The Final Year

Movies to See Right Now

by
Sally Hawkins in THE SHAPE OF WATER

It’s February, and here’s the good news: this is when you can binge the Oscar-nominated movies.  Here’s the bad news: this is when movie distributors hold their noses and slip the really bad new movies into theaters.   So binge away on the best of the year.  ( I’ve also written If I Picked the Oscars – before the nominations were announced.) The first two are, deservedly, the Oscar favorites:

  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.
Frances McDormand and Peter Dinklage in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.  Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.

My Stream of the Week is the riveting psychodrama Phoenix, with its superb performance by Nina Hoss and its WOWZER ending. Phoenix was one of my Best Movies of 2015. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.

On February 13, Turner Classic Movies presents Babette’s Feast (1987), one of my Best Foodie Movies. Two aged 19th century Danish spinster sisters have taken in a French refugee as their housekeeper. The sisters carry on their father’s severe religious sect, which rejects earthly pleasures. After fourteen years, the housekeeper wins the lottery and, in gratitude, spends all her winnings on the ingredients for a banquet that she prepares for the sisters and their friends. As the dinner builds, the colors of the film become warmer and brighter, reflecting the sheer carnality of the repast. The smugly ascetic and humorless guests become less and less able to resist pleasure of the epicurean delights.The feast’s visual highlights are Caille en Sarcophage avec Sauce Perigourdine (quail in puff pastry shell with foie gras and truffle sauce) and Savarin au Rhum avec des Figues et Fruit Glacée (rum sponge cake with figs and glacéed fruits). This was the first Danish film to win Best Foreign Language Oscar.

Babette’s Feast

Movies to See Right Now

by
Sally Hawkins in THE SHAPE OF WATER

The Oscar nominations are out, and I recommend some (not all) of the nominated films. I’ve also written If I Picked the Oscars – before the nominations were announced. The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Don’t forget what is sure to be one of the best Bay Area cinema experiences of 2018 – the Noir City festival of film noir in San Francisco. Don’t miss out on Noir City’s bang up final weekend, with The Man Who Cheated Himself, Roadblock, The Big Heat and wickedly trashy Beverly Michaels in Wicked Woman.

Gloria Grahame and Glenn Ford in THE BIG HEAT

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.

In a tribute to Noir City, my DVD of the Week is I Wake Up Screaming, an early noir with a groundbreaking performance by the tragic Laird Cregar. I Wake Up Screaming plays occasionally on Turner Classic Movies. The DVD is available with a Netflix subscription, or you can buy it from Amazon. I Wake Up Screaming is on my list of Overlooked Noir.

On February 5, Turner Classic Movies airs one of the greatest political movies of all time – The Times of Harvey Milk, the documentary Oscar winner from 1984. It’s the real story behind the 2008 Sean Penn narrative Milk – and with the original witnesses. If you pay attention, The Times of Harvey Milk can teach you everything from how to win a local campaign to how to build a societal movement. One of the best political movies ever. And watch for the dog poop scene!

THE TIMES OF HARVEY MILK
THE TIMES OF HARVEY MILK

Movies to See Right Now

by
Woody Harrelson and Frances McDormand in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

The Oscar nominations are out, and I recommend some (not all) of the nominated films. I’ve also written If I Picked the Oscars – before the nominations were announced. The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Don’t forget what is sure to be one of the best Bay Area cinema experiences of 2018 – the Noir City festival of film noir in San Francisco.

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
  • Murder on the Orient Express is a moderately entertaining lark.
  • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

My DVD/Stream of the Week are recent Oscar winners for Best Documentary: Amy, Searching for Sugar Man and Undefeated. Follow the link for their availability on DVD and streaming platforms.

On January 28, Turner Classic Movies presents All the King’s Men, one of the best political movies of all time, from the novel based on the saga of Huey Long. Broderick Crawford stars as Willie Stark, the fictionalized Kingfish. Watch for the brilliant, Oscar-winning supporting performance by Mercedes McCambridge. (Note: this is the 1949 version, NOT the lousy 2006 Sean Penn remake.)

