We usually think of sex as the culminating manifestation of lust and/or romantic love. The Sessions is an exploration of sex (first) leading to emotional intimacy.
John Hawkes plays a man in an iron lung seeking to lose his virginity to his sex surrogate (Helen Hunt). The premise may seem farfetched, but it’s based on the life of Mark O’Brien, who survived childhood polio to graduate from UC Berkeley and become a poet and journalist. The kernel of this screenplay was O’Brien’s magazine essay “On Seeing a Sex Surrogate”, and O’Brien was the subject of Jessica Yu’s Oscar-winning Breathing Lessons: The Life and Work of Mark O’Brien.
As I’ve written before, I particularly loathe “disease of the week” movies, but The Sessions is completely untainted by this maudlin genre. The credit goes to writer-director Ben Lewin, himself a polio survivor, who has made The Sessions more than a movie about sex and a disability. Lewin has embedded lots of humor, along with genuine emotions.
Hawkes and Hunt will receive Oscar nominations for the kind of performances that the Academy especially loves and rewards. Hawkes spends the entire movie horizontal on a gurney with his spine contorted by a device the filmmakers labeled “the Torture Ball”. Equally courageously, Hunt is often naked (really, really naked), frankly leading the couple through simulated sexual acts.
But don’t be put off by the showy aspects of the performances, which are authentic and riveting. Hawkes, who is best known for his scary and creepy roles in Winter’s Bone and Martha Marcy May Marlene, embodies a witty man who has overcome more than most, but who fears the depths of his own vulnerabilities. Likewise, Hunt goes very deep to express emotions that take her by surprise.
Beyond Hawkes and Hunt, The Sessions is uniformly well-acted. I especially enjoyed the performances of William H. Macy as a goofily sympathetic Berkeley parish priest, Moon Bloodgood as a poker-faced but playful caregiver and Ming Lo as an amusingly dense hotel clerk.
Lewin, Hawkes and Hunt have combined to make an uncommonly evocative, funny and thoughtful film. The Sessions was an audience fave at the Sundance and Toronto film fests. (Plus it’s a great date movie.)
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