Rojo

Movies to See Right Now (at home)

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Catrinel Marlon and Vlad Ivanov in THE WHISTLERS

More movies to watch at home: I’ve amped up my streaming recommendations as we shelter in place. And we start with a new film, The Whistlers.

ON VIDEO

In the absorbing crime thriller The Whistlers, a shady cop and a mysterious woman are walking a tightrope of treachery. The Whistlers, was a hit at last year’s Cannes Film Festival, but COVID-19 impaired its 2020 theatrical release in the US. You can stream it from Amazon, Vudu, YouTube and Google Play.

My tribute to the San Francisco International Film Festival (SFFILM), which would have been underway but for COVID-19, is Rojo. Set just before Argentina’s bloody coup in the 1970s, this moody, atmospheric film works as a slow-burn thriller. Rojo made my list of 10 Overlooked Movies of 2019. Stream it from Amazon, iTunes and Vudu.

Be Natural: The Untold Story of Alice Guy-Blache is a biodoc of a female cinema pioneer – one of the first directors, producers and studio heads – in both France and the US. You don’t know the whole story of the beginnings of cinema if you don’t know about Alice Guy. It’s currently free on WATCH TCM and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play. You can watch Guy’s comic 1906 critique of male behavior, The Consequences of Feminism, on my blog post.

Evelyn Keyes in THE KILLER THAT STALKED NEW YORK

And is it too soon for Pandemic Noir? My post highlights Panic in the Streets and The Killer that Stalked New York. The Killer That Stalked New York has played on Turner Classic Movies; it’s not currently available to stream, but the DVD is available to purchase. The better movie, Panic in the Streets, plays frequently on Turner Classic Movies and can be streamed from iTunes, Vudu, YouTube and Google Play.

Other recent streaming recommendations:

ON TV

On April 11 and 12, Turner Classic Movies brings us Beyond a Reasonable Doubt, another film noir from the great Fritz Lang. Seeking to discredit capital punishment, a novelist (Dana Andrews) gets himself charged with and CONVICTED of a murder – but then the evidence of his innocence suddenly disappears! Crackerjack (and deeply noir) surprise ending. Film noir historian Eddie Muller will introduce the film.

Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT

REMEMBRANCE

Character actor Allen Garfield contributed to many fine films, especially in the 1970s heyday of American auteurs, including The Candidate, The Brink’s Job, Nashville and The Stunt Man. My favorite Garfield performance was as the sleazy Bernie in the 1974 masterpiece The Conversation.

Allen Garfield in THE CONVERSATION

From SFFILM: ROJO – bobbing in a sea of moral relativism

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Benjamin Naishtat’s ROJO. Courtesy of SFFILM.

The San Francisco International Film Festival (SFFILM) was set to open tomorrow before it was cancelled for the COVID-19 emergency, so in tribute, here’s a film from SFFILM’s 2019 program.

Rojo is Argentine writer-director Benjamín Naishtat’s slow burn drama.  Rojo is set just before the 1970s coup that some characters expect – but no one is anticipating how long and bloody the coup will be.  Several vignettes are woven together into a tapestry of pre-coup moral malaise.

A prominent provincial lawyer Claudio (Darío Grandinetti) is invited to participate in a scam. There’s a scary encounter of lethal restaurant rage. It looks like Claudio, bobbing on a sea of moral relativism, may well remained unscathed, but the arrival of crack detective becomes a grave threat.

As Claudio weaves through his life, his society shows signs of crumbling. There’s a failed teen seduction, an emotional breakdown at a formal reception and a natural metaphor – a solar eclipse.

It’s funny when the audience finally connects the dots and understands who the character nicknamed “the Hippie” is. And Naishtat and Grandinetti get the most out of the scene where Claudio finally dons a toupee.

We know something that the characters don’t know – or at least fully grasp – how bloody the coup will be. Watch for the several references to desaparecido, a foreboding of the coup. Argentina’s coup was known for the desaparecidos – the disappeared – thousands of the regime’s political opponents went missing without a trace, having been executed by death squads. In Rojo, a very inconvenient madman dies and his body is hidden, there’s a disappearing act in a magic show, and a would-be boyfriend vanishes.

This is a moody, atmospheric film that works as a slow-burn thriller. I saw Rojo earlier a year agoat the San Francisco International Film Festival (SFFILM). Rojo made my list of 10 Overlooked Movies of 2019. Stream from Amazon, iTunes and Vudu.

10 overlooked movies of 2019

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Luke Lorentzen’s MIDNIGHT FAMILY. Courtesy of SFFILM

I posted my traditional Top Ten list – Best Movies of 2019. Now here are some gems that you probably haven’t heard of.

