Bolstered with some superb supporting performances, filmmaker Tom McCarthy turns a journalistic procedural into the riveting. edge-of-your-seat-drama Spotlight. The story centers on a team of Boston Globe investigative reporters (Michael Keaton, Rachel McAdams, Mark Ruffalo, Brian d’Arcy James, John Slattery and LievSchrieiber) as they untangle the sex abuse scandal in the Boston Archdiocese. Starting with the already-known Father Geoghan case, they uncover sexual abuse by two Boston priests, then four, then thirteen and soon an unthinkable magnitude, all intentionally covered up by the Church. Reminiscent of All the President’s Men, the team’s shoe leather efforts nets the Big Story.
We already are familiar with the horrible and disgusting revelations. But writer-director Tom McCarthy builds suspense and keeps us totally engaged in this brilliantly paced movie. McCarthy also wrote and directed the brilliant, character-driven fictional films The Visitor and The Station Agent.
Michael Keaton, coming off his tour de force in Birdman, is especially good here, especially in a reflective scene near the end. McAdams and Schreiber are also solid. Ruffalo has the most showy part, as a frenetic and volatile reporter.
But this most compelling acting comes from several of the supporting players, especially Michael Cyril Creighton, Jimmy LeBlanc and Anthony Paolucci as survivors of sexual abuse. The ever-reliable Jamey Sheridan is superb as a diocesan lawyer. Richard O’Rourke is affecting as an addled pedophile priest. Paul Guilfoyle, so convincing as true blue guys in CSI and Primary Colors, gets to play convincingly smarmy here. I don’t see Richard Jenkins in the credits, but the voice of an expert psychotherapist sure sounds like him.
At the end, McCarthy uses epilogue titles to effectively show the extent of the horrors revealed.
All in all, Spotlight is the first top rate movie of the Fall.