In her contemporary Western The Rider, director Chloé Zhao has made a beautiful and emotionally powerful film and announced herself as an American filmmaker of significance. In The Rider, 20-year-old Brady is a rodeo rider and horse trainer who lives on the least romantic ranch on the windblown South Dakota prairie. Brady lives with his 15-year-old sister, who has a cognitive disability somewhere on the autism spectrum, and his non-touchy feely dad. The mom has died a few years before. The family lives in a trailer on a hardscrabble working ranch.
Brady’s soaring career as a rodeo star has been ended by a bronco’s hoof; Brady now has a metal plate in his skull and seizures in his hand. His rodeo career – and his only shot at fame and fortune – is over. But Brady is also a gifted horse trainer – and he may not even be able to ride horses without risk to his health and life. What makes that risk not at all theoretical is that Brady’s rodeo friend Dane is in even worse shape and lives in a rehab facility. So Brady’s story is one of confronting loss and figuring out how to negotiate the rest of his life without access to his passions.
Brady’s story is emotionally powerful and devoid of cheap sentiment. The Rider is not even the least bit corny.
I went to see The Rider knowing almost nothing about it. When the end credits rolled, I was stunned to see that the actors playing Brady, his sister and his dad are a real family. Indeed, ALL of the cast are non-professional actors.
Director Chloé Zhao met The Rider’s star, Brady Jandreau, when he wrangled horses on her first film Songs My Father Taught Me, also shot on South Dakota’s Pine Ridge Reservation. After the making of that film, she reached out to Brady after he suffered a serious real life rodeo injury. When he told her that he would risk his life to continue training horses, she determined to make Brady’s story into this movie.
Zhao’s partner, the Brit cinematographer Joshua James Richards, shot both of her films. The cinematography, in The Rider is exceptional, especially the weather in the Big Sky above the prairie. There’s a cowboy campfire scene which may be the most beautifully shot scene in movies this year. The Jandreaus live on a scruffy working ranch, neither romantic or picturesque.
I’m not fascinated by horses, but I found the horse training scenes in The Rider to be riveting.
It’s clear that Zhao and Richards are major artists. The Rider is a significant movie and one of the year’s best.