Paterno

Movies to See Right Now

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THE RIDER

Two reminders:  First, check out my running list of Best Moves of 2018 – So Far.  You can already stream some of them.

Second, remember that tonight PBS airs Bombshell: The Hedy Lamarr Story.  Set your DVR.

OUT NOW

  • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
  • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO
Because Mackenzie Davis brings such a magical quality to her title role in Tully, my video pick is an earlier starring role in a little-known indie. That film is a fine first feature with a GREAT title for a contemporary noir thriller: Bad Turn Worse. Bad Turn Worse is available streaming from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

Charlize Theron and Mackenzie Davis star in Jason Reitman’s TULLY, playing at the 2018 San Francisco International Film Festival, April 4 – 17, 2018. Courtesy of SFFILM.

Movies to See Right Now

by
THE RIDER

The MUST SEE is The Rider, which I’ll be writing about this weekend. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny. It’s on my list of Best Movies of 2018 – So Far.

OUT NOW

This week’s other top picks:

  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Claire’s Camera is the latest nugget from writer-director Hong Sang-soo, that great observer of awkward situations and hard-drinking.  Stars Min-hee Kim (The Handmaiden) and Isabelle Huppert.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • The wonderfully dark, dark comedy The Death of Stalin is still in a few theaters, and it’s worth the drive.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

Not to see:

  • The completely indecipherable Ismael’s Ghosts, a waste of a talented cast and my time.
  • Bobby Kennedy for President – a disappointing Netflix documentary that recycles the best of RFK’s video clips but ignores many pivotal aspects to RFK’s journey, most especially his personal feud with LBJ.

ON VIDEO
Actress Charlize Theron, director Jason Reitman and screenwriter Diablo Cody are coming out with Tully this weekend. So this week’s video pick is their game-changing comedy Young Adult. Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise). Note: This is NOT a film for someone expecting a light comedy. Young Adult is available on DVD from Redbox and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV
On May 5 and 6, Turner Classic Movies presents one of my personal favorites, and it will be introduced by the Czar of Noir Eddie Muller on Noir Alley. Director Richard Fleischer’s overlooked film noir masterpiece The Narrow Margin (1952) is a taut 71 minutes of tension. Growly cop Charles McGraw plays hide-and-seek with a team of hit men on a claustrophobic train. Marie Windsor is unforgettable as the assassins’ target. It’s highly recommended on my list of Overlooked Noir.

Charles McGraw and Marie Windsor in THE NARROW MARGIN

Movies to See Right Now

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Emily Blunt (left) in A QUIET PLACE

So there are about a hundred movie screens in Silicon Valley, and this weekend you can see Avengers: Infinity War on THIRTY of them. I have nothing against Avengers: Infinity War, which I do not plan to see even though I really like Scarlett Johansson, Elizabeth Olsen, Christ Pratt, Tom Hiddleston and Robert Downey, Jr. It’s just that this latest from the Marvels franchise is taking up a third of our theater capacity. If only we could devote twenty-five screens to the Marvel movie and make room for another five movies about and for adults…I’m getting grouchy, because in the last year we’ve lost most of our art house screens with the closure of Camera 7, Camera 3 and the Bluelight, all after losing Camera 12 the year before. Still waiting for the opening of Pruneyard Dine-in Cinema…

OUT NOW
This week’s top picks:

  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career.   This is a very inventive film, written and directed by Michel Hazanavicius (The Artist).  The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • The wonderfully dark, dark comedy The Death of Stalin is still in a few theaters, and it’s worth the drive.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO
My DVD/Stream of the Week is a comedy, Miloš Forman’s bitingly satire of Communism, The Firemen’s Ball (which is also sometimes listed as The Fireman’s Ball). It can be streamed from Amazon Prime and rented on DVD from Netflix.

