This being the week that the Oscar nominations are released, here’s your chance to see three recent Oscar winning movies. Each was recognized as the year’s best documentary, and each is completely engrossing.
Amyis the heart-felt, engaging and innovative bio-pic of singer Amy Winehouse. DVD from Netflix and Redbox and streaming on Amazon, iTunes, Vudu, YouTube and Google Play
Searching for Sugar Man is about a modest guy who didn’t know that he was a rock star. For real. Amazon, iTunes, Vudu, YouTube and Google Play.
Undefeated is the story of a high school football coaching trying imbue some hope into kids living in crushing poverty. On DVD and streaming from Netflix; also streaming from Amazon, iTunes, Vudu, YouTube and Google Play.
The delightfully smart and character-driven Israeli comedy The Women’s Balcony with a community of traditional women in revolt. The longer you’ve been married, the funnier you’ll find The Women’s Balcony.
The David and Goliath documentary Abacus: Small Enough to Jail, the riveting story of an American family business bullied into a nightmarish fight for survival.
The bittersweet dramedy The Hero has one thing going for it – the wonderfully appealing Sam Elliott.
My Stream of the Week won the Oscar for Best Documentary feature. Searching for Sugar Man is the story of a Detroit construction laborer who didn’t know that he was a rock star. You can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.
On June 27, Turner Classic Movies presents the iconic 1946 film noirThe Postman Always Rings Twice. An essential element in film noir is a guy’s lust for a Bad Girl driving him to a Bad Decision, and when John Garfield first sees Lana Turner in The Postman Always Rings Twice, you can tell that he’s hooked. She’s a Bad Girl, and a Bad Decision is on its way.
What a story! A Detroit construction laborer named Sixto Rodriguez was also a singer-songwriter who cut two albums in 1970 and 1971. The albums didn’t sell in the US, and he faded back into obscurity. Yet in South Africa – completely isolated by the sanctions of the apartheid era – the artist known as Rodriguez became huge, and his songs fueled a protest movement. Rodriguez never knew of his success, and South Africans believed that he had suffered a dramatic rock star death. The powerful documentary Searching for Sugar Man is the story of some stubborn South African music geeks trying to find out what really happened to Rodriguez, and the startling truths that they uncovered. (The title comes from Rodriguez’ most iconic anthem, the song Sugar Man.)
I have never seen a biographical documentary of a contemporary figure with less comment from the subject himself. There is a brief filmed interview with the eccentric Rodriguez, who reveals very little of his perspective on his own story. His songs can only be written by a reflective person, but Rodriguez is the farthest thing from self-absorbed. Still, the interviews with his family, friends and fans and his songs help us feel like we know him.
It’s a flabbergasting and unpredictable story and well told. Sadly, the young director Malik Bendjelloul suddenly died just fifteen months after Searching for Sugan Man won the Best Documentary Oscar. You can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.
The Swedish filmmaker Malik Bendjelloul has died suddenly at age 36. He won the Best Documentary Oscar with his FIRST FEATURE – the powerful Searching for Sugar Man. Judging from Sugar Man, this is a significant loss to future cinema. At least we can still watch his one riveting and flabbergasting story – available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube and Xbox Video.
Mainly, I’m just so glad that Beasts of the Southern Wild was nominated for Best Picture and that its star Quvenzhane Wallis (now nine years old) was nominated for Best Actress. Both are very deserving of nominations, and it would have been easy for the Academy to overlook such a small indie film and its first-time director and actress.
For the most part, the Academy avoided leaving out the obviously deserving and rewarding the ridiculously underserving – very few big brainfarts this year. I am completely baffled that Ben Affleck of Argo and Kathryn Bigelow ofZero Dark Thirty did not receive Best Director nods; (I would have passed over David O. Russell and Michael Haneke). But that’s just about my only quibble.
Eight of the nine nominees for Best Picture are currently playing at your local theaters (although Amour is harder to find until next weekend). Beasts of the Southern Wild is available on DVD from Netflix and Redbox and streams from a host of VOD services.
You can also find Flight at the theaters and watch Oscar-nominated Denzel Washington. The Sessions, with Oscar favorite Helen Hunt, is still lurking in some second run houses. Among the nominated documentaries, Invisible War is available on Netflix Instant and some VOD services, while Searching for Sugar Man is available from several VOD services (although pricey).
The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. It’s unquestionably the best Hollywood movie of the year so far.
But there are some other excellent choices. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray. You can still find End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper. Perks of Being a Wallflower is an authentic coming of age story. I also recommend the realistic indie alcoholism drama Smashed.
Two lower profile films are continuing their long runs. The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France. Another good choice is the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist who didn’t know that he was a rock star.
Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand. History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO. You can skip HBO’s dreary The Girl.
The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying. The Master is a visual and acting masterpiece, but the story fizzles out.
I haven’t yet seen the blockbuster sci fi epic Cloud Atlas, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick this week is the most overlooked film of the year, Sarah Polley’s brilliant Take This Waltz. It’s a woman’s movie, but in the best possible way. It’s not a shallow chick flick and there’s no wedding scene. Instead, it’s an exploration of attraction and fulfillment from a woman’s perspective. Take This Waltz makes my list of Best Movies of 2012 – So Far.
DO NOT MISS Argo, unquestionably the best Hollywood movie of the year so far. In this true story from the Iran Hostage Crisis, a down-on-his-luck spy rescues six Americans hiding in the Canadian Ambassador’s Tehran home by pretending to make a cheesy Hollywood sci fi movie. The scenes in Tehran and Washington are pure thriller, leavened by the very funny Hollywood thread.
The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.
End of Watch is a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper. Perks of Being a Wallflower is an authentic coming of age story.
Two lower profile films are continuing their long runs. The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France. Another good choice is the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist who didn’t know that he was a rock star.
The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying. The Master is a visual and acting masterpiece, but the story fizzles out.
I haven’t yet seen Smashed, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
As I wrote on Wednesday, I’m eagerly anticipating today’s release of Seven Psychopaths and Argo. The best of the movies already in release is End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper. Perks of Being a Wallflower is an authentic coming of age story.
The inventive Sleepwalk With Me and Robot and Frank.are two excellent comedies that you haven’t seen before. Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia. The Master is a visual and acting masterpiece, but the story fizzles out. The indie comedy Liberal Arts has some good moments, but overall rings hollow.
It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.
The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.
I haven’t yet seen the big Hollywood thriller Argo or the dark crime comedy Seven Psychopaths, which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick this week is the gripping drama Detachment, a nightmare for teachers with Adrien Brody’s best performance since winning an Oscar for The Pianist. Detachment is on my list of Best Movies of 2012 – So Far.
I recommend End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper. Perks of Being a Wallflower is an authentic coming of age story.
The inventive Sleepwalk With Me and Robot and Frank.are two excellent comedies that you haven’t seen before. Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia. The Master is a visual and acting masterpiece, but the story fizzles out. The indie comedy Liberal Arts has some good moments, but overall rings hollow.
It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.
The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.
My DVD pick this week is the story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel. It is much more than a fish-out-of-water comedy, and has deservedly become they year’s biggest indie hit.
The best of the new movies is End of Watch, a thrilling cop movie that rises above the genre. Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia. The Master is a visual and acting masterpiece, but the story fizzles out.
We still have a couple of fine comedies in theaters, most recently Sleepwalk With Me. Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.
It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.
The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.
I haven’t yet seen the screen version of the coming of age best seller The Perks of Being a Wallflower, the sci fi hitman thriller Looper or the campus comedy Liberal Arts, which open widely this week. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick this week is Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light. Berniemakes my list of Best Movies of 2012 – So Far.