Happy St. Patrick’s Day. Now, tonight you CAN go out and drink green beer with all the amateur drinkers. Nothing wrong with that, if that’s your thing.
OR you could settle in for some top shelf cinema set in recent Irish history – The Troubles of Northern Ireland. For eight fine films about The Troubles, see my Best Films About the Troubles (Northern Ireland).
Evangelizing for wonderful movies that are overlooked is the primary mission of The Movie Gourmet. These four movies made my Best Movies of 2013. They are brilliant and everyone should see them.
Also on my list of the year’s best, it’s easy to say that Me and You is overlooked because it hasn’t even gotten a US release in theaters , DVD or VOD.
In A Word… is the year’s best comedy so far – it’s a Hollywood satire, an insider’s glimpse into the voice-over industry, a family dramedy and a romantic comedy all in one.
The jaw-dropping documentary The Act of Killing, an exploration of Indonesian genocide from the perpetrators’ point of view, is the most uniquely original film of the year.
Woody Allen’s very funny Blue Jasmine centers on an Oscar-worthy performance by Cate Blanchett.
Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including Letters from the Big Man).
On September 10, Turner Classic Movies is broadcasting the great French heist movie Rififi. And on September 12, TCM will air one of the greatest examples of film noir,Out of the Past with Robert Mitchum, Jane Greer and Kirk Douglas.
The riveting thriller Shadow Dancer takes place during The Troubles in 1990s Belfast. Thirtyish single mom Collette (Andrea Riseborough) is captured by British security while planting an IRA bomb in London. Faced with the alternative of a long imprisonment with her young son snatched off to foster care, Collette reluctantly agrees to return to Belfast and inform on her IRA unit. This would make for a tense ride in any case, but Collette belongs to a crew run by her two adult brothers, and all three live with their mother.
Everyone in the cell, including the three siblings, is paranoid out of necessity. And paranoid is only a starting point in describing the IRA’s internal security chief, who soon figures out that there’s a mole in the unit, and begins a mercilessly ruthless investigation; before every interrogation, his assistant rolls out plastic sheeting on the floor – just in case an immediate execution is warranted. To make matters even more nerve-wracking, Collette’s British handler Max (Clive Owen) suspects that his superiors are making Collette expendable to protect another intelligence asset. And so we go along on Shadow Dancer’s wild ride, all the way to its noirish ending.
The heart of the film is Andrea Riseborough’s fine performance as Collette. Surrounded by suspicious friends and foes alike, she must be contained and ever watchful. She cannot reveal that the tension is ripping her apart on the inside.
All of the performances are excellent, especially Brid Brennan as Collette’s severe mother, always putting on the kettle for one of her terrorist offspring. David Wilmot is convincing as the IRA’s mole hunter, dead serious here after his comic turn in The Guard as the goon who couldn’t remember whether he was a psychopath or a sociopath.
Director James Marsh won an Oscar for his documentary Man on Wire. Marsh also directed Project Nim (one of my Best Movies of 2011) and the based-on-fact British crime drama Red Riding: In the Year of Our Lord 1980.
Here, Marsh demonstrates an excellent sense of pace. Pay attention to the scenes at the beginning with Collette’s little brother and with the London Underground. In contrast to many quick-cutting filmmakers, Marsh takes his time so dread settles in and the tension builds. It results in a top-notch thriller.
We’re in June, which means an emphasis on “tent pole” movies – the big blockbusters aimed at attracting mobs of kids and teens. The bottom line: there are just a few intelligent movies for adults in theaters now, but more available on Video On Demand and on broadcast TV. Here are my recommendations for this week:
Shadow Dancer, about a young single mom in the IRA, is showing in some theaters now, but can be hard to find. It is also available streaming from Amazon, iTunes and Vudu.
Much Ado About Nothing takes the homework out of Shakespeare and puts the screwball comedy back in.
The East is an absorbing and thought-provoking eco-terrorism thriller.
Before Midnight, the year’s best romance, continuing the story of Ethan Hawke’s Jesse and Julie Delpy’s Celine from Before Sunrise and Before Sunset.
The documentary We Steal Secrets: The Story of WikiLeaks is Alex Gibney’s inside look at an improbable scandal. It’s also available streaming from Amazon, Vudu, YouTube, Google Play and other VOD outlets.
I like the unsentimental Western Dead Man’s Burden, available on DVD from Netflix and streaming from Amazon, Vudu and other VOD outlets.
The insightful HBO documentary Love, Marilyn uses Marilyn Monroe’s recently discovered letters and journals to give us a candid yet sympathetic inside look at Marilyn.
Hey Bartender, the entertaining documentary about the trend toward Craft Bartending, is hard to find in theaters, but easy to find on VOD (Amazon, Vudu, iTunes).
