The Florida Project

Movies to See Right Now

by
Sally Hawkins in THE SHAPE OF WATER

It’s February, and here’s the good news: this is when you can binge the Oscar-nominated movies.  Here’s the bad news: this is when movie distributors hold their noses and slip the really bad new movies into theaters.   So binge away on the best of the year.  ( I’ve also written If I Picked the Oscars – before the nominations were announced.) The first two are, deservedly, the Oscar favorites:

  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.
Frances McDormand and Peter Dinklage in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.  Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.

My Stream of the Week is the riveting psychodrama Phoenix, with its superb performance by Nina Hoss and its WOWZER ending. Phoenix was one of my Best Movies of 2015. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.

On February 13, Turner Classic Movies presents Babette’s Feast (1987), one of my Best Foodie Movies. Two aged 19th century Danish spinster sisters have taken in a French refugee as their housekeeper. The sisters carry on their father’s severe religious sect, which rejects earthly pleasures. After fourteen years, the housekeeper wins the lottery and, in gratitude, spends all her winnings on the ingredients for a banquet that she prepares for the sisters and their friends. As the dinner builds, the colors of the film become warmer and brighter, reflecting the sheer carnality of the repast. The smugly ascetic and humorless guests become less and less able to resist pleasure of the epicurean delights.The feast’s visual highlights are Caille en Sarcophage avec Sauce Perigourdine (quail in puff pastry shell with foie gras and truffle sauce) and Savarin au Rhum avec des Figues et Fruit Glacée (rum sponge cake with figs and glacéed fruits). This was the first Danish film to win Best Foreign Language Oscar.

Babette’s Feast

Movies to See Right Now

by
Sally Hawkins in THE SHAPE OF WATER

The Oscar nominations are out, and I recommend some (not all) of the nominated films. I’ve also written If I Picked the Oscars – before the nominations were announced. The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Don’t forget what is sure to be one of the best Bay Area cinema experiences of 2018 – the Noir City festival of film noir in San Francisco. Don’t miss out on Noir City’s bang up final weekend, with The Man Who Cheated Himself, Roadblock, The Big Heat and wickedly trashy Beverly Michaels in Wicked Woman.

Gloria Grahame and Glenn Ford in THE BIG HEAT

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.

In a tribute to Noir City, my DVD of the Week is I Wake Up Screaming, an early noir with a groundbreaking performance by the tragic Laird Cregar. I Wake Up Screaming plays occasionally on Turner Classic Movies. The DVD is available with a Netflix subscription, or you can buy it from Amazon. I Wake Up Screaming is on my list of Overlooked Noir.

On February 5, Turner Classic Movies airs one of the greatest political movies of all time – The Times of Harvey Milk, the documentary Oscar winner from 1984. It’s the real story behind the 2008 Sean Penn narrative Milk – and with the original witnesses. If you pay attention, The Times of Harvey Milk can teach you everything from how to win a local campaign to how to build a societal movement. One of the best political movies ever. And watch for the dog poop scene!

THE TIMES OF HARVEY MILK
THE TIMES OF HARVEY MILK

THE FLORIDA PROJECT: attention must be paid

by
Willem Dafoe and Brooklynn Prince in THE FLORIDA PROJECT

The gripping and searingly authentic drama The Florida Project centers in the plight of six-year-olds living in a poverty motel in Orlando, Florida.  These are what we used to call “latchkey kids” – children unsupervised and essentially feral because their parents are focused on economic survival.

The parents, moored in multi-generational poverty and mostly classified as the working poor, understand that this situation is not ideal for the kids.  All the parents love their kids, and most take extra steps to protect them and to raise them with the right values.  These are people who are forced into unappealing choices – working multiple minimum wage jobs and leaving kids at home because they can’t access childcare, and even relocating and uprooting their kids from their friends and familiar environments.

These families are living literally in the shadow of Disney World, where tens of thousands of families are paying for $100 theme park tickets and $200 hotel rooms; the residents of the The Florida Project’s Magic Kingdom motel are paying $35 per night and can’t afford ice cream for their kids.

The kids are on their own to express their exuberance, curiosity and mischief.  Some of their misadventures are innocent and harmless, but some range to the very dangerous.  We see the kids’ moral compasses being forged, often not along the best axis.  Even the local Motel Row traffic is scary. The sketchy environs, with the anonymous transience of the tourists and with some of the locals in the criminal class, is even more foreboding.  For most of each day, the only responsible and caring adult is the beleaguered motel manager, Bobby (Willem Dafoe – great in this movie).  Here’s the effect on the audience – we enjoy the kids’ joy in play and exploration, but worry, along with Bobby, about their safety.

Brooklynn Prince (center) in THE FLORIDA PROJECT

The ringleader of the kid is the highly spirited Moonee.  Moonee is perfectly played by Brooklynn Prince, a very talented and charismatic child actor.

The smart and charming Moonee’s disadvantage is her Mom, Hallee (Bria Vinaite) – a tattooed and pierced woman in her early twenties.  Hallee is as immature as Moonee, and is basically a walking bundle of Bad Choices.  She has a terrible, irresponsible and entitled attitude, and always does things the easiest way in the short-term, regardless of legality or long-term consequence.  Hallee knows that she’s one more arrest from having Moonee taken away.   The term “unfit mother” has come to seem quaint – but not here, where the audience eventually starts begging for child welfare officials to rescue Moonee from her Mom.

