Secrets and Lies

Movies to See Right Now

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Photo caption: ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN

This week – a contemporary Australian bodice-ripper on video and a whole mess of great television recommendations. The best two movies in theaters are still Summer of Soul and Roadrunner.

IN THEATERS

ON VIDEO

Kelly MacDonald in DIRT MUSIC. Photo courtesy of Blue Finch Film Releasing.

Dirt Music: A sweeping romance amid Australian coastal vistas, but with an ending that wants to have it both ways. Amazon, AppleTV, YouTube.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Riders of Justice: Thriller, comedy and much, much more. It’s the year’s best movie so far. Amazon, AppleTV, Vudu and YouTube. #1 on my Best Movies of 2021 – So Far.
  • No Sudden Move: Steven Soderbergh’s neo-noir thriller has even more double-crosses than movie stars – and it has plenty of movie stars. HBO Max.
  • Neutral Ground: the supremacist legacy of old statues. PBS.
  • The Courier: amateur among spies. Amazon, Vudu, YouTube and redbox.
  • Truman and Tennessee: An Intimate Conversation: Two gay Southern geniuses, revealing themselves. Laemmle.
  • The Dry: a mystery as psychological as it is procedural. Amazon, AppleTV, Vudu, YouTube.
  • My Name Is Bulger: Two brothers, two paths to power. discovery+.
  • About Endlessness: Damned if I know. Streaming on Amazon, Vudu, YouTube and Google Play.
  • Brewmance: barley, hops, yeast and underdogs. Amazon (included with Prime), AppleTV, Vudu, YouTube and Google Play.
  • Louder Than Bombs: An intricately constructed family drama. Amazon (included with Prime), Vudu and YouTube.
  • That Guy Dick Miller: Putting the “character” in “character actor:” Amazon (included with Prime).
  • Sword of Trust: comedy and so, so much more. Amazon, AppleTV, Vudu, YouTube and Google Play.
  • Run Lola Run: you’ll never see a more kinetic movie. Amazon, AppleTV, Vudu, YouTube and Google Play.

ON TV

Marianne Jean-Baptiste and Brenda Blethen in SECRETS & LIES

Well, here we are in the August doldrums and Turner Classic Movies is turning up the heat with some great choices.

First, on August 1, there’s Secrets & Lies, which I considered the very best movie of 1996. Written and directed by Mike Leigh (Life Is Sweet, Naked, Topsy-Turvy, All or Nothing, Vera Drake, Another Year), this is Leigh’s masterpiece and his most acessible film.

Hortense (Marianne Jean-Baptiste) is an accomplished young British woman who has been raised by middle-class adoptive parents. She decides to track down her birth mother, who turns out to be the working class hot mess Cynthia (Brenda Blethyn). This triggers Cynthia’s emotional damage from giving up baby Hortense, her panic at explaining this to her family – with the complicating factor that Hortense is Black. All kinds of family complications ensue. Cynthia’s underachieving daughter (Claire Rushbrook) is not at all comfortable with the emergence of an over-achieving sibling. Cynthia’s sister-in-law (Penelope Logan) faces this through her own child-related anguish. And Cynthia’s brother (Timothy Spall), who has clawed his way to respectability, has to juggle these developments.

There’s a searing emotional authenticity to Secrets & Lies, but there’s plenty of humor, too. (The montage of the brother’s portrait photography clients is hilarious.)

This is a career-topping performance by Brenda Blethens (TV’s Vera) and she was Oscar-nominated.

Blethyn’s fine performance is the showiest, but this is the movie where I recognized the greatness of Timothy Spall (Mr. Turner and Wormtail in the Harry Potter franchise),

The rest of the cast is brilliant, too, including Logan (Lovejoy and Mrs. Hughes in Downton Abbey) and Leslie Manville. Claire Rushbrook is especially good as the gobsmacked daughter.

Secrets & Lies, Leigh, Blethyn and Jean-Baptiste were all nominated for Academy Awards (and this was a little British indie back when they only nominated 5 movies for Best Picture). Secrets & Lies and Fargo lost the Best Picture Oscar to The English Patient (only because The English Patient was far, far more pretentious). This is a film of uncommon humanity and one of my Greatest Movies of All Time.

Bette Davis and Warren William in SATAN MET A LADY

On August 2, TCM airs Satan Met a Lady, an earlier version of the 1941 The Maltese Falcon. I’ve written about all three versions in Three faces of the Maltese Falcon. This 1936 version is more of a screwball comedy than a whodunit, and the ensemble acting is magnificent..