  • Midnight Family. This gripping documentary takes us on ridealongs with an all-night ambulance crew in Mexico City. It’s even wilder than you may expect. Midnight Family is just finishing a brief theatrical release, and I expect it will be available to stream soon.
  • Light from Light. Three portraits of personal awakening are ingeniously embedded into what looks like a familiar haunted house movie. I’ll let you know when it’s streamable.
  • Sword of Trust. This is a wickedly funny comedy with an emotionally powerful personal story underneath it all. Great performances by Marc Maron and the film’s director Lynn Shelton. You can buy, but not yet rent, Sword of Trust. I’ll let you know when it’s available.
  • Auggie. In this superb indie, augmented reality glasses fulfill every need and insidiously trigger even more inner desires.  Stream from Amazon, iTunes and Vudu.
  • The Sound of Silence. Peter Sarsgaard stars in this novel and engrossing character study about obsession. Stream from Amazon, iTunes, Vudu, YouTube and Google Play.
  • Rojo. Set just before Argentina’s bloody coup in the 1970s, this moody, atmospheric film works as a slow-burn thriller. Stream from Amazon, iTunes and Vudu.
  • Mine 9. This race-against-the-clock rescue thriller is both a mine safety exposé and a mining procedural.  I’ll let you know when it’s available to stream.
  • Jirga. A man goes on a quest in this parable of atonement. The film was shot guerilla-style, under cover in wartorn, terrorist infested Afghanistan. Stream from Amazon, iTunes, Vudu and Redbox.
  • Making Montgomery Clift. This biodoc is an unexpectedly insightful and nuanced probe into the life of Montgomery Clift, and it explodes some of the lore that has shaped popular understanding of the movie star. Stream from Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.
  • Long Day’s Journey into Night. This brilliantly original film explores memory – a man obsessed with a doomed romance from twenty years ago plunges into a neo-noir underworld.  After a slow burn beginning, his search reaches its climax in a spectacular ONE-HOUR single shot. It can be streamed on Amazon, iTunes and Vudu.
  • Mr. Klein. This is actually a reissue of a 1976 film that almost nobody has seen in 43 years. Joseph Losey’s slowburn thriller is a searing critique of French collaboration with the Nazis. Mr. Klein stars Alain Delon as a predator trapped by his own obsession. It is not currently available on the major streaming platforms, nor can it be found on DVD, except for some bootlegs from Asia.

Yes, two of my Overlooked movies are also on my Best of 2019 list. I’ll let you know when you can stream the ones that aren’t yet available.

Marc Maron in SWORD OF TRUST

ROJO: bobbing in a sea of moral relativism

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ROJO. Courtesy of SFFILM.

Rojo is Argentine writer-director Benjamín Naishtat’s slow burn drama.  Rojo is set just before the 1970s coup that some characters expect – but no one is anticipating how long and bloody the coup will be.  Several vignettes are woven together into a tapestry of pre-coup moral malaise.

A prominent provincial lawyer Claudio (Darío Grandinetti) is invited to participate in a scam. There’s a scary encounter of lethal restaurant rage. It looks like Claudio, bobbing on a sea of moral relativism, may well remained unscathed, but the arrival of crack detective becomes a grave threat.

As Claudio weaves through his life, his society shows signs of crumbling. There’s a failed teen seduction, an emotional breakdown at a formal reception and a natural metaphor – a solar eclipse.

It’s funny when the audience finally connects the dots and understands who the character nicknamed “the Hippie” is. And Naishtat and Grandinetti get the most out of the scene where Claudio finally dons a toupee.

We know something that the characters don’t know – or at least fully grasp – how bloody the coup will be. Watch for the several references to desaparecido, a foreboding of the coup. Argentina’s coup was known for the desaparecidos – the disappeared – thousands of the regime’s political opponents went missing without a trace, having been executed by death squads. In Rojo, a very inconvenient madman dies and his body is hidden, there’s a disappearing act in a magic show, and a would-be boyfriend vanishes.

This is a moody, atmospheric film that works as a slow-burn thriller. I saw Rojo earlier this year at the San Francisco International Film Festival (SFFILM) and it opens this weekend in Bay Area theaters.

SFFILM – a peek into world cinema

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Benjamin Naishtat’s ROJO, playing at the San Francisco International Film Festival April 10-23. Courtesy of SFFILM.

As usual, this year’s San Francisco International Film Festival (SFFILM Festival) features a strong sampling of world cinema. Here some highlights:

  • Rojo is Argentine writer-director Benjamín Naishtat’s slow burn drama.  Rojo is set just before the 1970s coup that some characters expect – but no one is anticipating how long and bloody the coup will be.  Several vignettes are woven together into a tapestry of pre-coup moral malaise. Watch for the several references to desaparecida, a foreboding of the coup.
  • Ramen Shop is about a family’s reconciliation in light of troubled Singaporean-Japanese history. There’s a metaphorical foodie angle here, too, in the fusion of Singaporean pork rib soup with Japanese ramen stock.
  • Winter’s Night is Korean director Woo-jin Jang’s contemplation on a longtime marriage in which one partner has grown profoundly dissatisfied and both partners have become very confused about what to do about it. They are addressing this – or not – on a winter vacation to a remote monastery. This especially visual film (see the still below) makes full use of the frigid nights and the stark landscape to emphasize the wife’s emotional isolation.
  • I haven’t yet seen Loro, but master filmmaker Paolo Sorrrentino’s take on Italian scoundrel/prime minister Silvio Berlusconi is very promising. Sorrentino has already created two of the most brilliant films of this decade – The Great Beauty and Youth.

Here’s my SFFILM Festival preview. The 2019 San Francisco International Film Festival (SFFILMFestival) opens this Wednesday. Here’s SFFILMFestival’s information on the program, the schedule and tickets and passes.

Jang Woo-jin’s WINTER’S NIGHT, playing at the San Francisco International Film Festival April 10-23. Courtesy of SFFILM.