New this week – a dazzling literary adaptation, a profound social satire and a dreary slog. And check out my Best Movies of 2020.
I’ve also recently remembered 32 filmmakers that we lost in 2020:
- 2020 Farewells: On the Screen (Part 1): Kirk Douglas, Sean Connery, Max von Sydow, Carl Reiner, Olivia de Havilland, Rhonda Fleming. Brian Dennehy, Fred Willard and Chadwick Boseman.
- 2020 Farewells: On the Screen (Part 2): John Saxon, Ian Holm, Jerry Stiller, Allan Garfield, Michael Lonsdale, Ann Reinking, Stuart Whitman, Wilford Brimley, Sue Lyon, Jo Shishido, Little Richard, Linda Manz and John Benfield.
- 2020 Farewells: Behind the Camera: Ennio Morricone, Buck Henry, Terry Jones, John le Carré, Lynne Shelton, Ivan Passer, Michael Chapman, Alan Parker, Joel Schumacher and Mike Cobb.
ON VIDEO
The Personal History of David Copperfield: That master of social satire, Amando Ianucci, brings Charles Dickins’ masterpiece to life in this vivid and brilliantly constructed film. Streaming on Amazon, Vudu, YouTube and Google Play.
Another Round: Writer-director Thomas Vinterberg once again explores human foibles with humor and cold-eyed insight – and profoundly to boot. Mads Mikkelsen is stellar. I watched Another Round on Virtual Cinema at Laemmle.
Ammonite: The fine acting of Kate Winslet and Saoirse Ronan can’t save Ammonite, a slog of a period romance. Streaming on Amazon.
And some more current films:
- Ma Rainey’s Black Bottom: searing, with an electric performance. Netflix.
- Mank: biting the hand. Netflix.
- One Night in Miami: four icons share one pivotal moment. Amazon.
- My Psychedelic Love Story: Errol Morris and the unreliable narrator. HBO.
- Martin Eden: Jack London in an art film (link goes live soon). Laemmle.
- The Mystery of D. B. Cooper: the hijacking that keeps on giving. HBO.
- Belushi: more texture to the story that you already know. Showtime.
- The Prom: airy confection. Netflix.
ON TV
On January 5, Turner Classic Movies presents David Lean’s WWII epic The Bridge on the River Kwai. It’s the stirring story of British troops forced into slave labor at a cruel Japanese POW camp. The British commander (Alec Guinness, in perhaps his most acclaimed performance) must walk the tightrope between giving his men enough morale to survive and helping the enemy’s war effort. He has his match in the prison camp commander (Sessue Hayakawa), and these two men from conflicting values systems engage in a duel of wits – for life and death stakes. William Holden plays an American soldier/scoundrel forced into an assignment that he really, really doesn’t want. There’s also the stirringly unforgettable whistling version of the Colonel Bogey March. The climax remains one of the greatest hold-your-breath action sequences in cinema, even compared to all the CGI-aided ones in the 62 years since it was filmed.