THE LAST FULL MEASURE: pedestrian, except for the oldsters

Christopher Plummer and Diane Ladd in THE LAST FULL MEASURE

The Last Full Measure tells the true story of a slain military hero who, due to the efforts of those who survived the battle, finally get a deserved Congressional Medal of Honor decades after his death. It’s a pedestrian movie periodically enlivened by excellent supporting performances.

The Last Full Measure is set in 2000, 32 years after the battle, when a selfish Pentagon career-climber (Sebastian Stan) is stuck with the unwanted assignment of validating the act of valor (it ain’t going to help him advance his career). He bitterly visits geezer after geezer to find out why the medal is deserved and why it wasn’t awarded earlier.

I’m not convinced that Sebastian Stan brings anything to non-action movies, and his parts of the film drag (which is bad, because he’s the main character).

Remarkably, the supporting cast of William Hurt, Christopher Plummer, Diane Ladd, Samuel L. Jackson, Amy Madigan, Peter Fonda and Ed Harris have combined for two acting Oscars and sixteen nominations. Christopher Plummer ia absolutrly radiant here; it’s some of his best work. Peter Fonda, in his final movie, also gives an indelible performance. Amy Madigan’s part is perfect matched to Madigan’s piercing eyes. And every Social Security-eligible actor is very, very good.

The battle scenes in the flashback are well-crafted, and Jeremy Irvine is very good as the hero. But this won’t make any list of top 20 Vietnam War films.

If you must watch The Last Full Measure, which is available on most of the streaming platforms, just fast forward until you see somebody old.

2019 Farewells: on the screen

Albert Finney in BEFORE THE DEVIL KNOWS YOU’RE DEAD

Albert Finney burst into movie stardom as the face of young Brit alienation in Saturday Night and Sunday Morning (1960) and the strapping sex symbol in the bawdy Tom Jones (1963). I think that one of his later performances was his best, in Before the Devil Knows You’re Dead (2007).

Verna Bloom in THE HIRED HAND

Actress Verna Bloom didn’t make a lot of movies, but she starred in some of the most memorable movies of the 1970s. Her run began with Haskell Wexler’s groundbreaking Medium Cool , traveled through Clint Eastwood’s mysterious High Plains Drifter and was capped as Mrs. Dean Wormer in Animal House.   My favorite Verna Bloom movie was also her favorite – Peter Fonda’s grievously underrated The Hired Hand.

Richard Erdman (right) in CRY DANGER

Prolific character actor Richard Erdman (175 screen credits) is best known for playing Sgt. Hoffy Hoffman in Billy Wilder’s great Stalag 17. But Erdman’s best role (and my favorite Erdman performance) was as Dick Powell’s dipsomaniac wingman Delong in Cry Danger: “Sometimes I always drink too much“.

Julie Adams in THE LAST MOVIE

Julie Adams‘ 60-year career included many, many Westerns and lots and lots of TV.  She co-starred with James Stewart in Anthony Mann’s Bend of the River, with Elvis Presley and with Rock Hudson, five times.  Her fate was to be most remembered for Creature from the Black Lagoon.  My favorite Julie Adams performance was as the sexually rapacious trophy wife of an entitle American tourist in Dennis Hopper’s The Last Movie.

Bruno Ganz in THE AMERICAN FRIEND

Swiss actor Bruno Ganz is most remembered for playing Adolf Hitler in Downfall, the first post-war German film to portray the Führer (it only took 59 years); Ganz was the best movie Hitler, even better than Anthony Hopkins in The Bunker with its Hitler learns …  YouTube memes.  Ganz became well-known when Wings of Desire became a US art house hit in 1987.  My favorite Bruno Ganz movie, however was the earlier Wim Wenders The American Friend, where he was matched with Dennis Hopper.

Seymour Cassel in MINNIE AND MOSCOWITZ

Seymour Cassel’s singular performances were often eccentric and exuberant – and always no bullshit. The most recent of Cassel’s 213 screen credits was in 2015, but he is best remembered for his association with writer-director John Cassavetes. Two of my favorite Cassel performances are in Cassavetes’ Minnie and Moscowitz (1971) and The Killing of a Chinese Bookie (1976).

Bibi Andersson‘s performances were at the core of the Ingmar Bergman canon. My favorite Andersson film is one of her very first, that most accessible Bergman movie, Wild Strawberries, in which she plays both the young woman an old man encounters and, in flashback, the young love she reminds him of.

Anna Karina, the Danish-born model who became a primary leading lady of the French New Wave, made films for iconic European directors like Godard, Rivette, Visconti and Fassbinder. She was married to Godard when he was still making good movies in the early 1960s.

