2022 Farewells: on the screen

Sidney Poitier in THE HEAT OF THE NIGHT

Sidney Poitier was an actor whose great intelligence, charisma and intensity, which combined into a righteous power. He was the first black A-list movie star and a man who changed things forever by insisting on playing empowered, non-degraded roles. Revisit the moment in In the Heat of the Night when his detective informs Carroll O’Connor’s redneck lawman, “They call me Mister Tibbs“. He wasn’t just an iconic actor, either – he was a also an accomplished director and a bona fide civil rights leader.

William Hurt in BODY HEAT.

Actor William Hurt, broke through unforgettably in his first feature film Altered States, which began a stunning run in the 1980s, of which my favorites were Body Heat, The Big Chill and Broadcast News. Hurt’s characters were frequently cerebral, contained and deliberate. His Ned Racine in Body Heat was always thinking, too, just not thinking as quickly or diabolically as Kathleen Turner’s femme fatale Matty Walker. Even after his A-list days had passed, Hurt was uniformly excellent supporting others in films like History of Violence and Into the Wild.

Jean-Louis Trintignant in AMOUR.

Actor Jean-Louis Trintignant starred in some of the most prestigious European movies of the past six decades: Roger Vadim’s …And Man Created Woman with Brigitte Bardot (1956), Claude Leloach’s A Man and a Woman (1966), Claude Chabrol’s Les Biches (1968), Costa-Gravras’ Z (1969), Éric Rohmer’s My Night at Maud’s, Bernardo Bertolucci’s The Conformist (1970), Krzysztof Kieslowski’s Red (1994) and Michael Haneke’s Amour (2012). He even made a Sergio Corbucci spaghetti western The Great Silence in 1968. Trintignant was 91.

Angela Lansbury and Laurence Harvey in THE MANCHURIAN CANDIDATE

Angela Lansbury’s first screen role was as the saucy, self-interested maid in Gaslight, which kicked off a notable Hollywood career.  Her best movie performance was as the evil mother in The Manchurian Candidate, molding her own son into a robotic assassin.  Her memorable work in cinema was outstripped by her careers on Broadway (multiple Tonys for Mame, Sweeney Todd, etc.) and TV (264 episodes and several TV movies of Murder, She Wrote).

James Caan in THE GODFATHER

Actor James Caan is mostly remembered for his vivid portrayal of a guy with too much testosterone – Sonny Corleone in The Godfather (Bada bing!). Caan had been working since age 21 in TV series, with a John Wayne movie thrown in, when he appeared in the TV movie Brian’s Song – a highly popular weeper. He also appeared, with Robert Duvall, in Francis Ford Coppola’s The Rain People. Most underappreciated performance? Probably Rollerball.

Louise Fletcher in ONE FLEW OVER THE CUCKOO’S NEST.

Actress Louise Fletcher was unforgettable in her Oscar-winning performance as Nurse Rached in One Flew Over the Cuckoo’s Nest.  With her cold, assured eyes embodying impervious authority, she could maintain a soft voice and still deflate the charisma of Jack Nicholson’s McMurphy.  Nurse Rached has been voted the second best female villain in all cinema (after The Wicked Witch in The Wizard of Oz).

Ray Liotta in GOODFELLAS.

Actor Ray Liotta became a star with his leading role in 1990’s iconic Goodfelllas and was still at the absolute top of his game this past year in The Many Saints of Newark and No Sudden Move.

Bo Hopkins in AMERICAN GRAFFITI.

Actor Bo Hopkins left us with some absolutely indelible performances in his heyday, a decade starting in the late 1960s. No one has ever been better at portraying a smirking, dimwitted redneck. I liked him best as the ill-fated young robber in The Wild Bunch, the greaser hard guy in American Graffiti and Burt Reynold’s moonshining partner in White Lightning. In this period, he appeared in Cat Ballou, The Getaway, Monte Walsh and Midnight Express.

L.Q. Jones in HANG ‘EM HIGH

Actor L.Q. Jones, born with the already Texas-colorful name of Justus E. McQueen, took the name of his first movie character (in Battle Cry) and rode it through 165 roles, bringing something interesting and different in every one. His NYT obit quoted him as liking to play “a heavy that is not crazy or deranged — although we play those, of course — but rather someone who is a heavy because he enjoys being a heavy.” Jones worked in some excellent war movies (Men in War, Torpedo Run, The Naked and the Dead, Hell Is for Heroes) and revisionist westerns (The Wild Bunch, The Ballad of Cable Hogue, Pat Garrett and Billy the Kid, Hang ‘Em High). He was also a delightful raconteur, which you can enjoy by searching for “LQ Jones” on YouTube.

