The Lost Leonardo

Most overlooked movies of 2021

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Photo caption: RIDERS OF JUSTICE, a Magnet release. © Kasper Tuxen. Photo courtesy of Magnet Releasing.

Some of 2021’s best movie experiences are still under the radar. Here are seven films that you shouldn’t overlook.

All are available to stream at home. (There are more overlooked 2021 movies that I could recommend, but I’m not going to tease you with movies that you can’t find.)

  • Riders of Justice: Starring the charismatic Mads Mikkelsen, this character-driven thriller is near the top of my Best Movies of 2021. Riders of Justice has been inadequately described as a revenge thriller and an action comedy. It is gloriously satisfying as entertainment, but the more I think about it, Riders of Justice explores grief, revenge and mortality – they’re all in here. And it’s still very, very funny. Even Denmark overlooked Riders of Justice, submitting Flee as their entry for the Best International Feature Oscar instead. Amazon, AppleTV, Vudu and YouTube.
  • Brian Wilson: Long Promised Road: An unusual documentary about an unusual man.  Brian Wilson, The Beach Boys’ songwriting and arranging genius weighs in on his life and work.  Wilson’s old and trusted friend drove him around important places in his life – in the format of Comedians in Cars Drinking Coffee – and it paid off with oft emotional revelations from the usually monosyllabic Wilson. Amazon, AppleTV, Vudu, YouTube and redbox.
  • The Lost Leonardo: This documentary peels back the onion on an ever surprising tale of discovery, scholarship, fraud, commerce and politics in the refined and pretentious art world. Is a rediscovered Renaissance masterpiece authentic, and does it matter? Amazon, AppleTV, Vudu, YouTube and redbox.
  • Wildland: This remarkable Danish neo-noir gives family ties a bad name. The story simmers and evolves into a nail biter right up to its noir-stained epilogue. Amazon, AppleTV, Vudu.
THE UNKNOWN SAINT. Photo courtesy of The Match Factory.
  • The Unknown Saint: This delightfully deadpan crime comedy is a shrine to really bad luck. Morocco’s submission for this year’s Best International Feature Oscar. Netflix.
  • Summertime: I can’t remember hearing so much poetry in a movie. This ever vibrant film is about giving voice, the voice of mostly young Los Angelenos, expressing themselves, mostly through poetry. Amazon, AppleTV, YouTube and redbox.
  • Ma Belle, My Beauty: This simmering romantic drama is a gorgeous, sexy, character-driven film, an exploration of the post-breakup dynamics of polyamorous queer women. This is a beautiful, absorbing movie with the unexpected appearance of a strap-on. Amazon, AppleTV, Vudu, YouTube and redbox.
Idella Johnson, Sivan Noam Shimon and Hannah Pepper in Marion Hill’s film MA BELLE, MY BEAUTY. Courtesy of SFILM.

THE LOST LEONARDO: is it a hustle? does it matter?

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THE LOST LEONARDO

The insightful and thought-provoking documentary The Lost Leonardo starts out as a mystery. We learn that there are “sleeper hunters” in the art world, who seek unrecognized or mislabeled art and buy them on speculation. Our two sleeper hunters buy a beat up, old painting for $1100 to find out if is a long lost original Leonardo da Vinci painting, “the male Mona Lisa”. So, the initial question is, is this a real Leonardo painting, of which only 15 are known to exist?

Around 1500, Leonardo painted a Jesus portrait titled Salvator Mundi (The Savior of the World), of which many copies were made by others. The speculators send their painting to the world’s top restorer of Renaissance masterpieces to query whether this could be the original. Then they approach the National Gallery of Art, which has the painting scrutinized by three leading world experts in Leonardo’s work.

The initial findings are promising. The transition between the lip and the upper lip resembles only one other painting – the Mona Lisa. Removal of patchwork paint reveals that Jesus’ thumb has been repositioned, which was a common practice by Renaissance masters, but is never is seen in a copy.

But questions remain for some. Why would Leonardo, who was meticulous, choose a piece of wood with a knothole that would assuredly eventually cause a disfiguring crack? Worse, how could a 600-year-old Leonardo show up in New Orleans with no provenance?

Both the proponents of the painting’s authenticity and those who would discredit it agree that the restorer contributed up to 85% of the actual paint on the current painting. So, even if Leonardo painted it in 1500, is it now just a masterpiece by the restorer?

The story diverts to an amazing con job that is unrelated to the painting’s authenticity. A shrewd and audacious French businessman bilks a Russian billionaire out of $45 million by pretending to be negotiating the purchase of a painting that that he has already bought. And, as the Frenchman later notes ruefully, you don’t want to piss off a Russian oligarch.

At this point, The Lost Leonardo takes us into a record-breaking $450 MILLION art sale (in which the purchaser is revealed by the CIA – yes, the CIA) with implications for global politics. Implicitly, The Lost Leonardo poses a second question – does it matter whether the Salvator Mundi is real or not? It certainly doesn’t need to be proven to those who would benefit from it being a real Leonardo – the sellers, the National Gallery of Art, Christie’s auction house – or to those who are emotionally moved by it as a piece of art.

The Lost Leonardo peels back the onion on an ever surprising tale of discovery, scholarship, fraud, commerce and politics in the refined and pretentious art world. It’s a good watch.