The Midwife

Movies to See Right Now

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ATOMIC BLONDE

This hasn’t been a first-rate summer for movies, but you MUST SEE the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
  • The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
  • I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.
  • The Trip to Spain, another gourmet romp from Rob Brydon and Steve Coogan is funny for the first 90 minutes or so – just leave when the characters part company in Malaga.

My DVD/Stream of the Week is Norman: The Moderate Rise and Tragic Fall of a New York Fixer, perhaps Richard Gere’s best movie performance ever, and strongly recommended. Norman: The Moderate Rise and Tragic Fall of a New York Fixer is available to rent on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

For a ticking bomb thriller, you really can’t top John Frankenhimer’s The Manchurian Candidate, which Turner Classic Movies airs on August 19. Laurence Harvey plays a victim of Commie brainwashing who has become a robotic, remote-controlled assassin. Can he be stopped in time?

The Manchurian Candidate tops off a set of brilliant Frank Sinatra performances (before his directors couldn’t restrain him from mugging): From Here to Eternity, Suddenly!, The Man with a Golden Arm.

Harvey, Sinatra and Janet Leigh are all good, but this is really Angela Lansbury’s movie. Not only is her character promoting the political career of her bombastic Joe McCarthy-like husband, but she is a Communist agent intent on the Communist takeover of the US government. And she is pulling the strings to direct the assassin – her own son! Lansbury’s character makes my list of Worst Movie Mothers.

Angela Lansbury and Laurence Harvey in THE MANCHURIAN CANDIDATE

Movies to See Right Now

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Fionn Whitehead in DUNKIRK

There are still two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
  • The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
  • The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
  • I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde, and I’ll be writing about it when I have time.

My DVD/Stream of the Week is the visually beautiful The Lost City of Z, which revives the adventure epic with cultural sensitivity. The Lost City of Z is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

It’s time for Screwball Comedy: On August 13, Turner Classic Movies presents two of the very best examples, The Lady Eve and Ball of Fire. Both star Barbara Stanwyck, matched with Henry Fonda in The Lady Eve and with Gary Cooper in Ball of Fire. Ball of Fire is directed by the acknowledged master of screwball comedy, Howard Hawks, with a screenplay touched up by Billy Wilder. The Lady Eve is written and directed by Preston Sturges at the top of his game. In The Lady Eve, Stanwyck regards Fonda with, “I need him like the ax needs the turkey”, and in Ball of Fire, she is described with “That is the kind of woman that makes whole civilizations topple!”


Henry Fonda is no match for Barbara Stanwyck in THE LADY EVE

Movies to See Right Now

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Ray Romano and Holly Hunter in THE BIG SICK

There are still two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
  • The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
  • The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
  • I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde, and I’ll be writing about it when I have time.

My Stream of the Week is the documentary Ella Brennan: Commanding the Table, which tells the story of the New Orleans powerhouse restaurateur who overcame sexism and family betrayal to launch iconic restaurants, invent Bananas Foster, the Jazz Brunch and a host of food trends and mentor the celebrity chefs Paul Prudhomme, Emeril Lagasse and Jamie Shannon.  Ella Brennan: Commanding the Table can be streamed from Netflix Instant.

On August 6, Turner Classic Movies will feature His Kind of Woman, one of my Overlooked Noir. Robert Mitchum plays a down-and-out gambler who is offered a deal that MUST be too good to be true; he’s smart enough to be suspicious and knows that he must discover the real deal before it’s too late. He meets a on-the-top-of-the-world hottie (Jane Russell), who is about to become down on her luck, too. They may not be lucky, but they are determined to survive. The delicious cast includes Charles McGraw, Jim Backus, Vincent Price, Philip Van Zandt, Tim Holt and Raymond Burr at his most pitiless.

HIS KIND OF WOMAN
HIS KIND OF WOMAN

Movies to See Right Now

by

DUNKIRK

There are two Must See movies this summer – the historical thriller Dunkirk and the delightful romantic comedy The Big Sick.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly time to the beat of music.
  • The Journey is a fictional imagining of a real historical event with wonderful performances from Colm Meaney and Timothy Spall as the two longtime blood enemies who collaborated to bring peace to Northern Ireland.
  • The Midwife, with Catherine Deneuve as a woman out of control and uncontrollable, indelibly disrupting another life.
  • Okja, another wholly original creation from the imagination of master filmmaker Bong Joon Ho, is streaming on Netflix and also in theaters.
  • The amusingly naughty but forgettable comedy The Little Hours is based on the dirty fun in your Western Civ class, Boccaccio’s The Decameron.
  • The character-driven suspenser Moka is a showcase for French actresses Emmanuelle Devos and Nathalie Baye.