The Florida Project was written, directed and edited by Sean Baker, who most recently made Tangerine, the movie he shot entirely on an iPhone (and you can’t tell).  In both The Florida Project and Tangerine, Baker uses first-time actors to tell a character-driven story about marginalized people.  Baker found Bria Vinaite, the non-actor who plays Hallee on Instagram.   It’s also the first screen credit for Mela Murder, who plays Ashley, a mom who is perceptive enough to ascertain that her son needs to disassociate from his best friend Moonee because of Hallee’s influence.

One of the minor beauties of The Florida Project is the whimsy of roadside vernacular architecture in Orlando, the tourist-hustling commercial buildings from the 1940s-1970s built as castles, ships, dogs and the like.

The Florida Project is close to a perfect movie, but not quite there.  Baker did edit his own movie, and one hour, 51 minutes is a little too long for this story.  And, two months after seeing the movie, I’m still not sure what I think about the controversial ending.  The movie has the feel of cinéma vérité until it doesn’t, when the audience is jarred by a sudden plunge into magical realism.  Unlike some viewers and critics, I thought that the ending did have a truthful consistency with the preceding story; but there’s no doubt that the abrupt change in tone pulls the audience out of being immersed in the story.

Still, The Florida Project is a Must See for its emotional power and its uncommonly authentic dive into an oft-ignored subculture.  As Willy Loman’s wife says in The Death of a Salesman, attention must be paid.

Movies to See Right Now

by
Woody Harrelson and Frances McDormand in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

The Oscar nominations are out, and I recommend some (not all) of the nominated films. I’ve also written If I Picked the Oscars – before the nominations were announced. The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Don’t forget what is sure to be one of the best Bay Area cinema experiences of 2018 – the Noir City festival of film noir in San Francisco.

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
  • Murder on the Orient Express is a moderately entertaining lark.
  • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

My DVD/Stream of the Week are recent Oscar winners for Best Documentary: Amy, Searching for Sugar Man and Undefeated. Follow the link for their availability on DVD and streaming platforms.

On January 28, Turner Classic Movies presents All the King’s Men, one of the best political movies of all time, from the novel based on the saga of Huey Long. Broderick Crawford stars as Willie Stark, the fictionalized Kingfish. Watch for the brilliant, Oscar-winning supporting performance by Mercedes McCambridge. (Note: this is the 1949 version, NOT the lousy 2006 Sean Penn remake.)

Broderick Crawford, John Ireland and Mercedes McCambridge in ALL THE KING’S MEN
Broderick Crawford in ALL THE KING’S MEN

And on January 31, Turner Classic Movies plays Angel Face, the 1953 film noir from director Otto Preminger, This movie has it all, the droopy-eyed magnetism of Robert Mitchum, the fragile beauty of Jean Simmons, and (along with They Won’t Believe Me) the most shocking ending in film noir.

Jean Simmons and Robert Mitchum in ANGEL FACE

Movies to See Right Now

by
Meryl Streep, Tracy Letts and Tom Hanks in THE POST

The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Sally Hawkins in THE SHAPE OF WATER

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
  • Murder on the Orient Express is a moderately entertaining lark.
  • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

My Stream of the Week is Wind River, smart, layered and intelligent, and another success from one of America’s fastest-rising filmmakers, Taylor Sheridan. It’s now available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Graham Greene and Elizabeth Olsen in WIND RIVER

Movies to See Right Now

by
Meryl Street in THE POST

The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Saoirse Ronan and Laurie Metcalf in LADY BIRD

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
  • Murder on the Orient Express is a moderately entertaining lark.
  • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

Paul Thomas Anderson’s Phantom Thread is topping some critics’ top ten lists. So my Stream of the Week is Anderson’s first feature, Hard Eight, a neo-noir from 1996. Hard Eight is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On January 13, Turner Classic Movies airs director Richard Fleischer’s overlooked film noir masterpiece The Narrow Margin (1952), a taut 71 minutes of tension. Growly cop Charles McGraw plays hide-and-seek with a team of hit men on a claustrophobic train. Marie Windsor is unforgettable as the assassins’ target. It’s highly recommended on my list of Overlooked Noir.

Charles McGraw and Marie Windsor in THE NARROW MARGIN

Movies to See Right Now

by
Margot Robbie in I, TONYA

Many of the best movies of the year are in theaters right now, and here are the very best.  The links for Phantom Thread, Call Me By Your Name, The Florida Project and I, Tonya will go live throughout this weekend:

        • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
        • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
        • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
        • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
        • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
        • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
        • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
        • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

        Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

        Daniel Day-Lewis and Vicky Krieps in PHANTOM THREAD

        Other current choices:

        • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
        • The ambitious satire The Square.
        • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
        • Murder on the Orient Express is a moderately entertaining lark.
        • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

        Here’s something for those who have seen Darkest Hour. On January 10, Turner Classic Movies presents Richard Attenborough’s Young Winston (1972), with Simon Ward as the young Winston Churchill. As a young man, Churchill was already risking life and limb to gain celebrity and build a public reputation. Young Churchill depicts his brief career in the military as an insubordinate daredevil in India, Sudan and the Boer War. It’s a good story, and, as a bonus, Simon Ward bears a remarkable physical resemblance to the young Churchill.

        Simon Ward in YOUNG WINSTON