Rip Torn will be remembered for playing Garry Shandling’s colorful producer Artie in 89 episodes of The Larry Sanders Show; as Artie, and in so many of his roles, Torn was able to illustrate the joy that can come from misbehavior.  Torn was an accomplished character actor whose career encompassed scads of television, and movie roles ranging from his Oscar-nominated turn in Cross Creek to Judas Iscariot in the Biblical epic King of Kings.  My favorite Rip Torn screen performance was in The Seduction of Joe Tynan;  Torn played the good-timin’ junior Senator from Louisiana covering for the impending senility of the revered senior Senator (Melvyn Douglas).  Torn also guided his much younger cousin Sissy Spacek as she broke into acting.  His  birth name (Elmore Rual) doesn’t matter because he followed his father in taking the family nickname of Rip.

Robert Forster was a stalwart of 70s and 80s TV, starring in his owned short-lived period detective series Banyon and then Twin Peaks. But thank God for Quentin Tarantino, who revived Forster’s career with the character of Max Cherry in Jackie Brown; Max’s streetwise strength and basic Midwestern decency was a perfect fit for Forster.

Peter Fonda, well-known as a son and brother of film mega-stars, had a prolific career (116 screen credits) dotted with some spectacular successes.  Fonda’s most eternal legacy will be Easy Rider, a film he wrote and starred in, which was the seminal film of the Counter-culture. Most importantly, Easy Rider propelled the staggering movie studios into empowering a new generation of auteur filmmakers.

Danny Aiello started acting when he was forty, with the fine TV movie Bang the Drum Slowly and as one of the Rosato brothers in The Godfather II. Aiello worked for directors as varied as Woody Allen, Sergio Leone, Norman Jewison and James Toback. He was Oscar-nominated for his performance as Sal the pizzeria owner in Spike Lee’s Do the Right Thing

7’3″ tall actor Peter Mayhew’s screen career centered around one unforgettable role, under a mask and bushel of fur as Chewbacca in the Stars Wars franchise.

Actor Jan Michael-Vincent could have had more of a career. In 1970, at age 25, he starred in the fine TV movie drama Tribes, and his performance as a hippie going into the Vietnam Era US Army was memorable. His looks, of the hunky/dreamy variety, got him less challenging and more forgettable work in the 1970s. His alcoholism and drug abuse killed his career, and he suffered permanent injuries from three vehicular accidents in the 1990s. He appeared in only five more movies after his third accident and none after 2002.

At age 22, actress Edith Scob was haunting in 1960’s Eyes Without a Face, and, 52 years later, helped Leos Carax pay homage to that performance in his unhinged Holy Motors.

Michael J. Pollard appeared 116 times on screen, but will always be remembered for his scene-stealing as C.W. Moss in Bonnie and Clyde.

Rene Auberjonois started his career in the iconoclastic Robert Altman films MASH (where he originated the role of Father Mulcahy), Brewster McCloud and McCabe & Mrs. Miller. Then he went on to rack up 227 screen credits, mostly on TV.

Sid Haig in HOUSE OF 1000 CORPSES

Sid Haig began his horror picture career in 1968 with Spider Baby. He finished with over 130 screen credits, including character roles in Emperor of the North and Jackie Brown and lots of TV work.  But Haig is most well-known for his horror, and it’s hard to top his portrayal of Captain Spaulding in Rob Zombie’s House of 1000 Corpses.

Peter Fonda

Peter Fonda in his THE HIRED HAND

Peter Fonda has died at age 79. Fonda, well-known as a son and brother of film mega-stars, had a prolific career (116 screen credits) dotted with some spectacular successes.

Fonda’s most eternal legacy will be Easy Rider, a film he wrote and starred in, which was the seminal film of the Counter-culture. Most importantly, Easy Rider propelled the staggering movie studios into empowering a new generation of auteur filmmakers.

Before Easy Rider, Fonda had moved from traditional Hollywood male ingenue roles into a couple of Roger Corman exploitation films, The Trip and Wild Angels. In a rich third act, Fonda was deservedly Oscar-nominated for his starring role in the 1997 indie Ulee’s Gold. He also delivered fine supporting performances in The Limey (1999) and 3:10 to Yuma (2007).

Fonda also directed three films, including his grievously underrated Western The Hired Hand (1971). Verna Bloom, who also died this year, plays a woman abandoned on her hardscrabble ranch by her roaming husband (Fonda). When he returns with his trail buddy (Warren Oates), she will only allow him back as a hired hand. It’s a moody and captivating film, beautifully shot by Vilmos ZsigmondThe Hired Hand is available on DVD from Netflix; the DVD is also available for purchase.

DVD of the Week: The Trip

It’s Roger Corman Week at The Movie Gourmet, but our DVD is NOT the just released Roger Corman’s Sci Fi Classics.  Instead, I’m going with an unintentionally hilarious movie that Corman himself directed, The Trip (1967).  It’s a time-capsule exploitation film written by Jack Nicholson.   TV director Peter Fonda decides to take LSD.  After buying acid from Dennis Hopper (there’s a stretch!), the plan is for Fonda to trip at his friend Bruce Dern’s house.  Now is it a good idea to entrust someone tripping for the first time to Bruce Dern?  Of course not!  Fonda wanders off and wall-bangs nightmarishly down Sunset Boulevard.  The DVD is available from Netflix.

The Trip is on my list of 10 Movies So Bad They Are Fun.