I’m gonna miss Burt Reynolds – both for being a movie icon and for being one of the greatest guests ever on Tonight Show with Johnny Carson. He solidified that icon status in Deliverance, brandishing a bow-and-arrow and clad in a sleeveless neoprene vest – there has never been a more studly image in the history of cinema.
The key to Burt Reynolds’ appeal is that unique combination of virility and charm, his stunning physicality leavened by his not taking himself too seriously. I’m ridiculously handsome, and isn’t that just ridiculous?
To celebrate Burt’s rollicking Smokey and the Bandit era, I recommend The Bandit, a documentary about Burt’s collaboration with stuntman/director/roommate Hal Needham. You can stream The Bandit from Amazon, Vudu, YouTube and Google Play.
In his last film, this year’s The Last Movie Star, an aged action movie star (Burt Reynolds playing someone very similar to Burt Reynolds) examines his life choices. It’s very funny and sentimental (in a good way), and you can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.
This week, I’m featuring two psychological thrillers with powerful endings and a comic heist documentary.
OUT NOW
Beast: Jessie Buckley is a force of nature in this psychological thriller.
First Reformed: Ethan Hawke stars in this bleak, bleak psychological thriller with an intense ending.
American Animals is funny documentary/reenactment of a preposterous heist.
RBG is the affectionate and humanizing biodoc about that great stoneface, Ruth Bader Ginsburg.
A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
ON VIDEO
My Stream of the Week is the very funny and sentimental The Last Movie Star with 82-year-old Burt Reynolds and Ariel Winter (Alex Dunphy in Modern Family). You can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.
ON TV
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Faithful readers know that I revere the Sergio Leone/Clint Eastwood/Ennio Morricone spaghetti westerns. On June 13, Turner Classic Movies will be broadcasting the three great Sergio Leone spaghetti Westerns A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. All star Clint Eastwood and feature wonderfully idiosyncratic scores by Ennio Morricone.
Eastwood’s character in the trilogy is referred to in film literature as “the man with no name”. But actually, the character is named Joe, Monco and Blondie in the three movies, respectively.
Here’s Morricone’s theme for A Fistful of Dollars.
Burt Reynolds and Ariel Winter in THE LAST MOVIE STAR
In The Last Movie Star, an aged action movie star (Burt Reynolds playing someone very similar to Burt Reynolds) examines his life choices. It’s very funny and sentimental (in a good way).
Burt plays a thinly disguised version of himself – a retired movie star named Vic Edwards, who had played halfback at Tennessee instead of Burt’s Florida State. The movie opens with opens with a clip of the 70s Burt from the Smokey and the Bandit era. But then there’s a stark cut to Burt today, looking every one of his eighty-two years. Vic is in a depressing veterinary waiting room, about to get bad news about his pet. We see that Vic lives a lonely existence, padding about his Beverly Hills home devoid of human recognition or contact.
Vic finds himself invited to be honored at a Nashville film festival. Flattered and excited, he flies off to find that, instead of a ego-boosting tribute, the festival unleashes one indignity after another. Humiliated and enraged, he goes on a rogue road trip to his hometown of Knoxville, where he gets the chance to reflect on his life and make an important amend.
His road trip partner is his film festival driver, a nightmare of Millennial self-absorption, drama and bad attitude played by Ariel Winter (Alex Dunphy in Modern Family). Winters’ character adds an Odd Couple thread to the comedy, and Winter brings down the house with a monologue on her history with psychotropic medication.
Director Adam Rifkin cleverly inserts the 82-year-old Burt into his own movies to interact with the 36-year-old Burt. We see Burt as one of the greatest guests ever on Tonight Show with Johnny Carson. And we see him in Deliverance, brandishing a bow-and-arrow and clad in a sleeveless neoprene vest – there has never been a more studly image in the history of cinema.
The key to Burt Reynolds’ appeal is that unique combination of virility, and charm, his stunning physicality leavened by his not taking himself too seriously. I’m ridiculously handsome, and isn’t that just ridiculous?
If you’re going to be sentimental, then be unashamedly sentimental. Rifkin takes this to heart, which makes The Last Movie Star so emotionally satisfying as well as so damn funny.
I saw The Last Movie Star at Cinequest, where it was warmly received by the festival audience. The Last Movie Star was released theatrically for about a minute-and-a-half (and on only ONE screen in the Bay Area). Fortunately, now you can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.
Thomasin Harcourt McKenzie and Ben Foster in a scene from Debra Granik’s LEAVE NO TRACE, playing at the 2018 San Francisco International Film Festival, April 4 – 17, 2018. Courtesy of SFFILM.
This week I’m diving deep into the San Francisco International Film Festival (SFFILM). Here’s my festival preview.
Another dark comedy, this one about two teen girl sociopaths, Thoroughbreds.
Outside In: Now on Netflix, this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
The Last Movie Star: An aged action movies star (Burt Reynolds playing someone very similar to Burt Reynolds) examines his life choices. Funny and sentimental (in a good way).
Bombshell: The Hedy Lamarr Storyis the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage and mid-century gender roles shaped her career, marriages and parenting. Top notch.
The Leisure Seeker is an Alzheimer’s road trip dramedy with Helen Mirren and Donald Sutherland. Mirren and Sutherland are excellent, possibly enough to see this in a theater.
VIDEO
In tribute to SFFILM, my Stream of the Week is from last year’s SFFILM Festival: NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans. NUTS! is available to stream from Amazon (free with Prime), iTunes, Vudu, YouTube and Google Play.
TV
Tonight, Turner Classic Movies will air the 1964 serial killer movie The Strangler, with its brilliant and eccentric performance by Victor Buono.
And on April 8, TCM will air Stalag 17 (1960), adapted and directed by the great Billy Wilder. This is a taut WW II POW drama from a play written by two former POWs. If it’s not bad enough being held in a Nazi prison camp, there is a German mole informing on the prisoners. The POWs blame the wrong guy – the cynic played by William Holden – and he must uncover and expose the real traitor and help a POW in peril to escape.
This is a thriller, not a comedy, but you can’t tell from this trailer, which oversells the humor; it makes you expect Hogan’s Heroes.