Also out right now:
Fast & Furious 6 has exciting chases, a silly story, a smoldering Michelle Rodriguez and a hard ass Gina Carano.
There’s cleverness in the psychological thriller Berberian Sound Studio, but just not enough thrills for a thriller.
Also out on VOD, Nancy, Please is a dark comedy about neurotic obsession among the over-educated. Not that funny.
My DVD/Stream of the Week is the Oscar-nominated Chilean historical drama No, with Gael Garcia Bernal. No is available on DVD from Netflix and streaming from Vudu.
Turner Classic Movies wraps up its June film noir festival tonight with Czar of Noir Eddie Muller presenting films from the novels of Cornell Woolrich (The Leopard Man, Deadline at Dawn) and Raymond Chandler (Murder My Sweet, The Big Sleep, Lady in the Lake, Strangers on a Train).
The riveting thriller Shadow Dancer, about a young single mom in the IRA, is showing in some theaters now, but can be hard to find. It is also available streaming from Amazon, iTunes and Vudu.
Much Ado About Nothing takes the homework out of Shakespeare and puts the screwball comedy back in.
The East is an absorbing and thought-provoking eco-terrorism thriller.
Before Midnight, the year’s best romance, continuing the story of Ethan Hawke’s Jesse and Julie Delpy’s Celine from Before Sunrise and Before Sunset.
The documentary We Steal Secrets: The Story of WikiLeaks is Alex Gibney’s inside look at an improbable scandal. It’s also available streaming from Amazon, Vudu, YouTube, Google Play and other VOD outlets.
I like the unsentimental Western Dead Man’s Burden, available on DVD from Netflix and streaming from Amazon, Vudu and other VOD outlets.
The insightful HBO documentary Love, Marilyn uses Marilyn Monroe’s recently discovered letters and journals to give us a candid yet sympathetic inside look at Marilyn.
Hey Bartender, the entertaining documentary about the trend to Craft Bartending, is having a very limited theatrical run (a single showing this week in one local theater) and is available streaming from Amazon, Vudu, iTunes and other VOD outlets.
Also out right now:
Fast & Furious 6 has exciting chases, a silly story, a smoldering Michelle Rodriguez and a hard ass Gina Carano.
There’s cleverness in the psychological thriller Berberian Sound Studio, but just not enough thrills for a thriller.
My DVD/Stream of the Week is the geezer romp Quartet. Quartet is available on DVD from Netflix and Redbox and streaming from Vudu, YouTube and other VOD outlets.
Turner Classic Movies continues its June film noir festival tonight with Czar of Noir Eddie Muller presenting films from the novels of Jonathan Latimer (Nocturne, They Won’t Believe Me) and James M. Cain (Double Indemnity, The Postman Always Rings Twice).
The riveting thriller Shadow Dancer takes place during The Troubles in 1990s Belfast. Thirtyish single mom Collette (Andrea Riseborough) is captured by British security while planting an IRA bomb in London. Faced with the choice of a long imprisonment with her young son snatched off to foster care, Collette reluctantly agrees to return to Belfast and inform on her IRA unit. This would make for a tense ride in any case, but Collette belongs to a crew run by her two adult brothers, and all three live with their mother.
Everyone in the cell, including the three siblings, is paranoid out of necessity. And paranoid is only a starting point in describing the IRA’s internal security chief, who soon figures out that there’s a mole in the unit, and begins a mercilessly ruthless investigation; before every interrogation, his assistant rolls out plastic sheeting on the floor – just in case an immediate execution is warranted. To make matters even more nerve-wracking, Collette’s British handler Max (Clive Owen) suspects that his superiors are making Collette expendable to protect another intelligence asset. And so we go along on Shadow Dancer’s wild ride, all the way to its noirish ending.
The heart of the film is Andrea Riseborough’s fine performance as Collette. Surrounded by suspicious friends and foes alike, she must be contained and ever watchful. She cannot reveal that the tension is ripping her apart on the inside.
All of the performances are excellent, especially Brid Brennan as Collette’s severe mother, always putting on the kettle for one of her terrorist offspring. David Wilmot is convincing as the IRA’s mole hunter, dead serious here after his comic turn in The Guard as the goon who couldn’t remember whether he was a psychopath or a sociopath.
Director James Marsh won an Oscar for his documentary Man on Wire. Marsh also directed Project Nim (one of my Best Movies of 2011) and the based-on-fact British crime drama Red Riding: In the Year of Our Lord 1980.
Here, Marsh demonstrates an excellent sense of pace. Pay attention to the scenes at the beginning with Collette’s little brother and with the London Underground. In contrast to many quick-cutting filmmakers, Marsh takes his time so dread settles in and the tension builds. It results in a top-notch thriller.
Shadow Dancer is showing in some theaters now, but can be hard to find. It is available streaming from Amazon, iTunes and Vudu.