Werner Herzog

Stream of the Week: GRIZZLY MAN – a fool’s misadventure

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GRIZZLY MAN

Werner Herzog’s mesmerizing and darkly funny documentary Grizzly Man is about Timothy Treadwell, who had spent summers observing the brown bears (grizzlies) in Alaska’s Katmai National Park, and believed that he had “gained their trust”. Driven by his ill-advised dream to befriend the grizzlies, Treadwell and his girlfriend Amie Huguenard essentially moved in with the grizzlies, camping by their fishing spot and personally interacting with them at close quarters. It did not end well.

Basically, grizzlies are hard-wired to hunt and eat humans. They are so fast that a human can’t escape one without a vehicle (or, possibly – but not for sure – tree climbing); They are so strong and fierce that a human can’t fend one off without a firearm (or, possibly, bear spray). This makes Treadwell’s’s quest remarkably foolhardy, This also makes Grizzly Man hilarious in a Darwin Awards way.

GRIZZLY MAN

As ridiculous as is Treadwell’s plan, this story had its life-and-death drama. Herzog’s presentation of a wristwatch and an audio recording is a moment that makes the hair on your neck stand up.

Werner Herzog, known for his German New Cinema art house hits of the 70s and 80s (Aguirre:The Wrath of God, Strozek Nosferatu the Vampyre, Fitzcarraldo), switched gears in 1997 with the underrated documentary Little Dieter Needs to Fly and followed it with Grizzly Man. Since, Herzog has become a prolific and masterful documentarian.

In Grizzly Man, Herzog makes use of 100 hours of Treadwell’s own video footage of his misadventure. As we’ve come to expect, Herzog’s research is impressively resourceful, and he assembles his finds to construct a masterpiece of story-telling Most remarkably, Herzog has also become one of the greatest narrators of English language documentaries; somehow, his German-accented narrations are hypnotic.

Grizzly Man is a superb film, which made my own list of Best Movies of the 21st Century (and Sophia Coppola’s, too) and my Best Movies of 2005. It can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play, and it’s available on DVD from Netflix.

MEETING GORBACHEV: uncritical but humanizing

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Mikhail Gorbachev in MEETING GORBACHEV

Meeting Gorbachev is Werner Herzog’s admiring biodoc of Mikhail Gorbachev, unquestionably one of the 20th century’s most pivotal figures. Herzog filmed three conversations with the then 87-year-old Gorbachev in 2018.

Gorbachev is revered in Germany – particularly by Werner Herzog – for allowing the peaceful, and startlingly quick, reunification of Germany. This biodoc is, to a fault, uncritical. At one point, Herzog even tells Gorbachev, “I love you”.

As the leader of the USSR, Gorbachev’s concepts of Perestroika and Glasnost transformed the political, economic and foreign policy of the Cold War superpower. More than any other individual, Gorbachev can claim credit for ending the Cold War, abolishing and destroying mid-range and short-range nuclear weapons, and the unchallenged independence of the Iron Curtain countries.

Gorbachev is also a tragic figure of Shakespearean proportions. He was intending to reform the USSR, not to destroy it. A coup by fossilized communists knocked him out of power but couldn’t be sustained, spinning out of control and leading to a chaos taken advantage of by the strong man Putin,.

Herzog’s film is excellent in its well-researched and well-told story of the rise of Gorbachev from a modest agricultural backwater – a talented achiever on the rise. Herzog’s irreverent sense of humors, as always, peeks through in the state funerals of Gorbachev’s predecessors, each more absurdly funny than the last.

The greatest gift of Meeting Gorbachev is, as the title suggests, is the unfiltered Gorbachev himself – now a grandfatherly raconteur. We get to appreciate his intellectual curiosity and his clarity of thought and direction. His charm and charisma, even at 87, help us understand how he rose to world leadership.

Werner Herzog and Mikhail Gorbachev in MEETING GORBACHEV

Herzog was a charismatic and innovative leader of German New Cinema. Between 1972 and 1982, he created the art house hits Aguirre:The Wrath of God, Strozek Nosferatu the Vampyre, and Fitzcarraldo.

In 1997, Herzog switched gears with the underrated documentary Little Dieter Needs to Fly and followed it with great docs like Grizzly Man and Encounters at the End of the World. Most remarkably, Herzog has also become one of the greatest narrators of English language documentaries; somehow, his German-accented narrations are hypnotic. (In 2007, Herzog slipped in Bad Lieutenant: Port of Call New Orleans with Nicholas Cage in the Klaus Kinski wild man role and cinema’s funniest iguana hallucination.)