Finally, on August 4 , TCM plays Pushover, one of my Overlooked Noir. Tracking a notorious criminal, the cop (Fred MacMurray) follows – and then dates – the gangster’s girlfriend (“Introducing Kim Novak”).  It starts out as part of the job, but then he falls for her himself. He decides that, if he can double cross BOTH the cops and the criminal, he can wind up with the loot AND Kim Novak. (This is a film noir, so we know he’s not destined for a tropical beach with an umbrella drink.)

Fred MacMurray and Kim Novak in PUSHOVER

Movies to See Right Now

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Viola Davis in WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.

This week I’m featuring an absolute MUST for Silicon Valley film lovers, Silicon Valley’s Cinema Club. The Club is wrapping up its 22nd season this weekend and looking forward to 2019. A 2019 Club membership can also be a treasured Holiday gift.

And I’ll be trying to figure out how, despite ten solid days of family and job commitments, I can see three of the most promising movies of the year: Green Book, Widows and Burning.

OUT NOW

  • The sci fi coming of age adventure Prospect has a one week run in the Bay Area at San Jose’s 3Below and is well worth seeking out..
  • The masterful documentary Monrovia, Indiana is a fascinating movie about a boring subject.
  • The Great Buster: A Celebration is Peter Bogdanovich’s biodoc of the comic genius Buster Keaton, filling in what we need to know of Keaton’s life and body of work.
  • Just in case you haven’t gotten around to seeing it yet – Lady Gaga illuminates Bradley Cooper’s triumphant A Star Is Born. Don’t bring a hankie – bring a whole friggin’ box of Kleenex.
  • What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
  • The Outlaw King, with Chris Pine as Robert the Bruce, exists for those who need a dose of medieval slaughter and a spunky queen, but there’s not enough there for the rest of us.
  • Skip First Man – a boring movie about a fascinating subject.

ON VIDEO

My stream of the week is the searing French thriller Custody, in which writer-director Xavier Legrand paints the most elemental and realistic depiction of domestic violence that I’ve seen. Custody won Legrand the Silver Lion (Best Director) at the Venice film festival. It can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On November 20, Turner Classic Movies presents what I considered the very best movie of 1996, Secrets & Lies. Written and directed by Mike Leigh (Life Is Sweet, Naked, Topsy-Turvy, All or Nothing, Vera Drake, Another Year), this is Leigh’s masterpiece.

Hortense (Marianne Jean-Baptiste) is an accomplished young British woman who has been raised by middle-class adoptive parents. She decides to track down her birth mother, who turns out to be the working class hot mess Cynthia (Brenda Blethyn). This triggers Cynthia’s emotional damage from giving up baby Hortense, her panic at explaining this to her family – with the complicating factor that Hortense is Black. All kinds of family complications ensue. Cynthia’s underachieving daughter (Claire Rushbrook) is not at all comfortable with the emergence of an over-achieving sibling. Cynthia’s sister-in-law (Penelope Logan) faces this through her own child-related anguish. And Cynthia’s brother (Timothy Spall), who has clawed his way to respectability, has to juggle these developments.

There’s a searing emotional authenticity to Secrets & Lies, but there’s plenty of humor, too. (The montage of the brother’s portrait photography clients is hilarious.)

Blethyn’s fine performance is the showiest, but this is the movie where I recognized the greatness of Timothy Spall. Secrets & Lies, Leigh, Blethyn and Jean-Baptiste were all nominated for Academy Awards, with Secrets & Lies and Fargo losing the Best Picture Oscar to The English Patient (only because The English Patient was far, far more pretentious), This is a film of uncommon humanity.

Marianne Jean-Baptiste and Brenda Blethyn in SECRETS & LIES

Siskel & Ebert's At the Movies

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At the Movies ends its long run on television this weekend.  The show went through different versions in the last few years, but its greatness was in the two decades of Gene Siskel and Robert Ebert – their concept, their standards and their passion.

On a personal note, I would say that, along with an excellent local art house theater, Siskel & Ebert’s At the Movies helped me develop my passion for film more than any other factor.  In fact, At the Movies’ Sunday evening broadcast was the reason that I got my very first VCR.

The thing that Siskel and Ebert did better than anyone was to evangelize good films that were out of the Hollywood mainstream, bringing attention to and creating audiences for independent film, foreign films, documentaries and to new and indie film makers.  Here’s a great example – Siskel and Ebert’s review of Mike Leigh’s great Secrets and Lies.