The Rack

Movies to See Right Now

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Photo caption: Valeria Bruni Tedeschi and Nadia Tereszkiewicz in ONLY THE ANIMALS. Courtesy of Cohen Media Group.

This week – four new 2021 movie recommendations and two more from the 1950s. Plus, Cinequest’s online festival CINEJOY is running through November 17, and here are my Cinejoy recommendations.

IN THEATERS

Only the Animals: The ever-surprising Only the Animals is no ordinary mystery. The intricately constructed story reveals elements of the mystery, from each character’s perspective in sequence – and each may have the key to the puzzle. Obsessive infatuation, misdirected passion and psychotic delusion collect into a pool of perversion. Opening at the Landmark Shattuck.

The Velvet Underground: It’s rare for a documentary film to immerse the audience as deeply into a time and place as does Todd Haynes’ The Velvet Underground. Richly sourced, it’s the LOOK and FEEL and SOUND of the film which is so singular. Also streaming on AppleTV.

Last Night in Soho: It’s a clever, entertaining and sometimes artsy horror movie, but in the end. it’s just a horror movie. Sure is fun to watch Ana Taylor Joy, though.

Also in theaters:

ON VIDEO

De Gaulle: This fine docudrama takes us to a pivotal two-week period in June 1940 when Hitler had all but conquered France and Charles de Gaulle was the only French leader who could imagine an Allied military victory. Laemmle.

Ashes and Diamonds: A masterful director and his charismatic star ignite this Overlooked Noir, a thriller set amidst war-end treachery. I wrote about its broadcast on TCM, but it can also be streamed from Amazon and AppleTV.

Michael Gandolfini and Alessandro Nivola in THE MANY SAINTS OF NEWARK

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Paul Newman and Edmond O’Brien in THE RACK

On Veterans Day, November 11, Turner Classic Movies airs an overlooked Korean War film, The Rack (1956). A returning US army captain (Paul Newman) is court-martialed for collaborating with the enemy while a POW. He was tortured, and The Rack explores what can be realistically expected of a prisoner under duress. It’s a pretty good movie, and Wendell Corey, Edmond O’Brien, Walter Pidgeon, Lee Marvin and Cloris Leachman co-star.

Paul Newman and Walter Pidgeon in THE RACK

And on November 6, TCM plays the fine 1995 documentary The Celluloid Closet, tracing the history of LGBTQ filmmakers overdecades of don’t ask, don’t tell Hollywood.

Movies to See Right Now

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Aretha Franklin in AMAZING GRACE

OUT NOW

  • The Aretha Franklin concert film Amazing Grace is, at once, the recovery of a lost film, the document of an extraordinary live recording and an immersive, spiritual experience.
  • In The Chaperone, Downton Abbey’s writer Julian Fellowes and star Elizabeth McGovern reunite for a pleasing character study of self-discovery in 1921 America – it’s deeper than it first appears to be.
  • The Man Who Killed Don Quixote: after 25 years of misfortune and missteps, Terry Gilliam has succeeded in making a Don Quixote movie – and it’s good.
  • In Teen Spirit, Elle Fanning plays an underdog teenager who has the chance to win a talent contest and become an instant pop star – yes, it’s a genre movie, but it’s a pretty fair one.
  • The Brink is documentarian Alison Klayman’s up-close-and-personal portrait of Steve Bannon, the outsized personality who coached Donald Trump’s race-baiting right into the White House. As Bannon unintentionally reveals himself to be pathetically craving relevance, I found The Brink to be irresistible, and I watched with fascination.
  • For the first hour-and-a-half of Sunset, I was convinced that I was watching the best movie of the year. Then the coherence unraveled, but I still recommend Sunset, even with its flaws, for its uncommon artistry.
  • The puzzling thriller Transit, with all its originality, just isn’t director Christian Petzold’s best.
  • Ramen Shop is a lightly-rooted dramedy about a Singaporean-Japanese family’s reconciliation. There’s also a metaphorical foodie angle.
  • Skip The Hummingbird Project – two good scenes just isn’t enough.

Elle Fanning in TEEN SPIRIT

ON VIDEO

My video choice, the psychological suspense movie Una, revolves around two twisted people who make for two unreliable narrators  (Rooney Mara and Ben Mendelsohn).  I originally saw Una at the 2017 Cinequest.  You can stream it from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On April 27, Turner Classic Movies will air the 1950 version of M, directed by Joseph Losey. This is a remake of Fritz Lang’s great 1931 M with Peter Lorre. The Losey version is not a masterpiece like the original, and I find it pretty odd. However, Los Angeles’ storied Bradbury Building, which has been in many a movie, was never been as gloriously revealed from basement to roof as in M. The Bradbury Building and the film as a whole benefit from the cinematography of Ernest Laszlo; Laszlo also shot D.O.A., The Well, The Steel Trap, Stalag 17, The Naked Jungle, Kiss Me Deadly and While the City Sleeps, before being Oscar-nominated eight times for more respectable, but lesser films. The cast is filled with film noir faves – Raymond Burr, Norman Lloyd, Howard Da Silva, Steve Brodie and Luther Adler. M is playing on TCM’s Noir Alley series, and I look forward to Eddie Muller’s intro and outro.

On May 1, TCM airs The Rack (1956): A returning US army captain (Paul Newman) is court-martialed for collaborating with the enemy while a POW. He was tortured, and The Rack explores what can be realistically expected of a prisoner under duress. It’s a pretty good movie, and Wendell Corey and Walter Pidgeon co-star.

Joseph Losey’s M

Movies to See Right Now

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Andrew Garfield in HACKSAW RIDGE
Andrew Garfield in HACKSAW RIDGE

It’s Memorial Day weekend.  Scroll down for my recommendations of current and classic movies on video and television that honor military service.