Here are my top picks for the San Francisco Jewish Film Festival, underway now.

You just shouldn’t miss my DVD/Stream of the Week, The Imposter. Life is at times stranger than fiction, and The Imposter is one of the most jaw-dropping documentaries I have seen. A Texas boy vanishes and, three years later, is impersonated by someone who is seven years older than the boy, is not a native English speaker and looks nothing like him.  Even the con man is  surprised when the family is embracing him as the lost boy – and then he begins to suspect why…The Imposter is available on DVD from Netflix and streaming from Netflix, Amazon, iTunes and many other VOD providers.

On August 1, Turner Classic Movies presents the classic film noir The Asphalt Jungle. The crooks assemble a team and pull off the big heist…and then things begin to go wrong. There aren’t many noirs with better casting – the crooks include Sterling Hayden, Louis Calhern, Sam Jaffe and James Whitmore. The 23-year-old Marilyn Monroe plays Calhern’s companion in her first real speaking part. How noir is it? Even the cop who breaks the case goes to jail. Directed by the great John Huston.

Also on August 1, TCM airs Some Like It Hot, this Billy Wilder masterpiece that is my pick for the best comedy of all time. Seriously – the best comedy ever. And it still works today. Tony Curtis and Jack Lemmon play most of the movie in drag (and Tony is kind of cute). Curtis must continue the ruse even when he’s next to Marilyn Monroe at her most delectable. Curtis then dons a yachting cap and does a dead-on Cary Grant impression as the heir to an industrial fortune. Joe E. Brown gets the last word with one of cinema’s best closing lines.

THE ASPHALT JUNGLE

THE MIDWIFE: life disrupted

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Catherine Deneuve and Catherine Frot in THE MIDWIFE

A woman’s life is utterly disrupted – for better and for worse – by the unexpected appearance of someone from her past.  Claire (Catherine Frot) is a middle-aged Paris midwife who lives a completely contained life, focused only on her passion for childbirth. Her other only other devotion is to her son, who, between med school and his girlfriend, she doesn’t see much of. Claire is so abstemious that she must be the only non-recovering and non-Muslim resident of France who eschews even a glass of wine.

Suddenly Béatrice (Catherine Deneuve) shows up and, in a most unwelcome development, intrudes on Claire’s life. Thirty years before, Béatrice was Claire’s father’s mistress when Claire was a teenager. After dragging Claire’s father into financial ruin, Béatrice suddenly disappeared, and he committed suicide. Now Béatrice, for the first time in thirty years, expects to pick up the relationship with Claire as though none of this had happened.

Béatrice is an irascible libertine and hedonist with champagne tastes and a gambling habit. She’s a master manipulator who has survived by flitting between rich boyfriends, but now she’s down – really down – on her luck. Béatrice has adopted “depending on the kindness of strangers” as her personal creed.

The Midwife is a welcome showcase for the veteran French actress Catherine Frot, whom we don’t get to see enough of in the US, despite her 96 screen credits (most recently in Haute Cuisine). Frot perfectly portrays the generally strong-willed woman who is ultimately unable to resist, bit by bit, the changes to her world.

One of the striking aspects of The Midwife is the opportunity for the great Catherine Deneuve to depart from her often icy and imperious roles. Béatrice is out of control and uncontrollable.

Paul, a simple and lusty long haul trucker shows up and show interest in Claire.   Paul is played by Olivier Gourmet from the great Dardennes Brothers movies Rosetta, The Son, L’enfant and The Kid with a Bike.  This is a much less brow-furrowing role, and Gourmet gets to unleash a delightful measure of gusto.

The Midwife is written and directed  by Martin Provost, the actor who has recently written and directed Seraphine, The Long Falling and Violette.  quite brilliantly edited  and his editor Albertine Lasta – (one of the editors on Blue Is the Warmest Color) know just when to end a scene – down to the nano-second.  This is a very effectively edited film.

The Midwife is a film to settle into and to meet and understand Claire, then to watch her life change.