A team of three Mossad agents are charged with kidnapping a Nazi war criminal out of 1964’s East Berlin. One aspect of the mission remains incomplete, and the three must address it 30 years later. It’s a ripping yarn with some serious comments on the costs of both truth and untruth. Helen Mirren is brilliant as one of the team, as is Jessica Chastain, playing her younger self. Directed by John Madden (Shakespeare in Love).
If you can still find it, don’t miss Take Shelter, Jeff Nichols’ brilliant tale of a psychotic breakdown with Oscar-worthy performances by Michael Shannon and Jessica Chastain. One of the Best Movies of 2011 – So Far.
50/50 is an engaging cancer comedy with Joseph Gordon-Levitt and Seth Rogen. Margin Call is a taut financial meltdown drama with superb performances by Jeremy Irons, Paul Bettany and Stanley Tucci. Pedro Almodovar’s The Skin I Live In is a beautiful and disturbing thriller – Out There as only Almodovar can do. The Ides of March is a fine political drama with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti and George Clooney. Drive is a stylishly arty and ultraviolent action film with Ryan Gosling.
Blackthorn is a beautiful but flawed Western set in Bolivia. Dirty Girl is a fun but unexceptional romp with promising newcomers Juno Temple and Jeremy Dozier.
You can still find The Guard, the Irish dark comedy starring Brendan Gleeson and Don Cheadle, and Sarah’s Key, an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth.
I haven’t yet seen the raunchy comedy A Very Harold and Kumar 3D Christmas or the psychological thriller Martha Marcy May Marlene, which open this week. You can see trailers of upcoming films at Movies I’m Looking Forward To.
The best of the current crop of films is Take Shelter, Jeff Nichols’ brilliant tale of a psychotic breakdown with Oscar-worthy performances by Michael Shannon and Jessica Chastain. One of the Best Movies of 2011 – So Far.
50/50 is an engaging cancer comedy with Joseph Gordon-Levitt and Seth Rogen. Margin Call is a taut financial meltdown drama with superb performances by Jeremy Irons, Paul Bettany and Stanley Tucci. The Ides of March is a fine political drama with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti and George Clooney. Drive is a stylishly arty and ultraviolent action film with Ryan Gosling.
Blackthorn is a beautiful but flawed Western set in Bolivia. Dirty Girl is a fun but unexceptional romp with promising newcomers Juno Temple and Jeremy Dozier.
You can still find The Guard, the Irish dark comedy starring Brendan Gleeson and Don Cheadle, and Sarah’s Key, an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth.
I haven’t yet seen the two psychological thrillers that open this week, Martha Marcy May Marlene or Pedro Almodovar’s The Skin I Live In, which opens this week. You can see trailers of upcoming films at Movies I’m Looking Forward To.
The best of the current crop of films is Take Shelter , Jeff Nichols’ brilliant tale of a psychotic breakdown with Oscar-worthy performances by Michael Shannon and Jessica Chastain. One of the Best Movies of 2011 – So Far.
50/50 is an engaging cancer comedy with Joseph Gordon-Levitt and Seth Rogen. Margin Call is a taut financial meltdown drama with superb performances by Jeremy Irons, Paul Bettany and Stanley Tucci. The Ides of March is a fine political drama with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti and George Clooney. Drive is a stylishly arty and ultraviolent action film with Ryan Gosling.
Blackthorn is a beautiful but flawed Western set in Bolivia. Dirty Girl is a fun but unexceptional romp with promising newcomers Juno Temple and Jeremy Dozier.
You can still find The Guard, the Irish dark comedy starring Brendan Gleeson and Don Cheadle, and Sarah’s Key, an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth.
I haven’t yet seen Pedro Almodovar’s The Skin I Live In, which opens this week. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My DVD of the Week is the heartwarming documentary Buck. Other recent DVD picks have been Incendies (the year’s best movie so far), the very original teen misfit movie Terri, the delightful indie comedy Turkey Bowl and Tinker, Tailor, Soldier Spy (1979).
