on TV: THE GREAT BEAUTY – decadence, stunning imagery and the beauties of Rome itself

Toni Servillo (center) in THE GREAT BEAUTY

On Sunday, November 29, Turner Classic Movies will air The Great Beauty (La grande belleza), which begins as its protagonist Gep Gambardella is celebrating his 65th birthday in a feverishly hedonistic party. Gep authored a successful novel in his twenties, which has since allowed him the indulgent life of a celebrity journalist, bobbing from party to party among Rome’s shallow rich.

Gep is having a helluva time, but now he reflects on the emptiness of his milieu and the superficial accomplishments of his past 40 years. As he alternates introspection and indulgence, we follow him through a series of strikingly beautiful Roman settings. (And, because Gep parties all night, we see lots of gorgeously still Roman dawns.)

The Great Beauty is foremost an extraordinarily beautiful art film. If you’ve been to Rome, you know that it is a generally chaotic city with unexpected islands of solitude. The Great Beauty captures this aspect of the Eternal City better than any other film I’ve seen. On one level, The Great Beauty is very successful Rome porn.

THE GREAT BEAUTY

Writer-director Paolo Sorrentino also explores the moral vacuity of the very rich and the party life. It’s the Italy of Silvio Berlusconi, whom Sorrentino blames for enabling a national culture of escapism. These themes, along with the main character and the movie’s structure are of course nearly identical to Fellini’s great La Dolce Vita (1960), but The Great Beauty is more accessible, funnier and a bit more hopeful – and much more of a showcase for the cityscape of Rome. Sorrentino provides plenty of laughs, especially with a gourmet-obsessed cardinal and a cadaverous celebrity nun with a Mephistopheles-looking handler.

It’s hard to imagine an actor better suited to play Gep than Toni Servillo. Servillo perfectly captures both the happiness Gep takes in carnal pleasure and his self-criticism for giving his entire life to it. Servillo’s Gep is brazenly proud of his own cynicism, until we see his humanity breaking through at a funeral. Servillo is even magnificent in wearing Gep’s impressive collection of sports jackets.

There’s so much to The Great Beauty – stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worth watching the film.  The Great Beauty won the Best Foreign Language Oscar. If you miss it on TCM, you can still stream it from Amazon, Apple TV, Vudu, YouTube, Google Play, kanopy and the Criterion Channel. Courtesy of the Criterion Channel, here’s a illustrative clip.

https://youtu.be/d5fT3vaJE5k

Movies to See Right Now

Beanie Feldstein and Kaitlyn Dever as Amy in BOOKSMART. Photo credit: Francois Duhamel / Annapurna Pictures

The movie that I’m most eager to see is The Farewell; it’s out this weekend, but I’m in an undisclosed location with The Wife – there are Brown Trout but no movie theaters.

I’ve recently updated my Best Movies of 2019 – So Far. Two of the films on the list is in theaters right now.

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • Mindy Kaling’s very smart, privilege-skewering comedy Late Night stars Emma Thompson (and contains a performance gem by John Lithgow).
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.

ON VIDEO

THE GREAT BEAUTY

It’s time for foreign travel, so my Stream of the Week is The Great Beauty, with its stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worth watching the film.  The Great Beauty won the Best Foreign Language Oscar and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On July 15, Turner Classic Movies will play the 1957 classic Western  3:10 to Yuma.  This may the career-best performance by the underrated Van Heflin, who plays a financially ruined rancher who bets his life for a chance to support his family.  All he has to do is to guard a cruel and resourceful outlaw (Glenn Ford) against rescue attempts by his gang.  Heflin’s rancher is totally outmatched and his only chance comes from his desperation-fueled adrenaline. It’s an edge-of-your-seat countdown until help is scheduled to arrive.  The 2007 remake with Christian Bale and Russell Crowe is very good, too, but Van Heflin reigns supreme.

Van Heflin in 3:10 TO YUMA

Stream of the Week: THE GREAT BEAUTY – decadence, stunning imagery and the beauties of Rome itself

As The Great Beauty (La grande belleza) begins, its protagonist Gep Gambardella is celebrating his 65th birthday in a feverishly hedonistic party. Gep authored a successful novel in his twenties, which has since allowed him the indulgent life of a celebrity journalist, bobbing from party to party among Rome’s shallow rich. Gep is having a helluva time, but now he reflects on the emptiness of his milieu and the superficial accomplishments of his past 40 years. As he alternates introspection and indulgence, we follow him through a series of strikingly beautiful Roman settings. (And, because Gep parties all night, we see lots of gorgeously still Roman dawns.)

