DVD/Stream of the Week – LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters. Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century. But his art and his very survival were tested by his tormentors until unselfish love found him an escape route to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager. What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own? Brian Wilson is deaf in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations. Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration. And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move. Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition. In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far. Watch the end credits all the way to the end.

Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

Stream of the Week: RUBY SPARKS – be careful what you ask for

Paul Dano and Chloe Kazan in RUBY SPARKS

The inventive Ruby Sparks is about romance and it’s very, very funny, but it transcends the genre of romantic comedy. A shy writer who has produced a great novel at an early age is now drifting, his writing is blocked and he has isolated himself into a lonely existence. He imagines his perfect love object, and he can suddenly write in torrents about her until…she becomes real. Yes, suddenly he has a real life girlfriend of his own design.

This is everyone’s fantasy of a perfect partner – but what are the limits of a partner that you have designed yourself? Because he can tweak her behavior by rewriting it, this brings up the adage “Be careful what you ask for”. When he is threatened by her independence, he changes her personality on the page and she becomes unattractively clinging and needy. Can his realized fantasy make him happy?

Paul Dano in RUBY SPARKS

Paul Dano is outstanding as the writer and screenwriter Zoe Kazan (granddaughter of Elia Kazan) dazzles as his creation. (Off screen, Kazan and Dano are a couple.) Chris Messina is dead on perfect as the writer’s brother, and the film benefits from an especially strong cast: Annette Bening, Antonio Banderas, Steve Coogan, Aasif Mandvi and Elliot Gould. Ruby Sparks is ably directed by Jonathan Dayton and Valerie Faris, the co-directors of another exceptional indie comedy, Little Miss Sunshine.

The biggest star in Ruby Sparks is Zoe Kazan’s ingenious screenplay. It’s funny without being silly, profound without being pretentious, bright without being precious. Every moment is authentic. It’s clear that Kazan is a major talent as a screenwriter.

Ruby Sparks is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

DVD/Stream of the Week – LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters. Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century. But his art and his very survival were tested by his tormentors until unselfish love found him an escape to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager. What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own? Brian Wilson is deaf in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations. Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration. And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move. Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition. In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far. Watch the end credits all the way to the end.

Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters.  Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century.  But his art and his very survival were tested by his tormentors until unselfish love found him an escape to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager.  What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own?  Brian Wilson is deaf  in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations.  Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration.  And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move.  Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition.   In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far.  Watch the end credits all the way to the end.

 

DVD/Stream of the Week: Prisoners

In the pulsating thriller Prisoners, two girls go missing, and one of their dads (Hugh Jackman) goes vigilante as the lead detective (Jake Gyllenhaal) struggles to solve the case. Both men are driven and desperate, and they clash as they each race against the clock to find the girls, resulting in unrelenting tension for 2-and-a-half hours.

The tension comes from standard suspense devices (characters peering into basements and entering boarded-up rooms and dark hallways, prowlers slipping though a sleeping household, etc.), but there isn’t a hokey moment in Prisoners. That’s a tribute to director Denis Villenueve, who directed Incendies (my top movie of 2011). Plus, an intricately plotted story from Aaron Guzikowski adds a dimension to Prisoners and elevates it from a conventional thriller. As Gyllenhaal’s cop proceeds through the whodunit, he encounters what we assume are dead-end leads and red herrings. But everything – and I mean EVERYTHING – ties together at the end. I sure didn’t see it coming.

The one aspect of Prisoners that didn’t work for me is that Jackman is dialed up all the way from the get go, and there’s little if any modulation in his performance. I guess that may be the point of the character – he’s a tightly wound guy BEFORE his daughter appears to be abducted – and then he goes full-out maniac for over two hours.

Gyllenhaal is solid in the other lead role. Terrence Howard is superb as the other dad, a guy who wants his daughter back just as much, but is more passive, rational and empathetic (and consequently more interesting to me). Viola Davis, Maria Bello and Melissa Leo turn in their expected fine performances. And Paul Dano (perhaps his generation’s Christopher Walken or James Spader) is excellent in another of his weirdo roles.

Prisoners is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox video.

Prisoners: intricately plotted and unrelentingly tense

In the pulsating thriller Prisoners, two girls go missing, and one of their dads (Hugh Jackman) goes vigilante as the lead detective (Jake Gyllenhaal) struggles to solve the case.  Both men are driven and desperate, and they clash as they each race against the clock to find the girls, resulting in unrelenting tension for 2-and-a-half hours.

