Yet more movies to watch at home, still topped by the excellent crime thriller The Whistlers.
ON VIDEO
In the absorbing crime thriller The Whistlers, a shady cop and a mysterious woman are walking a tightrope of treachery. The Whistlers was a hit at last year’s Cannes Film Festival, but COVID-19 impaired its 2020 theatrical release in the US. You can stream it from Amazon, Vudu, YouTube and Google Play.
Because the San Francisco International Film Festival (SFFILM) was supposed to be underway now (it’s been cancelled for the COVID-19 emergency), here’s a film from SFFILM’s 2017 program: The Lost City of Z revives the genre of the historical adventure epic, with all the spectacle of a swashbuckler, while braiding in modern sensitivities and a psychological portrait. This is a beautiful and thoughtful film. The Lost City of Z is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.
“I’m suggesting Mr President, there’s a military plot to take over the Government of these United States, next Sunday…”
John Frankenheimer (The Manchurian Candidate) is a master of the thriller, and his 1964 Seven Days in May is a masterpiece of the paranoid political thriller subgenre. Edmond O’Brien’s performance is best among outstanding turns by Kirk Douglas, Burt Lancaster, Frederic March and Whit Bissell. Douglas showed his range by playing a profoundly decent man, for whom “patriotic” meant “devoted, dutiful and loyal to the nation’s principles”, not “jingoistic”. April 23 on Turner Classic Movie.
Okay, I’m exhausted from Cinequest, and the Oscar movies have drifted out of the theaters for the most part, so here we go:
The little British drama The Sense of an Ending, with Jim Broadbent, Harriet Walter and Charlotte Rampling, is the best movie opening this week.
If you’re looking for an unchallenging comedy, then The Last Word, with the force of nature named Shirley MacLaine, is for you.
By all means, avoid the epically bad epic The Ottoman Lieutenant, so bad that it provokes unintended audience giggles and guffaws.
The landmark 1967 US Supreme Court case Loving v. Virginia overturned state laws that banned interracial marriage. My DVD/Stream of the week, Lovingis the story of the real couple behind that ruling, and it’s a satisfying love story of two modest people who would rather not have been forced to make history. You can watch it on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play.
Turner Classic Movies presents the political suspense drama Seven Days in May and Samuel Fuller’s gloriously pulpy psych ward expose, Shock Corridor, on March 18 and the Orson Welles film noir classic Touch of Evil on March 22.
It’s time for the Oscars, so you really should watch the year’s best film (and Oscar favorite) Boyhood if you haven’t seen it yet. It’s available on DVD from Netflix and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video. Otherwise:
Clint Eastwood’s thoughtful and compelling American Sniper, with harrowing action and a career-best performance from Bradley Cooper.
The inspiring Selma, well-crafted and gripping throughout (but with an unfortunate historical depiction of LBJ).
The Belgian drama Two Days, One Night with Marion Cotillard, which explores the limits of emotional endurance.
The cinematically important and very funny Birdman. You can still find Birdman, but you may have to look around a bit. It has justifiably garnered several Oscar nominations, including for Best Picture.
Reese Witherspoon is superb in the Fight Your Demons drama Wild, and Laura Dern may be even better.
Julianne Moore’s superb performance is the only reason to see Still Alice;
The Imitation Game – the riveting true story about the guy who invented the computer and defeated the Nazis and was then hounded for his homosexuality.
I was underwhelmed by the brooding drama A Most Violent Year – well-acted and a superb sense of time and place (NYC in 1981) but not gripping enough to thrill.
My DVD/Stream of the Week is the droll Swedish dramedy Force Majeure, Sweden’s submission for the Best Foreign Language Oscar. It is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.
It’s time for Turner Classic Movies’ annual 31 Days of Oscar – a glorious month of Oscar-nominated and Oscar-winning films on TCM. This week, I am highlighting:
The Producers (February 21): This zany 1967 Mel Brooks madcap classic is probably my nominee for Funniest Movie of All Time. (Much better than the 2005 remake.) Deliverance(February 21): Our of my all-time favorites – still gripping today – with a famous scene that still shocks. Jon Voigt, Burt Reynolds, Ned Beatty and Ronny Cox form an impressive ensemble cast. Seven Days in May (February 26): A GREAT political thriller The Emigrants(February 27): This Swedish film remains the best depiction of pioneer settlers in the American West.
Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. On this Thursday through Sunday, the TCM lineup is especially rich, including these gems:
Seven Days in May: “I’m suggesting Mr President, there’s a military plot to take over the Government of these United States, next Sunday…” John Frankenheimer (The Manchurian Candidate) is a master of the thriller, and his 1964 Seven Days in May is a masterpiece of the paranoid political thriller subgenre. Edmond O’Brien’s performance is best among outstanding turns by Kirk Douglas, Burt Lancaster, Frederic March and Whit Bissell.