Clu Gulager in THE LAST PICTURE SHOW

Prolific actor Clu Gulager has died at 93. The last of Gulager’s 165 IMDb credits came just three years ago in Once Upon a Time…In Hollywood. Best known for 105 episodes as the sheriff on The Virginian, Gulager made his living by guest appearances in a zillion TV shows from Wagon Train and Have Gun, Will Travel through Ironside, Cannon, CHiPs and Falcon Crest. One of his three characters on The Name of the Game was Rex Dakota. I have just learned that he starred in 72 episodes of a 1960-62 TV Western that, amazingly, I do not remember – The Tall Man, with Barry Sullivan as Pat Garrett and Gulager as Billy the Kid. He also peppered his career with cult movies like The Return of the Living Dead and I’m Gonna Get You Sucka. Gulager teamed with Lee Marvin in Don Siegel’s classic neo-noir The Killers.

Gulager’s best-ever screen performance was in The Last Picture Show as an oil rig foreman who is the illicit squeeze of his boss’ wife (Ellen Burstyn). This guy is trapped in a job he will never improve upon and in an affair he will never control; Gulager perfectly conveys his bitter dissatisfaction. The Director’s Cut also adds some sizzle to his pool hall sex scene with Jacy (Cybill Shepherd).

Henry Silva

Actor Henry Silva is recognizable from his 140 screen credits (and, outside of the Oceans 11 movies, those roles may have all been villains). He leveraged his acting talent and unusual facial features to project menace as few actors have done, most memorably in the original The Manchurian Candidate.

Actor Roger E. Mosley is best known for his 158 episodes as the helicopter pilot on Magnum, P.I. and over 50 guest appearances in tv series. As the title character in Leadbelly and many TV shows, he paved the way for more positive and empathetic depictions of African-American characters. He also worked in one of best-ever TV movies, The Jericho Mile, in one of the best sports movies, Semi-Tough, and as Sonny Liston (with Muhammad Ali himself) in The Greatest.  

Although her body of work was overshadowed by her off-screen personal life, actor Anne Heche was superb in Wag the Dog. That was one of a remarkable string of Big Movies in 1997 and 1998: Donnie Brasco, Volcano, I Know What You Did Last Summer, Six Days Seven Nights, Return to Paradise and Brian De Palma’s Psycho.

Did Meat Loaf star in The Rocky Horror Picture Show?
Photo caption: Meat Loaf, with Nell Campbell in THE ROCKY HORROR PICTURE SHOW

Meat Loaf unforgettably burst into cinema in the 1975 cult favorite The Rocky Horror Picture Show. Often credited as Meat Loaf Aday, he also acted in a series of character roles, most notably in Fight Club.

Actor Tony Sirico, best known for his Paulie “Walnuts” Gualtieri in The Sopranos, overcame a youth that landed him in Sing Sing to play a slew of movie and TV gangsters (and appear in four Woody Allen films, too.)

Musician Ronnie Hawkins is best known as the irrepressible, earthy rockabilly mentor of The Band. In the movies, he was unforgettable in The Band’s concert film The Last Waltz; (who is THAT guy on stage with Dylan, Clapton, Neil Young and Van Morrison?) He also had an acting role in Heaven’s Gate.

THE MANY SAINTS OF NEWARK: Tony Soprano’s origin story

Michael Gandolfini and Alessandro Nivola in THE MANY SAINTS OF NEWARK

In the The Many Saints of Newark, David Chase’s prequel to The Sopranos, we get a peek inside the world that formed Tony Soprano. It’s pretty good.

Set when Tony Soprano was a high schooler, The Many Saints of Newark centers on Tony’s favorite “uncle”, mobster Dickie Moltisanti (and moltisanti is Italian for Many Saints). Dickie is played by Alessandro Nivola, who has had important, but supporting, roles in plenty of good movies (Junebug, Ginger & Rosa, American Hustle, A Most Violent Year, Selma). Here, he plays the story’s protagonist, charming and smarter than the average goon, and also capable of sudden, irrevocable violence.

Dickie and Tony are not really related, but, while Tony’s dad is incarcerated, his mob colleague Dickie is looking after his family. When we meet Tony’s sulking brute of a dad (Jon Bernthal) and his nightmare of a mom (Vera Farmiga), it’s clear why Dickie is young Tony’s role model.

Michael Gandolfini, James Gandolfini’s son, plays the young Tony. Beyond the resemblance to James Gandolfini’s adult Tony, the kid can act. He’s good, but the lead is Nivola.

Ray Liotta plays Dickie Moltisanti’s dad, Hollywood Dick Moltisanti. I don’t personally KNOW Ray Liotta, so I will refrain from saying that he can play mobsters effortlessly or that’s he’s a natural. Let’s just say that Liotta makes his mobster performances LOOK effortless. Here, his Hollywood Dick, returning home from an Italian holiday with a trophy bride, is filled with gusto. There’s also a bonus Liotta performance as a related, but much different, second character.

There’s enough in The Many Saints of Newark to show us how Silvio Dante, Big Pussy and Paulie Walnuts, all a few years older than Tony Soprano, would come to accept Tony as he crew leader. And there’s a big reveal about the extent of Uncle Junior’s (Corey Stoll) vindictiveness.

The Many Saints of Newark includes a depiction of the 1967 Newark riots, rising Black consciousness and the changing demographics of Newark and its suburbs,

Has there ever been better episodic television than The Sopranos? Breaking Bad and The Wire can stake their claims, but it’s clear that The Sopranos sets the standard.