In the theaters, I still strongly recommend, The Guard the Irish dark comedy starring Brendan Gleeson and Don Cheadle. Sarah’s Key is an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth. Higher Ground is Vera Farmiga’s provocative take on persons of faith.
Ryan Gosling and Emma Stone are excellent in the romcom Crazy Stupid Love.
I haven’t yet seen the recently released Drive or Love Crime, or this week’s Moneyball. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My top recommendation this week is the year’s best film and my DVD of the Week: Incendies. Rent it and see it now!
In the theaters, I still strongly recommend, The Guard the Irish dark comedy starring Brendan Gleeson and Don Cheadle. Sarah’s Key is an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The historical drama Amigo benefits from writer-director John Sayles’ typically excellent juggling of interconnected characters and from a fine cast. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth. Higher Ground is Vera Farmiga’s provocative take on persons of faith.
Ryan Gosling and Emma Stone are excellent in the romcom Crazy Stupid Love. Despite Rachel Weisz’s performance, The Whistleblower is a misfire – a potentially riveting story clumsily told.
I haven’t yet seen Love Crime or Drive, opening this weekend. You can see trailers of upcoming films at Movies I’m Looking Forward To.
I went to see The Guard for a second time and it was well worth it. The Irish dark comedy stars Brendan Gleeson and Don Cheadle. Sarah’s Key is an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The historical drama Amigo benefits from writer-director John Sayles’ typically excellent juggling of interconnected characters and from a fine cast. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth. Higher Ground (I’ll comment tomorrow) is Vera Farmiga’s provocative take on persons of faith.
Ryan Gosling and Emma Stone are excellent in the romcom Crazy Stupid Love. Despite Rachel Weisz’s performance, The Whistleblower is a misfire – a potentially riveting story clumsily told.
My top choice this week is still the Irish dark comedy The Guard, starring Brendan Gleeson and Don Cheadle. Sarah’s Key is an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The historical drama Amigo benefits from writer-director John Sayles’ typically excellent juggling of interconnected characters and from a fine cast. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth.
Ryan Gosling and Emma Stone are excellent in the romcom Crazy Stupid Love. Despite Rachel Weisz’s performance, The Whistleblower is a misfire – a potentially riveting story clumsily told.
If any new face has broken through in 2011, it’s the actress Jessica Chastain. First, she delivered a fine performance as an enabling 1950s mom in the most coherent part of The Tree of Life. This week, she followed that with an excellent performance as a 1960s Mossad agent (the younger version of Helen Mirren’s character) in the thriller The Debt. She won critical praise for the trashy but aspiring housewife in a film I haven’t seen – The Help. So we already know that Chastain is versatile enough to play soft and tough, brittle and sexy, action and romance.
Later this fall, she will have three more films in release. In Take Shelter, she plays the wife of the mentally disintegrating Michael Shannon. She’s a tough cop in The Texas Killing Fields. And then she’s in Ralph Fiennes’ adaptation of Shakespeare’s Coriolanus.
This week, Sarah’s Key and The Debt explore aspects of the Holocaust. Sarah’s Key is the story of the French round-up of French Jews in 1942, and of how a present day investigation shakes up several lives. The Debt is about a team of three Mossad agents charged with kidnapping a Nazi war criminal out of 1964’s East Berlin – and how they must revisit the mission 30 years later. I recommend both movies.
One of them is the 2002 documentary Blind Spot: Hitler’s Secretary. One of the central questions of the Holocaust is how could ordinary humans tolerate and even enable such monstrous acts? Blind Spot is the story of Traudl Junge who, as a rural, naive 22-year-old, happened on a job in Hitler’s secretarial pool. After the war, she lived in obscurity for decades. Wracked with guilt, she was interviewed for 90 minutes shortly before her death by a filmmaker who lost his parents in the Holocaust. This 90 minute interview is the core of Blind Spot.