Upstream Color

Movies to See Right Now

by
Bradley Cooper in THE PLACE BEYOND THE PINES

Best bets in theaters this week:

  • If you see the thought-provoking drama The Place Beyond the Pines with Ryan Gosling and Bradley Cooper, you’ll still be mulling it over days later;
  • I guarantee that you will enjoy the absolutely winning The Sapphires, a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War.
  • Read my ambivalent comments before going to see the enigmatic Upstream Color.

I haven’t yet seen (but I’ve been eagerly awaiting) the drama Mud, with Matthew McConaughey, Reese Witherspoon, Sam Shepherd, Michael Shannon and the kid from The Tree of Life.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

PBS is broadcasting the compelling doumentary The Central Park Five from Ken Burns, et al.  It’s also available streaming from Amazon Instant and other VOD providers.

On the Road is the faithful but ultimately unsuccessful adaptation of the seminal Jack Kerouac novel, with surprisingly little energy.  I’m not a big fan of the shaky cam noir Sun Don’t Shine from promising indie director Amy Seimetz, available from various VOD outlets.

My DVD/Stream of the Week is the authentic and evocative coming of age movie The Perks of Being a Wallflower.  It’s available on DVD from Netflix and Redbox and streaming from Amazon, iTunes and other VOD providers.

On April 30, Turner Classic Movies will be broadcasting the oft overlooked film noir The Prowler, starring usually sympathetic good guy Van Heflin as the twisted bad guy.

Movies to See Right Now

by
Amy Seimetz in UPSTREAM COLOR

Best bets in theaters this week:

  • If you see the thought-provoking drama The Place Beyond the Pines with Ryan Gosling and Bradley Cooper, you’ll still be mulling it over days later;
  • I guarantee that you will enjoy the absolutely winning The Sapphires, a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War.
  • Read my ambivalent comments before going to see the enigmatic Upstream Color.

PBS is broadcasting the compelling doumentary The Central Park Five from Ken Burns, et al.

On Video on Demand:

  • Letters from the Big Man: a beautifully looking and sounding fable about a prickly woman with a guy and a Bigfoot competing for her affections.
  • Electrick Children: an entirely unique teen coming of age story with fundamentalist Mormon teens in Las Vegas.
  • Music fans will enjoy the bio-documentary Beware of Mr. Baker.

On the Road is the faithful but ultimately unsuccessful adaptation of the seminal Jack Kerouac novel, with surprisingly little energy. The HBO movie Phil Spector is really just a freak show.

I haven’t yet seen the Norwegian scientific true adventure Kon-Tiki. Also opening today is Terence Malick’s To The Wonder.   You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the indie drama Smashed, with its breakthrough performance by Mary Elizabeth Winstead. It’s available on DVD from Netflix and Redbox and streaming from Amazon, iTunes and other VOD providers.

Upstream Color: “enigmatic” is an understatement

by
UPSTREAM COLOR

I have never been as ambivalent about a movie as I am about Upstream Color.  (More about that later.)

A character named Thief concocts a drug from corpulent worms, doses a woman and scams her out of her savings.  Another character, named Sampler, deworms her in a surgical tent at a pig farm.  This experience washes away her memory, and she happens into a relationship with a man, another loner trying to move on from a traumatic episode.  Along the way, we see vividly colorful shots of the human bloodstream and riparian ecology.  Sampler periodically reappears to solemnly observe the goings on and experiment with sound recordings, and he spends lots of time with the herd of pigs.

Yes, this is one trippy movie.  The worming and deworming scenes could fit in a sci-fi or horror movie.  The second half has the air of a romantic thriller.  The overall tone is of an art film or experimental film.  Upstream Color is written, directed, produced and co-edited by Shane Carruth, who also plays the male lead and composed the score.  Indeed, the cinematography and Carruth’s editing and music are strikingly unique and effective.

Even viewers who admire Upstream Color find it baffling.  What’s going on and what’s it all mean?  Halfway through, I put it all together:  Sampler represented the writer himself who was imagining – and trying on – different characters, plot elements and settings.   So I thought this was a brilliant film about the creative process.  But then Carruth himself set me straight.  At the screening Q & A, Carruth said that I was wrong about Sampler, that the film is about how people might relate if their identities are stripped away, and that Upstream Color is intended to be a coherent narrative.

So here’s my problem –  it’s not a coherent narrative – not even close.  If Sampler is merely an observer, how can he play a critical part in the plot by deworming the woman?  Why are the characters doing the same thing simultaneously at the pig farm and in the highrise? And what gives with the bearded guy and his wife (seemingly unrelated to the other plot threads)?  So I don’t think that Upstream Color is a success on the filmmaker’s own stated terms.  But my interpretation did work for me, and the music, visuals, editing, and lead actress Amy Seimetz combined to make the overall experiece worthwhile.

Amy Seimetz is excellent as this haunted and confused character.  (Seimetz is a director in her own right and is getting enough acting parts now to demonstrate that she has the chops of a potentially significant actress.  (BTW 25 years ago, Lindsay Crouse would have played this role.)

If you like your movies understandable, stay away from Upstream Color – you will hate it.  If you want a unique art film experience, go with it.