The tension comes from standard suspense devices (characters peering into basements and entering boarded-up rooms and dark hallways, prowlers slipping though a sleeping household, etc.), but there isn’t a hokey moment in Prisoners.  That’s a tribute to director Denis Villenueve, who directed Incendies (my top movie of 2011).  Plus, an intricately plotted story from Aaron Guzikowski adds a dimension to Prisoners and elevates it from a conventional thriller.   As Gyllenhaal’s cop proceeds through the whodunit, he encounters what we assume are dead-end leads and red herrings.  But everything – and I mean EVERYTHING – ties together at the end.  I sure didn’t see it coming.

The one aspect of Prisoners that didn’t work for me is that Jackman is dialed up all the way from the get go, and there’s little if any modulation in his performance.  I guess that may be the point of the character – he’s a tightly wound guy BEFORE his daughter appears to be abducted – and then he goes full-out maniac for over two hours.

Gyllenhaal is solid in the other lead role.   Terrence Howard is superb as the other dad, a guy  who wants his daughter back just as much, but is more passive, rational and empathetic (and consequently more interesting to me).   Viola Davis, Maria Bello and Melissa Leo turn in their expected fine performances.  And Paul Dano (perhaps his generation’s Christopher Walken or James Spader) is excellent in another of his weirdo roles.

DVD of the Week: Ruby Sparks

The inventive Ruby Sparks is about romance and it’s very, very funny, but it transcends the genre of romantic comedy.  A shy writer who has produced a great novel at an early age is now drifting,  his writing is blocked and he has isolated himself into a lonely existence.  He imagines his perfect love object, and he can suddenly write in torrents about her until…she becomes real.  Yes, suddenly he has a real life girlfriend of his own design.

This is everyone’s fantasy of a perfect partner – but what are the limits of a partner that you have designed yourself?  Because he can tweak her behavior by rewriting it, this brings up the adage “Be careful what you ask for”.  When he is threatened by her independence, he changes her personality on the page and she becomes unattractively clinging and needy.  Can his realized fantasy make him happy?

Paul Dano is outstanding as the writer and screenwriter Zoe Kazan (granddaughter of Elia Kazan) dazzles as his creation.   (Off screen, Kazan and Dano are a couple.)  Chris Messina is dead on perfect as the writer’s brother, and the film benefits from an especially strong cast:  Annette Bening, Antonio Banderas, Steve Coogan, Aasif Mandvi and Elliot Gould.  Ruby Sparks is ably directed by Jonathan Dayton and Valerie Faris, the co-directors of another exceptional indie comedy, Little Miss Sunshine.

The biggest star in Ruby Sparks is Zoe Kazan’s ingenious screenplay.  It’s funny without being silly, profound without being pretentious, bright without being precious.  Every moment is authentic.  It’s clear that Kazan is a major talent as a screenwriter.

Ruby Sparks: be careful what you ask for

The inventive Ruby Sparks is about romance and it’s very, very funny, but it transcends the genre of romantic comedy.  A shy writer who has produced a great novel at an early age is now drifting,  his writing is blocked and he has isolated himself into a lonely existence.  He imagines his perfect love object, and he can suddenly write in torrents about her until…she becomes real.  Yes, suddenly he has a real life girlfriend of his own design.

This is everyone’s fantasy of a perfect partner – but what are the limits of a partner that you have designed yourself?  Because he can tweak her behavior by rewriting it, this brings up the adage “Be careful what you ask for”.  When he is threatened by her independence, he changes her personality on the page and she becomes unattractively clinging and needy.  Can his realized fantasy make him happy?

Paul Dano is outstanding as the writer and screenwriter Zoe Kazan (granddaughter of Elia Kazan) dazzles as his creation.   (Off screen, Kazan and Dano are a couple.)  Chris Messina is dead on perfect as the writer’s brother, and the film benefits from an especially strong cast:  Annette Bening, Antonio Banderas, Steve Coogan, Aasif Mandvi and Elliot Gould.  Ruby Sparks is ably directed by Jonathan Dayton and Valerie Faris, the co-directors of another exceptional indie comedy, Little Miss Sunshine.

The biggest star in Ruby Sparks is Zoe Kazan’s ingenious screenplay.  It’s funny without being silly, profound without being pretentious, bright without being precious.  Every moment is authentic.  It’s clear that Kazan is a major talent as a screenwriter.