Meeting Gorbachev played at the San Francisco International Film Festival (SFFILM). I saw Meeting Gorbachev at Silicon Valley’s Cinema Club.

Herzog’s most American documentary: God’s Angry Man

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Dr. Gene Scott

I am a huge fan of Werner Herzog’s documentaries (Grizzly Man, Little Dieter Needs to Fly, Cave of Forgotten Dreams).  So I was particularly pleased to come across this 1980 Herzog gem.  It’s a 43 minute made-for-TV documentary called God’s Angry Man.

God’s Angry Man is about the late Dr. Gene Scott, a TV preacher who would rail at his audience until they sent him money.  You would think that people would turn off a television personality who was hectoring them, but Scott tapped into something spooky within his flock.  He was mesmerizing.  I myself watched him for many hours late at night, amazed that his followers would tune in to his hard-edged bellowing and choose to be bullied.

Herzog plays it straight and lets Scott speak for Scott, although Herzog must have been puzzled and bemused by the American phenomenon of the TV preacher.

You can watch the entire movie at this slightly creepy Dr. Gene Scott fan page or here on Google Videos.

Cave of Forgotten Dreams: 3D for grownups

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Come along with Werner Herzog as he explores the 33,000-year-old Chauvet cave paintings in southern France. It’s a great topic for a film – a specially authorized descent into the claustrophobic confines of a prehistoric cave, littered with human footprints and the skulls of extinct cave bears.  Surprisingly, some of the paintings look like they were painted in the Renaissance or later.

And, of course, Herzog (Aguirre: The Wrath of God, Grizzly Man) is a great story teller.  Here, he made the wise choice to film in 3D.  The paintings are not on flat canvasses, but on uneven rock faces.  The 3D allows the audience to appreciate how the artists used the curves in the rock to give the illusion of motion in their subjects.

Don’t miss Cave of Forgotten Dreams while it can be seen in 3D.

More Best Bets for May

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I need to add some upcoming films to Friday’s post on Best Bets for May.

Cave of Forgotten Dreams opens this week.  Werner Herzog explores the 33,000-year-old cave paintings in Chauvert, France.  Herzog knows what he is doing (Aguirre: The Wrath of God, Grizzly Man), and he says that this needed to be shot in 3D, so I believe him.

Also opening this weekend is Queen to Play.  Sandrine Bonnaire plays a hotel maid who is taught chess by chess expert Kevin Kline and learns that she is gifted, which shakes up her family’s life.  Jennifer Beals shows up in the film and, hey, Kevin Kline acts in French!

Midnight in Paris:  In Woody Allen’s latest,  Owen Wilson accompanies wife Rachel McAdams to Paris, where she is intrigued by pretentious Michael Sheen, leaving him to explore midnight Paris and discover his muse (Marion Cotillard, perhaps?).   Adrien Brody, Kathy Bates and French first lady Carla Bruni all pop in.  Releases widely May 27.

You can see trailers and descriptions of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for Cave of Forgotten Dreams.

My Son, My Son, What Have Ye Done?

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Michael Shannon in My Son, My Son, What Have Ye Done?

In My Son, My Son, What Have Ye Done?, Werner Herzog explores why an actor would re-enact a theatrical scene for real and kill his mother with the sword that he had been using for a prop.  The short answer is because he was crazier than shit.  This is based on an actual event.  The generally intense and often creepy Michael Shannon plays the murderer, who has suffered a schizophrenic breakdown and is decompensating by the minute.  The audience wants to tell his fiance (Chloe Sevigny) to run, not walk, away from him.  His craziness is so immediately apparent, that there’s really no arc to the film, as we watch flashbacks from the prior year.

Shannon, who is now seen as the revenue agent in HBO’s fine Boardwalk Empire, is very scary.  Incidentally, the movie belongs to that very small subgenre of films where Williem Dafoe (here the cop) does not play the creepiest character.  Dafoe is also out-creeped by Brad Dourif, whose role apparently exists to show that entire family is crazy (like Arsenic and Old Lace).

I would rather recommend a great Michael Shannon performance in a much better film, Shotgun Stories.

The film had an extremely limited theatrical release early this year, but was not widely distributed.  Available now on DVD.