Broderick Crawford, John Ireland and Mercedes McCambridge in ALL THE KING’S MEN
Broderick Crawford in ALL THE KING’S MEN

And on January 31, Turner Classic Movies plays Angel Face, the 1953 film noir from director Otto Preminger, This movie has it all, the droopy-eyed magnetism of Robert Mitchum, the fragile beauty of Jean Simmons, and (along with They Won’t Believe Me) the most shocking ending in film noir.

Jean Simmons and Robert Mitchum in ANGEL FACE

Movies to See Right Now

by
Meryl Streep, Tracy Letts and Tom Hanks in THE POST

The best movies of the year are in theaters right now, and here are the very best:

  • Steven Spielberg’s docudrama on the Pentagon Papers, The Post, is both a riveting thriller and an astonishingly insightful portrait of Katharine Graham by Meryl Streep. It’s one of the best movies of the year – and one of the most important. Also see my notes on historical figures in The Post.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Lady Bird , an entirely fresh coming of age comedy that explores the mother-daughter relationship – an impressive debut for Greta Gerwig as a writer and director.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.
  • Phantom Thread, starring Daniel Day-Lewis, is Paul Thomas Anderson’s rapturously beautiful story of a strong-willed man and two equally strong-willed women; unexpectedly witty.
  • The Florida Project is Sean Baker’s remarkably authentic and evocative glimpse into the lives of children in poverty, full of the exuberance of childhood.
  • Darkest Hour, Gary Oldman brings alive Winston Churchill in an overlooked historical moment – when it looked like Hitler was going to win WW II.

Here’s the rest of my Best Movies of 2017 – So Far. Most of the ones from earlier this year are available on video.

Sally Hawkins in THE SHAPE OF WATER

Other current choices:

  • The Disaster Artist, James Franco’s hilarious docucomedy about the making of one of the most unintentionally funny movies of all time.
  • Diane Kruger’s award-wining performance in the German thriller In the Fade.
  • The Final Year, a wistful inside documentary about the Obama Admistration’s foreign policy during his last year.
  • The ambitious satire The Square.
  • Call Me By Your Name is an extraordinarily beautiful story of sexual awakening set in a luscious Italian summer, but I didn’t buy the impossibly cool parents or the two pop ballad musical interludes.
  • Murder on the Orient Express is a moderately entertaining lark.
  • Novitiate, the tediously grim story of a seeker looking for spiritual love and sacrifice, with a sadistic abbess delivering too much of the latter.

My Stream of the Week is Wind River, smart, layered and intelligent, and another success from one of America’s fastest-rising filmmakers, Taylor Sheridan. It’s now available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Graham Greene and Elizabeth Olsen in WIND RIVER

THE FINAL YEAR: a most wistful documentary

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A scene from THE FINAL YEAR, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

In the documentary The Final Year, we get to peek inside the last year of the Obama foreign policy.  Director Greg Barker’s cameras go behind the scenes to follow Secretary of State John Kerry, UN Ambassador Samantha Power and Deputy National Security Advisor Ben Rhodes as they travel the globe to keep the peace and mitigate conflict.

We see a lot of movies about the military and the intelligence services, so it’s a rare and welcome treat to watch diplomacy in action.

The Final Year primarily depicts and references the Obama Administration’s signature accomplishments – the Iran nuclear deal, avoiding catastrophe in North Korea, the Paris climate accords – along with the challenges of Syria.

We tend to see these folks as talking heads on television, so it’s humanizing to see them in candid moments.  However, this is hardly a warts-and-all expose, and sometimes the tone even reaches reverent or fawning.  Rhodes even gets the chance to evade responsibility for  a basic political mistake – letting a reporter exploit his words.

It’s impossible to watch The Final Year in early 2018 without comparing these folks with the current administration.  Whatever their imperfections, Kerry, Power and Rhodes are serious, competent people trying to implement a coherent foreign policy in our national interest and, in the process, earning the respect of other nations.  The juxtaposition with the clown show of the current Administration is alarming and profoundly sad.

[SPOILER: In the final shot before the closing credits, the very-soon-to-be-former President Obama  says, “Are we done here? Okay, see you later.” and turns down a White House corridor with his security detail for perhaps the last time.  It’s heartbreakingly wistful.]

The Final Year opens in the Bay Area on Friday.