The Great Beauty is foremost an extraordinarily beautiful art film. If you’ve been to Rome, you know that it is a generally chaotic city with unexpected islands of solitude. The Great Beauty captures this aspect of the Eternal City better than any other film I’ve seen. On one level, The Great Beauty is very successful Rome porn.

Writer-director Paolo Sorrentino also explores the moral vacuity of the very rich and the party life. It’s the Italy of Silvio Berlusconi, whom Sorrentino blames for enabling a national culture of escapism. These themes, along with the main character and the movie’s structure are of course nearly identical to Fellini’s great La Dolce Vita (1960), but The Great Beauty is more accessible, funnier and a bit more hopeful – and much more of a showcase for the cityscape of Rome. Sorrentino provides plenty of laughs, especially with a gourmet-obsessed cardinal and a cadaverous celebrity nun with a Mephistopheles-looking handler.

It’s hard to imagine an actor better suited to play Gep than Toni Servillo. Servillo perfectly captures both the happiness Gep takes in carnal pleasure and his self-criticism for giving his entire life to it. Servillo’s Gep is brazenly proud of his own cynicism, until we see his humanity breaking through at a funeral. Servillo is even magnificent in wearing Gep’s impressive collection of sports jackets.

There’s so much to The Great Beauty – stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worthwatching the film.  The Great Beauty won the Best Foreign Language Oscar and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Jonah Hill in THE WOLF OF WALL STREET
Jonah Hill in THE WOLF OF WALL STREET

Lots of choices, including some of my Best Movies of 2013.

Recommended:

  • American Hustle is the most gloriously entertaining movie of the year – with Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence and Jeremy Renner at their best.
  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • The Wolf of Wall Street, Martin Scorsese’s excessive, full-throttle con artist comedy – a movie that gives hedonism a bad name.
  • The city of Rome dazzles in The Great Beauty, already a favorite for the Best Foreign Language Oscar.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.
  • Go for Sisters has three more great characters in a thriller from indie guru John Sayles.
  • The spare survival tale All Is Lost has a grimly powerful performance by Robert Redford.
  • I also like the wickedly subversive Holiday comedy White Reindeer, which is available streaming on Amazon, iTunes, Sundance Now, GooglePlay and XBOX.

Not So Much

  • I found Disney’s Saving Mr. Banks to be sentimental and predictable.
  • The Coen Brothers’ Inside Llewyn Davis is about an unlovable loser – and I didn’t love the movie, either.

Movies to See Right Now

AMERICAN HUSTLE
AMERICAN HUSTLE

Some of this week’s recommendations are on my Best Movies of 2013. Recommended:

  • American Hustle is the most gloriously entertaining movie of the year – with Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence and Jeremy Renner at their best.
  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • The city of Rome dazzles in The Great Beauty, already a favorite for the Best Foreign Language Oscar.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.
  • Go for Sisters has three more great characters in a thriller from indie guru John Sayles.
  • The spare survival tale All Is Lost has a grimly powerful performance by Robert Redford.
  • I also like the wickedly subversive Holiday comedy White Reindeer, which is available streaming on Amazon, iTunes, Sundance Now, GooglePlay and XBOX.

Not So Much

  • I found Disney’s Saving Mr. Banks to be sentimental and predictable.
  • The Coen Brothers’ Inside Llewyn Davis is about an unlovable loser – and I didn’t love the movie, either.

Best Movies of 2013

BLUE IS THE WARMEST COLOR

Visit my Best Movies of 2013 for my list of the year’s best films, complete with images, trailers and my comments on each movies.  My top ten for 2013 is:

  1. Blue Is the Warmest Color
  2. The Hunt
  3. Before Midnight
  4. Stories We Tell
  5. The Spectacular Now
  6. Mud
  7. Short Term 12
  8. Fruitvale Station
  9. The Act of Killing
  10. Captain Phillips.

The other best films of the year are:  The Great Beauty, Nebraska, American Hustle, Ain’t Them Bodies Saints, Rendez-vous in Kiruna, The Gatekeepers, At Any Price, Undefeated, In a World… and Me And You.

I’m saving space for these promising films that I haven’t seen yet:  Her, The Wolf of Wall Street and The Past (Passe).