ON TV
On April 30, Turner Classic Movies presents the Otto Preminger masterpiece Anatomy of a Murder (1959). This movie has everything: Jimmy Stewart’s portrayal of a wily lawyer, content to underachieve in the countryside, Stewart’s electrifying courtroom face-off with George C. Scott, great performances by a surly Ben Gazzara and a slutty Lee Remick, a great jazz score by Duke Ellington and a suitably cynical noir ending. That jazz score is one of the few movie soundtrack CDs that I own. The music perfectly complements the story of a murder investigation that reveals more and more ambiguity as it proceeds. Stewart’s character relaxes by dabbling in jazz piano, and Duke himself has a cameo leading a bar band in the Upper Peninsula of Michigan (of all places).

James Stewart and George C. Scott tangle in ANATOMY OF A MURDER

Movies to See Right Now

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John Krasinski (right) in A QUIET PLACE

A new cohort of movies is out in theaters and on cable and streaming platforms.

ICYMI, here’s my tribute to the great director Miloš Forman (One Flew Over the Cuckoo’s Nest, Amadeus).

OUT NOW

This week’s top picks:

  • The wonderfully dark, dark comedy The Death of Stalin.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

 

ON VIDEO

My DVD/Stream of the Week is Art and Craft, a startling documentary about an art fraud. Of prolific scale. And which is apparently legal. By a diagnosed schizophrenic. Art and Craft is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube nd Google Play.

 

ON TV

Tomorrow night, Turner Classic Movies will air the enigmatic Picnic at Hanging Rock (1975) by Australian filmmaker Peter Weir. An Australian girls school goes on an outing to a striking geological formation – and some of the girls and a teacher disappear. What happened to them? It’s beautiful and hypnotic and haunting. It’s a film masterpiece, but if you can’t handle ambiguous endings – this ain’t for you.

Weir has gone on to make high quality hits (The Year of Living Dangerously, Witness, Dead Poets Society, The Truman Show, Master and Commander), but Picnic at Hanging Rock – the movie that he made at age 31 – is his most original work. Besides playing periodically on TCM, Picnic at Hanging Rock is available on DVD from Netflix and streaming from Amazon and Hulu Plus.

PICNIC AT HANGING ROCK
PICNIC AT HANGING ROCK

Movies to See Right Now

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Jason Isaacs and Steve Buscemi in THE DEATH OF STALIN

The San Francisco International Film Festival (SFFILM) closes on Tuesday. Here’s my festival preview.

OUT NOW

This week’s top picks:

  • The wonderfully dark, dark comedy The Death of Stalin.
  • Another dark comedy, this one about two teen girl sociopaths, Thoroughbreds.
  • Outside In: Now on Netflix, this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO

This week’s video pick salutes the San Francisco International Film Festival, now underway. From last year’s SFFILMFestival, the topical French drama The Stopover explores the after-effects of combat in contemporary warfare. We also get a female lens on the acceptance of women in combat roles and on sexual assault in the military from the co-writer and co-directors, the sisters Delphine and Muriel Coulin. The Stopover is available to stream on iTunes.

ON TV

This week, Turner Classic Movies brings us a couple of curiosities. First, on April 14, is arguable the first on-screen CSI in Mystery Street (1950). In an era where police detective work seemed to be mostly sweating out confessions under bright lights, the investigator in Mystery Street uses the methods of forensic science. And he’s played by Ricardo Montalban, no less. The Czar of Noir, Eddie Muller will supply the intro and outro on this week’s Noir Alley.

And on April 15, TCM will air the sci-fi classic Solaris (1972), the masterpiece of Soviet director Andrei Tarkovsky. A psychologist, with that common Russian name of Kris Kelvin, is sent to check out a space mission orbiting the oceanic planet Solaris. He finds things ominously awry, with a suicide and suspiciously furtive behavior by the surviving crew. Then he is face-to-face with his own dead wife from Earth; and after he dispatches her into space, she reappears on the spacecraft. Things are seriously messed up.

Much of Solaris’ two hours and 47 minutes – watching this movie is  a commitment – is trippy shots of the ocean planet, with waves breaking across its colored surface. Solaris is not so much an enjoyable art movie as it is a fascinating one. It won the Grand Prix at Cannes and is firmly placed in the sci-fi canon. Solaris is a must see for sci-fi fans [Note: This is NOT the inferior 2002 Steven Soderbergh remake.]

SOLARIS
SOLARIS