Fascinating characters make good stories and good movies, and the Israeli gem The Matchmaker has them aplenty. A middle class teenager falls into a very unusual summer job – the “spy guy” for a matchmaker based in a Haifa neighborhood where prostitutes and smugglers ply their trades. His job is to shadow prospective brides and grooms to verify their suitability for a match. The kid is a pretty normal teen with an affection for detective fiction and an emerging talent for writing, and we see the other characters through his prism.
The Matchmaker is set in 1968, when many Israeli adults were Holocaust survivors who refused to talk about the Holocaust. Ironically, the adult conspiracy of silence means that the teen characters know less about the Holocaust than do other kids around the world. Almost all the adult characters are emotionally scarred in ways the kids really can’t understand.
The matchmaker himself is a shambling, secretive and somewhat shady guy, with unexplained facial scars. He is an uncanny, but not always perfect, judge of human foibles. He advises his clients, “I find you what you need, not what you want”. It turns out that matchmaking is his passion, but he makes his living from another, less legal business.
The matchmaker himself pines for a charming but extremely emotionally fragile woman who works with him. There’s also a kind, beautiful and lovelorn woman who owns a theater and is a dwarf. We also have an obsessive librarian who is even more tightly wound than we see at first. Oh, and the kid’s best friend’s American cousin comes for a visit, and she’s smokin’ hot.
So The Matchmaker is a coming of age movie, but one unlike any you have seen because of the singular characters. Credit goes to Director Avi Lesher, who adapted the screenplay from a novel by Amir Gutfreund.
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