A Place in the Sun:One of the great films of the 1950s. Montgomery Clift is a poor kid who is satisfied to have a job and a trashy girlfriend (Shelly Winters in a brilliant portrayal). Then, he learns that he could have it all – the CEO’s daughter Elizabeth Taylor, lifelong comfort, status and career. Did I mention Elizabeth Taylor? The now pregnant girlfriend is the only obstacle to more than he could have ever dreamed for – can he get rid of her without getting caught?
Anatomy of a Murder (1959): Otto Preminger delivers a classic courtroom drama that frankly addresses sexual mores. James Stewart is a folksy but very canny lawyer defending a cynical soldier (Ben Gazzara) on a murder charge; did he discover his wife straying or is he avenging her rape? Lee Remick portrays the wife with a penchant for partying and uncertain fidelity. The Duke Ellington score could be the very best jazz score in the movies. Joseph Welch, the real-life lawyer who stood up to Sen. Joe McCarthy in a televised red scare hearing, plays the judge.
All this and more! There’s Double Indemnity one of the masterpieces of film noir, Marlon Brando’s tour de force in On the Waterfront, the great trial movie The Caine Mutiny, the historically important Easy Rider (and one of my Best Drug Movies) and the political classic All the King’s Men. If you’re looking for an epic, you can try out The Bridge on the River Kwai and Lawrence of Arabia on your big screen TV. For a comedy, there’s Tootsie.
And don’t miss an overlooked great Jack Nicholson performance in The Last Detail.
The best new movie is Steven Soderbergh’s psychological thriller Side Effects with Rooney Mara, Jude Law and Catherine Zeta-Jones. In Stand Up Guys, Al Pacino, Christopher Walken and Alan Arkin play old mobsters gearing up for one last surge of adrenaline. Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies. The pretty good horror movie Mama (with Jessica Chastain) can send chills down your spine without any slashing or splattering.
Zero Dark Thirty, Argo, Lincoln and Silver Linings Playbook are on my list of Best Movies of 2012 and all are nominated for the Best Picture Oscar. The French language drama Amour, also nominated for Best Picture, is a brilliantly made film about the end of life – it’s also an almost unbearable viewing experience.
If, like me, you worship the spaghetti Western, the Quentin Tarantino blockbuster Django Unchained is gloriously pedal-to-the-metal, splattering exploitation. The intelligent dramaRust and Bone is the singular tale of a complicated woman and an uncomplicated man. Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling.
Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. Also pass on the lavish but stupefying all-star Les Miserables, with its multiple endings, each more miserable than the last. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril. I have not seen Movie 43 – it is the most critically reviled movie in a looooong time.
My DVD of the week is the underrated 2012 thriller Deadfall.
Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. In the next week, the especially rich lineup will include Double Indemnity, A Place in the Sun, Seven Days in May, All the King’s Men, Anatomy of a Murder with its great jazz score, On the Waterfront, The Caine Mutiny, Easy Rider, The Last Detail, The Bridge on the River Kwai, Lawrence of Arabia and Tootsie.
I haven’t found any other acceptable lists of patriotic movies. Other lists tend to be less patriotic and more jingoistic and nationalistic, less about celebrating the essential American values and triumphs (sometimes triumphs over ourselves) than about dominating some furriners in war or sport. That’s why Top Gun and Miracle show up on those lists, but not on mine.
Throughout our history, American patriots have taken risks and made sacrifices for ideas and causes greater than themselves. Here are ten movies that celebrate such authentic patriotism: 10 Patriotic Movies.
“I’m suggesting Mr President, there’s a military plot to take over the Government of these United States, next Sunday…”
John Frankenheimer (The Manchurian Candidate) is a master of the thriller, and his 1964 Seven Days in May is a masterpiece of the paranoid political thriller subgenre. Edmond O’Brien’s performance is best among outstanding turns by Kirk Douglas, Burt Lancaster, Frederic March and Whit Bissell. Plays November 25 on TCM.
For other great movie choices on TV, see my Movies on TV.
The Must See films in theaters this week remain Inside Job and The Social Network. Hereafter and The Girl Who Kicked the Hornet’s Nest are also good choices. Morning Glory (more tomorrow) is a passable comedy.
Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.
Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.
The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.
The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film. As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.
The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.
Leaving (Partir) is a romantic tragedy with another powerful performance by Kristin Scott Thomas and not much else. Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller.
I have not yet seen Welcome to the Rileys. This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay. I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story. You can see the trailers at Movies I’m Looking Forward To.
My DVD of the Week is Women on the Verge of a Nervous Breakdown. My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3. For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude Leave Her to Heaven, Seven Days in May and Strangers on a Train on TCM.
Mademoiselle Chambon is the year’s best romance, and very worth seeking out; The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year. I’m still pushing the hardhitting documentary The Tillman Story. There’s also the George Clooney arty thriller The American. If you can still find them, there are also two excellent crime dramas – Mesrine: Killer Instinct and Animal Kingdom. For a date movie, there is the charming and relatively smart romantic comedy Going the Distance.