Note:  Undefeated is on this year’s list, even though it won an Oscar a year ago, because it only became available for most of us to see in 2013.

Movies to See Right Now – Holiday Movie Guide

american hustleLook for The Movie Gourmet’s list of this year’s top movies this Tuesday.  Until then, here is my guide to the Holiday movies.

Recommended:

  • American Hustle is the most gloriously entertaining movie of the year – with Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence and Jeremy Renner at their best.
  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • The city of Rome dazzles in The Great Beauty, already a favorite for the Best Foreign Language Oscar.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.
  • Go for Sisters has three more great characters in a thriller from indie guru John Sayles.
  • The spare survival tale All Is Lost has a grimly powerful performance by Robert Redford.
  • I also like the wickedly subversive Holiday comedy White Reindeer, which is available streaming on Amazon, iTunes, Sundance Now, GooglePlay and XBOX.

Not So Much

  • I found Disney’s Saving Mr. Banks to be sentimental and predictable.
  • The Coen Brothers’ Inside Llewyn Davis is about an unlovable loser – and I didn’t love the movie, either.

Movies To See This Week (and a milestone for The Movie Gourmet)

INSIDE LLEWYN DAVIS
INSIDE LLEWYN DAVIS

There is NO BETTER TIME to go to the movies than THIS WEEKEND.  Of the films opening widely today, I recommend the gloriously entertaining American Hustle, with Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner and Louis C.K. at their best. I haven’t yet seen the other promising movies opening today: the Coen Brother’s Inside Llewyn Davis,  Tom Hanks as Walt Disney in Saving Mr. Banks and Go for Sisters (by my favorite indie writer-director John Sayles). And you can still several of the best movies of the year:

  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • The city of Rome dazzles in The Great Beauty, already another contender for the Best Foreign Language Oscar.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • This weekend, I will write about The Hunger Games: Catching Fire, another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.

You can still find some of the earlier top 2013 movies in theaters: the flawless true story thriller Captain Phillips; the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance; and 12 Years a Slave, an unsparingly realistic depiction of the horrors of American slavery.

Make this a 2-3 movie weekend!

[Note: Sunday’s We Remember Billy Jack was The Movie Gourmet’s 1000th post.  Thanks to all of you for your support.]

The Great Beauty: decadence, stunning imagery and the beauties of Rome itself

As The Great Beauty (La grande belleza) begins, its protagonist Gep Gambardella is celebrating his 65th birthday in a feverishly hedonistic party.  Gep authored a successful novel in his twenties, which has since allowed him the indulgent life of a celebrity journalist, bobbing from party to party among Rome’s shallow rich.  Gep is having a helluva time, but now he reflects on the emptiness of his milieu and the superficial accomplishments of his past 40 years.  As he alternates introspection and indulgence, we follow him through a series of strikingly beautiful Roman settings.  (And, because Gep  parties all night, we see lots of gorgeously still Roman dawns.)

The Great Beauty is foremost an extraordinarily beautiful art film. If you’ve been to Rome, you know that it is a generally chaotic city with unexpected islands of solitude.  The Great Beauty captures this aspect of the Eternal City better than any other film I’ve seen.  On one level, The Great Beauty is very successful Rome porn.

Writer-director Paolo Sorrentino also explores the moral vacuity of the very rich and the party life. It’s the Italy of Silvio Berlusconi, whom Sorrentino blames for enabling a national culture of escapism.  These themes, along with the main character and the movie’s structure are of course nearly identical to Fellini’s great La Dolce Vita (1960), but The Great Beauty is more accessible, funnier and a bit more hopeful – and much more of a showcase for the cityscape of Rome.  Sorrentino provides plenty of laughs, especially with a gourmet-obsessed cardinal and a cadaverous celebrity nun with a Mephistopheles-looking handler.

It’s hard to imagine an actor better suited to play Gep than Toni Servillo.  Servillo perfectly captures both the happiness Gep takes in carnal pleasure and his self-criticism for giving his entire life to it.  Servillo’s Gep is brazenly proud of his own cynicism, until we see his humanity breaking through at a funeral.  Servillo is even magnificent in wearing Gep’s impressive collection of sports jackets.

There’s so much to The Great Beauty – stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worth a visit to the theater.  The Great Beauty, which will be one of the favorites for the Best Foreign Language Oscar, may not be in theaters for very long – catch it while you can.