The two exceptionally good films in theaters are:
- the intensely thoughtful Ex Machina; and
- the thoughtful and authentic dramedy I’ll See You in My Dreams, which opens widely today.
Far from the Madding Crowd, is a satisfying choice for those looking for a bodice ripper. If you’re looking for a scare, try the inventive and non-gory horror gem It Follows. Don’t bother with Slow West, a failed Western that never gets into rhythm.
I really enjoyed the Argentine comedy The Film Critic, which is now available for streaming from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
My DVD/Stream of the Week is the the Civil Rights docudrama Selma – an incredibly stirring movie with one significant historical flaw. Selma is available on DVD from Netflix and Redbox; you can stream it from Amazon, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.
On June 2, Turner Classic Movies airs Key Largo (1948), one of the classic film noirs and still satisfying to this day. Both trapped in a claustrophobic Florida island resort by a hurricane, Humphrey Bogart has to face down sadistic mobster Edward G. Robinson. 23-year-old Lauren Bacall was at her most appealing. Claire Trevor’s heartbreaking performance as a gangster’s moll aging out of her looks is one of her best.
TCM brings another noir on June 3 – The Killers (1946). Burt Lancaster stars in a story adapted (and greatly expanded) from the Hemingway short story. It’s only the only the third leading role for the 24-year-old Ava Gardner. Wonderfully deep noir cast: Edmond O’Brien, Charles McGraw, Albert Dekker, Sam Levene, Jeff Corey, William Conrad. Selected by the Library of Congress for preservation in the United States National Film Registry.
Finally, on June 5, TCM is showing the superb proto-noir M (1931), Peter Lorre stars as a serial killer who preys on children. It’s a masterpiece by master director Fritz Lang (Metropolis), who later fled the Nazis to Hollywood and made several fine film noirs in the 50s. Lorre is compelling as a man plagued with a twisted compulsion. There’s no explicit violence, but you’ve never seen a more chilling solitary balloon. The city’s criminal underclass races with the police to hunt down the monster. The climax is a most unusual courtroom scene. If you’re going to see one pre-war European film – see this one.