The David Chase-crafted story of Dickie Moltisanti would allow The Many Saints of Newark to stand on its own as entertainment. For fans of The Sopranos, however, it’s even more insightful and evocative.

The Many Saints of Newark is in theaters and streaming on HBO Max.

DVD/Stream of the Week: The Place Beyond the Pines

Ryan Gosling and Eva Mendes in THE PLACE BEYOND THE PINES

According to the Old Testament, “the iniquity of the fathers shall be visited upon the sons”. Indeed, the successes and flaws of fathers, and the choices they make, impact their sons. And sons are often driven to be like or unlike their fathers, to match them or to surpass them. That is the territory explored in writer-director Derek Cianfrance’s intelligent drama The Place Beyond the Pines. (The story is set in Schenectady, New York, and the title refers to the Mohawk origin of the town’s name.)

At first, the story follows a familiar path for a crime drama – a motorcycle trick rider (Ryan Gosling) turns to bank robbery and has an encounter with a cop on patrol (Bradley Cooper). But the screenplay embeds nuggets about how both men feel about their fathers and how those feelings drive their actions. Both men have infant sons, and the father-son theme becomes more apparent as the story resumes fifteen years later with a focus on their own sons as teenagers.

I can’t remember a recent performance by Ryan Gosling that hasn’t been compelling, and he’s outstanding here, too. But the unexpected gem is Bradley Cooper, who shows us acting depth and range that we haven’t seen in his earlier work. Especially in scenes with a police psychiatrist and when forced to ask his father for advice, Cooper exposes the naked vulnerability of his character.

The Place Beyond the Pines is replete with excellent performances. Eva Mendes plays the mother of Gosling’s baby, and her performance stands up to Gosling’s – no small feat. Harris Yulin is superb as Cooper’s canny father. The wonderful Australian actor Ben Mendelsohn (Animal Kingdom, Killing Them Softly) plays Gosling’s crime partner. Ray Liotta, who often plays shady characters, has never been so menacing.

I found the character of Cooper’s son to be very unsympathetic; he is supposed to be a kid messed up by his parents’ divorce and father’s inattention, and I think that the story would have worked better if it were easier to look past his obnoxiousness to appreciate his damaged nature. Still, it’s a film that I’m still pondering a day later. Cianfrance made Blue Valentine, the hard-to-watch but starkly authentic story of an unraveled relationship, an acting showcase for Gosling and Michele Williams. The Place Beyond the Pines is just as thoughtful and more accessible than Blue Valentine. Pines is an ambitious and mostly successful film.

The Place Beyond the Pines is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay and other VOD providers.

The Place Beyond the Pines: the sins of the fathers visited upon the sons

Ryan Gosling and Eva Mendes in THE PLACE BEYOND THE PINES

According to the Old Testament, “the iniquity of the fathers shall be visited upon the sons”.  Indeed, the successes and flaws of fathers, and the choices they make, impact their sons.  And sons are often driven to be like or unlike their fathers, to match them or to surpass them.  That is the territory explored in writer-director Derek Cianfrance’s intelligent drama The Place Beyond the Pines.  (The story is set in Schenectady, New York, and the title refers to the Mohawk origin of the town’s name.)

At first, the story follows a familiar path for a crime drama – a motorcycle trick rider (Ryan Gosling) turns to bank robbery and has an encounter with a cop on patrol (Bradley Cooper).  But the screenplay embeds nuggets about how both men feel about their fathers and how those feelings drive their actions. Both men have infant sons, and the father-son theme becomes more apparent as the story resumes fifteen years later with a focus on their own sons as teenagers.

I can’t remember a recent performance by Ryan Gosling that hasn’t been compelling, and he’s outstanding here, too.  But the unexpected gem is Bradley Cooper, who shows us acting depth and range that we haven’t seen in his earlier work.  Especially in scenes with a police psychiatrist and when forced to ask his father for advice, Cooper exposes the naked vulnerability of his character.

The Place Beyond the Pines is replete with excellent performances.  Eva Mendes plays the mother of Gosling’s baby, and her performance stands up to Gosling’s – no small feat.  Harris Yulin is superb as Cooper’s canny father.  The wonderful Australian actor Ben Mendelsohn (Animal Kingdom, Killing Them Softly) plays Gosling’s crime partner.  Ray Liotta, who often plays shady characters, has never been so menacing.

I found the character of Cooper’s son to be very unsympathetic; he is supposed to be a kid messed up by his parents’ divorce and father’s inattention, and I think that the story would have worked better if it were easier to look past his obnoxiousness to appreciate his damaged nature.  Still, it’s a film that I’m still pondering a day later.  Cianfrance made Blue Valentine, the hard-to-watch but starkly authentic story of an unraveled relationship, an acting showcase for Gosling and Michele Williams.  The Place Beyond the Pines is just as thoughtful and more accessible than Blue Valentine. Pines is an ambitious and mostly successful film.