his family in their sparsely populated childhood hometown.
The problem is that growing up in a family ruled by her abusive father was deeply traumatizing. And it’s only a matter of time until her family finds out that she’s back.
As star and screenwriter Adams has said, “but what if the last place you wanted to go was the only place you could go?”
Veteran Charles Hubbell is excellent as the monstrous dad. The part is written to acknowledge that domestic abuse is about power and control – and not just physical abuse. This guy emanates physical brutality, but he is also a master manipulator.
To make things worse, the dad leads a militia of Deliverance-style yahoos, whose strategy to suppress the flu is to murder outsiders.
Ava was once – and is definitely no longer – a farm girl. For necessity’s sake, she begins repairing fences and doing the other hard, dirty and unglamorous work of the family farm run by her husband’s brother (Ryan Vigilant) and his mother (M.J. Karmi). Along the way, she physically hardens up and develops some skills with firearms.
Unsurprisingly (since she wrote it), the role of Ava is a showcase for Jenna Lyng Adams (The Kominsky Files). When Ava first sees her father again, she’s terrified to her core, which tells us all we need from the back story. Adams’ performance is compelling and credible as Ava has to devise and execute her own survival plan. Adams is on-screen in almost every scene and carries the picture.
“Audiences are thirsty for unconventional, layered, and imperfect women on-screen,” said Adams. “I wanted our protagonist to find her strength by facing the darkest parts of her life in the darkest hours of the world. She reinvents herself over and over again to survive.”
“We fought to make this movie, because we felt that there was a very specific expectation about the types of stories women were able to tell,” says director Charlie Buhler. “Male directors shift between genres much more fluidly, and I think you can feel it in the types of stories that make it to the screen. But Jenna and I both love action, we both love sci-fi, so we wanted to make a female protagonist that we women could really rally behind.”
Indeed, women filmmakers shouldn’t be left to the high-falutin’ Message Pictures while the guys have all the fun with the genre movies.
Before the Fire was filmed on location in South Dakota. Cinematographer Drew Bienemann (visual effects in Beasts of the Southern Wild) makes the barren wintry landscape work to illustrate the Ava’s isolation and vulnerability.
Cinequest will host the world premiere of Before the Fire, which is the best American narrative feature in the fest.