The Japanese domestic drama Our Little Sister is remarkably uplifting. I would seek it out because it’s unlikely to remain in theaters for more than two or three weeks.
Zero Daysis a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople.
The subversive documentary Under the Sun is a searing insight into totalitarian North Korean society, all from government-approved filming that tells a different story than the wackadoodle dictatorship intended.
Woody Allen’s love triangle comedy Cafe Societyis a well-made and entertaining diversion, but hardly a Must See.
Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.
I’m not writing about Ghostbusters, but I’ve seen it, and it’s not terrible. Kristen Wiig and Melissa McCarthy are brilliant talents, and they produce some laughs in Ghostbusters.
Tomorrow, I’ll be writing about The Bandit, coming up on on CMT tomorrow night.
My DVD/Stream of the week is the hilariously dark Argentine comedy Wild Tales. Writer-director Damián Szifron presents a series of individual stories about revenge. It’s still high my list of Best Movies of 2015 – So Far. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
Here are my top picks at the San Francisco Jewish Film Festival (SFJFF36), underway right now throughout the Bay Area. The romance Fever at Dawn plays in Palo Alto tonight. This weekend, the festival hosts the West Coast premiere of the documentary The Last Laugh, which explores (gasp) humor and the Holocaust.
In theaters right now:
The Japanese domestic drama Our Little Sister is remarkably uplifting. I would seek it out because it’s unlikely to remain in theaters for more than two or three weeks.
Zero Daysis a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
Opening today in San Francisco, the subversive documentary Under the Sun is a searing insight into totalitarian North Korean society, all from government-approved filming that tells a different story than the wackadoodle dictatorship intended.
Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.
I’m not writing about Ghostbusters, but I’ve seen it, and it’s not terrible. Kristen Wiig and Melissa McCarthy are brilliant talents, and they produce some laughs in Ghostbusters.
My DVD/Stream of the week is the harrowing thriller ’71, about a nail-biting 24 hours in Northern Ireland’s Troubles. ’71 is now available on DVD from Netflix and Redbox and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Tomorrow night, Turner Classic Movies presents one of my favorite film noirs, The Lineup (1958), with its dazzling San Francisco locations.
The subversive documentary Under the Sun is a searing insight into totalitarian North Korean society, all from government-approved filming that tells a different story than the wackadoodle dictatorship intended.
The North Korean regime gave filmmaker Vitaly Mansky permission to film the story of a young girl who is training to take part in one of North Korea’s ritualized propaganda spectacles – when children “join” the Korean Children’s Union on the birthday of the current Supreme Leader’s father. The script and the filming locations were all assigned by the North Korean regime and all film reviewed by their censors. But Mansky was able to conceal and preserve the outtakes – and those moments are devastatingly revelatory about life on North Korea.
What we see is a grim society, virtually devoid of vibrancy and joy. Families are posed briefly mechanically and unsmilingly for ritual family photos in front of flower-bedecked giant portraits of the Leaders. The streets are drab and empty of vehicle traffic even at rush hour. Mansky shows us surreptitious glimpses of his minders and even of boys raiding garbage cans. There’s a lot of regimentation depicted in Under the Sun and lots of people drearily filing to and fro. Sometimes it gets tiresome – but that’s the point.
Everyone is conscripted to perform and watch phony staged spectacles of the grandest scale. The rapturous crowds shown on TV contrast with the stoic crowds forced to view the televised events. North Korea must have the world’s most professional event planners per capita.
Most chillingly, we see a class where 6-year-olds are taught to hate Japanese and Americans. This appears to be a scene that the North Koreans INTENTIONALLY included in the movie.
The beautiful irony of Under the Sun is that, in trying to tell a story about the best of their society, the North Koreans actually reveal their worst. I saw Under the Sun earlier this year at the 59th San Francisco International Film Festival. Under the Sun opens July 29 at the Lee 4-Star in San Francisco.
Weiner – This hit from the Sundance and New Directors film festivals is an inside look at Anthony Weiner’s cringeworthy, self-immolating campaign for New York City Mayor;
Miss Sharon Jones! – Sure to be a festival crowd-pleaser, this doc chronicles the salty Dap Kings frontwoman and her fight against cancer. From Academy Award-winning documentarian Barbara Kopple (Harlan County U.S.A.);
Unlocking the Cage– an animal welfare doc from storied filmmakers Chris Hegedus (The War Room) and D.A. Pennebaker (Monterey Pop and The War Room); and
The Bandit, in the coveted slot as the festivals’ Closing Night film, documents the real life bromance between Burt Reynolds and iconic stuntman Hal Needham that led to Needham’s Smokey and the Bandit movies.
But some of the best docs in the fest are less well-known nuggets:
NUTS! – a persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
Dead Slow Ahead– a visually stunning and an often hypnotic film, shot on a massive freighter on its voyage across vast ocean expanses with its all-Filipino crew.
Under the Sun – a searing insight into totalitarian North Korean society, all from government-approved footage that tells a different story than the wackadoodle dictatorship intended.