In the irresistible documentary Chasing Chasing Amy, filmmaker Sav Rodgers tells his own highly personal story of finding sanctuary in a romantic comedy, a movie that ultimately spurs a both a filmmaking career and his transition to trans man. Rodgers weaves in parallel tracks, the origin story of the 1997 movie Chasing Amy, and thoughtful discussion of how that film, after 25 years of cultural evolution, has aged. Chasing Chasing Amy seamlessly braids together the fictional love story in Chasing Amy with the stories of real life relationships, including his own.
Chasing Chasing Amy‘s writer-director Savannah Rodgers grew up a bullied lesbian in small town Kansas, and found lesbian representation in an old DVD of Chasing Amy, which became a lifesaver. When Kevin Smith himself heard Rodgers’ TED Talk, he connected with Rodgers and supported her (and then his) filmmaking career. All this is contained in Chasing Chasing Amy along with some revelations.
The novelty of Chasing Amy is a straight man and a lesbian as inseparable soulmates, and we learn that Kevin Smith modeled this after his real life friends, his producer Scott Mosier and the screenwriter Guinevere Turner. Turner had written the lesbian coming of age film Go Fish, which was on the festival circuit along with Smith and Mosier’s Clerks; Turner later wrote the screenplays for American Psycho and The Notorious Bettie Page.
But the core of Chasing Amy’s narrative is a love affair sabotaged by the guy’s insecurities, mirroring Smith’s own less-than-two-year relationship with Joey Lauren Adams, who plays Alyssa, the main female character.
Rodgers meets Smith himself, who becomes a mentor, and we get current on-camera interviews with Smith, Adams and other principals. There’s a shoulder-to-shoulder joint interview with Smith and Adams, followed by a sobering solo interview with Adams. Along the way, Rodgers matures from a gushing fan girl to a grownup who recognizes the personal flaws that complicate other people’s relationships. Smith comes off well here, and if Rodgers seems too adoring of Smith in most of the film, just wait until her final interview with Joey Lauren Adams.
Chasing Amy was director Kevin Smith’s 1997 masterpiece, with a groundbreaking lesbian/bi-sexual leading lady; but, after 25 years of cultural evolution, some elements now seem stale and even embarrassing. The leading male character is Holden, played by Ben Affleck. His buddy and wingman is Banky, played by Jason Lee, and Banky (to Lee’s off camera discomfort) is unspeakably vulgar and homophobic, a whirlpool of toxic masculinity. But of course, Banky is there to highlight Holden’s comparative evolved tolerance and openness. As an exasperated Kevin Smith says, ‘Banky is the idiot“. However, were Smith to make the same movie today, he would certainly still make Banky offensive, but not so over-the-top offensive.
Some viewers saw in Chasing Amy a toxic male fantasy of a “the right” straight male being able to “convert” a lesbian to heterosexuality. But Alyssa is a bisexual character, as is explicitly depicted in the movie when her lesbian friends react to her fling with Holden. She’s just a bisexual who is more than he is emotionally able to handle.
The story of Sav Rodgers winds from Kansas and the TedTalk, through her long relationship and now marriage, and final, the transitioning into a he/him trans man. Rodgers grows from a naïf into a grown ass man, albeit one that is still earnest, sweet and wears his emotions on his sleeve.
That Rodgers tells such a highly personal story along with the origin story of Chasing Amy and subsequent film and cultural criticism is impressive and ever watchable. I screened Chasing Chasing Amy for the San Luis Obispo Film Festival. It releases into theaters tomorrow.
