Sandy Wolf’s service to Cinequest (Cinequest’s Mr. Documentary: Sandy Wolf: part 1) is only one of his contributions to film culture.
Sandy also publishes the weekly e-newsletter This Week on TCM, in which he reviews the most significant choices on Turner Classic Movies. He doesn’t write about every movie on TCM, but he touches on several each day. And this is not a quick scan of the weekly classic film menu – each email runs to up to 6,000 words.
Every Sunday morning, while The Wife pours over the New York Times, I’m scanning Sandy’s email to see if TCM is featuring a film I had overlooked or need to revisit. For example, I DVRed the 1937 They Won’t Forget, which I had never seen, only because of Sandy’s description of Lana Turner’s entrance. Worth it.
Earlier this year, I finally got around to the 1936 classic Dodsworth, only because Sandy recommended it. Dodsworth rewarded me with remarkable performances from Walter Huston, Mary Astor and Ruth Chatterton. (Familiarity with Dodsworth is also central to understanding the documentary Scandal: The Trial of Mary Astor, because Astor channeled her Dodsworth character during her testimony at the notorious child custody trial.)
Sandy’s regular readers always wait for the weekly use of the word “oeuvre ” and the mention of the “ubiquitous Michael Curtiz”. Sandy is the kind of film writer who can use the word “mendacity” about a movie (All About Eve) OTHER than Cat on a Hot Tin Roof.
It’s difficult to decide which is the biggest value add in This Week on TCM – Sandy’s usually perfect movie taste or his capsulized commentary, enlivened with Grouchoesque quips. Here’s a taste:
- Story of Seabiscuit: This does not remotely resemble the true story of Seabiscuit; in fact, it should be entitled Nothing Like the True Story of Seabiscuit.
- Manchurian Candidate: A ludicrous premise: the Russians want to put a puppet in the White House, whom they can maneuver and control – hey, wait a minute.
- Gaslight: Joseph Cotton is an old friend who senses something rotten in the state of Denmark (which means he has a strong sense of smell, since this takes place in Victorian era England).
- The Searchers: John Ford’s magnum opus and the apogee (or apotheosis if you prefer an even more pretentious “ap” word) of his Western genre films.
- Doctor Zhivago : My least favorite of Lean’s well known films, which I find ponderous and unwieldy (or if you prefer, slow and boring). I came to CA to get away from snow, so why spend over 3 hours looking at it. Then again, you can spend all that time looking at Julie Christie, which almost makes it worth it. This film was a huge hit and mine is a minority opinion, but is there anyone in America who isn’t sick of Lara’s Theme?
- Detour: Talk about femme fatales – Ann Savage (no name better fit an actress) is the fataliest of all femmes. Ms. Savage more than makes up for the flimsy sets and if she doesn’t give you nightmares, nobody will (whenever I wake up screaming in the night soaked in sweat, and Harriet asks what’s wrong I just say “Ann Savage”).
- Ingmar Bergman’s Passion of Anna: Moving and powerful, under no circumstances should you watch this film unless you are prepared to hit the emotional depths of human existence (I’m not sure what that means, but don’t have a bottle of pills nearby when you are watching).
- Buffalo Bill and the Indians or Sitting Bull’s History Lesson: (Paul) Newman and director Robert Altman were at the height of their respective powers when they teamed up to make this can’t miss film. But miss it did and by miles.
- The Window: Young Bobby Driscoll goes out on the fire escape to sleep on a sweltering NYC summer night and through a neighbor’s window witnesses a murder. Bobby is proverbial boy who cried Sandy Wolf (I use that line every time this movie airs and can’t help myself).
- Scarlet Pimpernel: Whenever I see this title, I think of pumpernickel bread, which you can’t get in Northern CA (at least I have never seen it).
- The Longest Day: BTW, an astute and erudite reader correctly informed me that the “D” in D-Day stands for “Day”. How stupid is that – what does Day Day mean? I would call it T-Day for The Day or even I-Day for Invasion Day.
- Henry V: All I know about Henry V is that he came after Henry IV (not sure where O Henry came from – and I’m talking about the candy bar and not the author).
- Red Badge of Courage: This was deemed an utter failure upon its release and caused director John Huston grief (or as much grief he could sustain between cavorting and carousing) .
- Lolita: Shelley Winters, as Lolita’s Mom, is as annoying as ever (which is as annoying as any human being can possibly be) but she is in fact somewhat empathetic and plays her role well (Shelley could do annoying in her sleep and I’m sure she was annoying even when she was asleep).
Sandy’s taste in exceptional, but not perfect. We differ on the fourth and fifth greatest Hitchcock films, and I’m about to set him straight on his under appreciation of Peckinpah’s The Getaway.
Sandy is also the father of filmmaker Matt Wolf, the accomplished documentarian behind:
- Wild Combination, the critically praised biodoc of the influential musician Arthur Russell. (Included with Amazon Prime.)
- Teenage, an especially insightful look at the emergence of teenage culture, surprisingly recent in American culture. Teenage aired on PBS. (Included with Amazon Prime.)
- Bayard and Me, the undertold story of Bayard Russell’s key role in the Civil Rights movement as a gay man in the 50s and 60s.
- Recorder: The Marion Stokes Project, about a woman who recorded 30 years of TV, 24 hours per day, and left a 70,000 videotape tape-archive of American culture reflected by television. (Streamable on Amazon and iTunes.)
- Spaceship Earth, the soon to be released 2020 Sundance hit about Biosphere 2, the 1991 scientic and social experiment where a team moved into a model replica of our planet’s ecosystem.
Matt Wolf was already an NYU film school grad when Sandy started his role at Cinequest, but Sandy takes some credit for some of Matt’s love of movies. Back in the VCR era, Sandy recorded classic films one at a time, and then played the collection at family movie nights.
On the red carpet of the Tribeca Film Festival for one of Matt’s premieres, Sandy Wolf heard a publicist summoning “Mr. Wolf, over here, please.” Sandy’s proudest moment came when he realized they were calling Matt.