Recommended movies to see in theaters this week:

  • Opening this weekend, The Commune, looks like comedy of errors, but it’s a family drama with a searing performance by Trine Dyrholm.
  • The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sit with the Movers and Shakers. This may be Gere’s best movie performance ever.

My DVD/Stream of the Week is last year’s Oscar-winning Hacksaw Ridge, about American Army Medic Desmond T. Doss, who single-handedly rescued 75 fellow soldiers at the Battle of Okinawa and became the first Conscientious Objector in American history to be awarded the Congressional Medal of Honor. You can rent Hacksaw Ridge on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play and DirecTV. If you’re going to see one war movie this year, make it this one.

Yesterday I wrote about Turner Classic Movies’ uncommon slate of thoughtful Korean War movies airing Saturday, including Men in War, The Steel Helmet, The Rack and The Hook.

On Sunday May 28, TCM will present the definitive Pearl Harbor movie, Tora! Tora! Tora! from 1970. Featuring great American and Japanese casts, Tora! Tora! Tora! tells the story from both American and Japanese perspectives. It’s a suspenseful minute-by-minute countdown. Tora! Tora! Tora! is one of the very best movies ever made about a well-known historical event.  And on Monday, May 29, TCM will broadcast the fine WW II submarine warfare movie The Enemy Below, which I wrote about last month (scroll down.

TORA! TORA! TORA!
TORA! TORA! TORA!

coming up on TV: a Korean War movie sampler

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Gene Evans in THE STEEL HELMET
Gene Evans in THE STEEL HELMET

Turner Classic Movies usually serves up war movies on the Memorial Day weekend, and, on May 27, TCM will present an uncommon slate of Korean War movies.  Most of the featured films were made between 1951 and 1957 – more or less contemporaneously with the conflict.  If you want to survey this subgenre, here’s your chance.

The best two are:

  • Men in War (1957): An infantry lieutenant (Robert Ryan) must lead his platoon out of a desperate situation, and he encounters a cynical and insubordinate sergeant (Aldo Ray) loyally driving a jeep with his PTSD-addled colonel (Robert Keith). In conflict with each other, they must navigate through enemy units to safety. Director Anthony Mann is known for exploring the psychology of edgy characters, and that’s the case with Men in War.
  • The Steel Helmet (1951) is a gritty classic by the great writer-director Sam Fuller, a WWII combat vet who brooked no sentimentality about war. Gene Evans, a favorite of the two Sams (Fuller and Peckinpah), is especially good as the sergeant. American war movies of the period tended toward to idealize the war effort, but Fuller relished making war movies with no “recruitment flavor”.  Although the Korean War had only been going on for a few months when Fuller wrote the screenplay, he was able to capture the feelings of futility that later pervaded American attitudes about the Korean War.

And these two are unusually thoughtful “message” films:

  • The Rack (1956):  A returning US army captain (Paul Newman) is court-martialed for collaborating with the enemy while a POW.  He was tortured, and The Rack explores what can be realistically expected of a prisoner under duress.  It’s a pretty good movie, and Wendell Corey and Walter Pidgeon co-star.
  • The Hook (1963):  A small unit of GIs is ordered to kill a North Korean prisoner, and this stagey screenplay explores the morality of following – or resisting – orders that violate civilized standards.  Kirk Douglas gives one of his testosterone-laden performances.

On the same day, TCM is also airing One Minute to Zero (1952), Target Zero (1955) and Battle Hymn (1957).

This time around, TCM is not showing the three most well-known Korean War movies:   The Manchurian Candidate, Pork Chop Hill and M*A*S*H.   The precursor to M*A*S*H*, of course, was  Battle Circus, a 1953 Humphrey Bogart film about a camp full of rowdy army surgeons.

And here’s a curiosity among Korean War movies: War Hunt,  a 1962 film about a rookie (Robert Redford) joining a Korean War unit as a new replacement with John Saxon as the platoon’s psycho killer.  Along with Redford, Sidney Pollack and Francis Ford Coppola are in the cast, making War Hunt the only film with three Oscar-winning directors as actors.   Don’t blink, or you’ll miss Coppola as an uncredited convoy truck driver.

Robert Keith and Aldo Ray in MEN IN WAR
Robert Keith and Aldo Ray in MEN IN WAR

TCM’s Korean War Marathon

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On June 24 and 25, TCM is showing fourteen straight Korean War movies: The Steel Helmet (1951),  Men In War (1951) , Men Of The Fighting Lady (1954), I Want You (1951), Battle Circus (1953),  Tank Battalion (1958), Mission Over Korea (1953), Battle Taxi (1955), The Bamboo Prison (1955), All the Young Men (1960), Take the High Ground! (1953), Time Limit (1957), The Rack (1956) and  Hell in Korea (1956).

If you’re gonna watch just one, I recommend The Steel Helmet, a gritty classic by the great Sam Fuller, a WWII combat vet who brooked no sentimentality about war.  Fuller and Peckinpah favorite Gene Evans is especially good as the sergeant.

This time, TCM is not showing the three most well-known Korean War movies:   Manchurian Candidate, Pork Chop Hill and M*A*S*H.

Earlier this year, TCM broadcast War Hunt,  a 1962 film about Robert Redford joining a Korean War unit as a new replacement with John Saxon as the platoon’s psycho killer.  Along with Redford, Sidney Pollack and Francis Ford Coppola are in the cast, making War Hunt the only film with three Oscar-winning directors as actors.   Don’t blink, or you’ll miss for Coppola as an uncredited convoy truck driver.