Without strongly recommending them, I can say that The Town is a satisfying Hollywood thriller and the silly A Woman, A Gun and a Noodle Shop has its moments. You can skip Wall Street: Money Never Sleeps.
My DVD of the Week is one of the year’s best so far: The Ghost Writer. Don’t miss another of the year’s best, The Secret in Their Eyes either. For my recent DVD choices (including trailers), see DVDs of the Week.
Movies on TVinclude lots of good choices: Seven Days in May, Badlands, Boxcar Bertha, Leave Her to Heaven, Twentieth Century and The Earrings of Madame de…, all coming up on TCM.
If you’re a baseball fan, there’s Ken Burns’ The Tenth Inning on PBS.
I haven’t found any other acceptable lists of patriotic movies. Other lists tend to be less patriotic and more jingoistic and nationalistic, less about celebrating the essential American values and triumphs (sometimes triumphs over ourselves) than about dominating some furriners in war or sport. That’s why Top Gun and Miracle show up on those lists, but not mine.
Throughout our history, American patriots have taken risks and made sacrifices for ideas and causes greater than themselves. Here are ten movies that celebrate that authentic patriotism.
1. Casablanca: Our greatest film also depicts the decision to make a painful personal sacrifice, abandoning the love of one’s life, to join the risky fight against fascism, racism and fundamental evil. “I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world.”Now that’s the essence of patriotism.
Rick is good at being noble, after all.
2. John Adams: There was a time when the English subjects in North America needed to be convinced to seek Independence. There was a time – a long time – when the outcome of the war for that Independence was uncertain. There was a time when the winners of that war needed to invent a new government. And then the new government needed to be led by people without experience in self-government. John Adams, the most overlooked giant of our Founding Fathers, was a central player in all of these dramatic events and is the subject of this brilliant mini-series.
Unique among the Founding Fathers, his day-to-day activities were frankly chronicled in hundreds of letters to and from his wife of fifty-four years, Abigail. These surviving letters comprise one of the most essential first-hand accounts of the founding of America, and, of course, also reveal much about the talented but prickly Adams and the Adams’ relationship.
3. Gettysburg: This is the best Civil War movie, shot on the actual battlefield with thousands of re-enactors. It makes this list because it highlights the character of Joshua Lawrence Chamberlain (Jeff Daniels), a professor of rhetoric and theology, who finds himself leading a few men to defend his army’s most vulnerable position; the screenplay uses Chamberlain to verbalize the rationale for his commitment to preserve the world’s flagship democracy.
4. To Kill a Mockingbird: Atticus Finch is compelled to pursue truth, justice and fair play, and he is committed to reaching those outcomes in the American justice system that he cherishes. In doing so, he rejects the expectations of his time and place, and he risks his community standing, his family’s comfort and security and his own personal safety.
5. Saving Private Ryan: A high school teacher is thrust onto history’s biggest stage: the Allied invasion of Nazi-held Normandy. He is assigned a dangerous mission that he understands has public relations value, but little military tactical importance. He appreciates how high are the risks and how little the impact that the mission will have on the outcome of the War, yet maintains his focus on the success of his mission and the safety of his men.
6. The Best Years of Our Lives: A war ends, and it’s time to total up the sacrifices made by both those who fought and their loved ones, and to recognize how they have been changed by their experiences. Check out this beautifully re-cut trailer.
7: Eyes on the Prize: American’s Civil Rights Years 1954-1965: July 4, 1776, is the start, not the apex, of the American journey. Since then, we have been working to fashion a more ideal America – in both tiny increments and great strides, with missteps along the way. This series tells the story of a great stride – accomplished by underdogs.
8. Seven Days in May: Is patriotism about nationalism (us against outsiders), or is it a devotion to the American core principle of democracy? That’s the central question in this thriller about a plotted military coup in the United States.
9. In Harm’s Way: This is the closest to a conventional war movie on this list, but one about Americans facing a conflict with determination despite being uncertain of the outcome. It depicts even the most troubled American making the ultimate sacrifice for a greater good. Otto Preminger introduces his own trailer:
10. Baseball: This is the Ken Burns nine part history of baseball. There is some heroism here (Jackie Robinson, Branch Rickey), but mostly this film makes the list to celebrate an essential thread in the American fabric. Like our culture, baseball has rules, history, customs, competition, winners and losers. Like our country, baseball has been shaped by immigration, urbanization and new technologies. Like our nation’s history, baseball’s history is replete with racists, greedy capitalists, cheaters, solid role models, eccentrics, innovators, visionaries and idealists. Baseball has its own language, food and iconography, and is generally one of the most consistently sweet things about America. For better or for worse, there is nothing more American than baseball, and what’s more patriotic than watching Baseball?