Ranging from wry to hilarious, the German dark comedy A Coffee in Berlin hits every note perfectly. It’s the debut feature for writer-director Jan Ole Gerster, a talented filmmaker we’ll be hearing from again.
Jan Ole Gerster
We see a slacker moving from encounter to encounter in a series of vignettes. Gerster has created a warm-hearted but lost character who needs to connect with others – but sabotages his every opportunity. He has no apparent long term goals, and even his short term goal of getting some coffee is frustrated.
As the main character (Tom Schilling) wanders through contemporary Berlin, A Coffee in Berlin demonstrates an outstanding sense of place, especially in a dawn montage near the end of the film. The soundtrack is also excellent – the understated music complements each scene remarkably well.
I saw A Coffee in Berlin (then titled Oh Boy) at Cinequest 2013 and singled it out as one of the three most wholly original films in the festival and as one of my favorite movie-going experiences of the year. A Coffee in Berlin was snagged for the festival by Cinequest’s film scout extraordinaire Charlie Cockey. A Coffee in Berlin is available on DVD from Netflix and streaming from Amazon, Vudu, YouTube and Google Play.
Talk about “overlooked” – there were some great movies this year that didn’t even get a meaningful theatrical release. Let’s start with Blue Ruin – a completely fresh take on the revenge thriller.
Then there’s the romantic drama a la Twilight Zone, The One I Love, with brilliant performances by Elisabeth Moss and Mark Duplass.
The year’s best documentary – Alive Inside – didn’t even get shortlisted for the best Documentary Oscar. I dare you to watch this movie without tearing up.
I thought that the Canadian comedy The Grand Seductionwould become a long running art house hit like The Best Exotic Marigold Hotel or The Full Monty. But, despite being the year’s funniest and most audience-friendly comedy, it came and went quickly.
I loved the darkly droll German slacker comedy A Coffee in Berlin, but only a few other folks saw it in this country. It was a big hit in Europe – for a reason.
Fortunately, Blue Ruin, The One I Love, The Grand Seduction and A Coffee in Berlin are all available on DVD and/or streaming. Follow the links above to find out how to watch them. But two wonderful films that I saw at Cinequest – the outrageously dark Hungarian comedy Heavenly Shift and the provocative Slovenian classroom dramaClass Enemy are not currently available to US audiences. When they are, I’ll let you know.
Ranging from wry to hilarious, the German dark comedy A Coffee in Berlin hits every note perfectly. I love this little movie, and it may only be in theaters for another week, so see it while you can.
It’s not up to Clint Eastwood’s usual standard, but Jersey Boys, is mostly fun – and features another jaunty performance by Christopher Walken.
If you look for it in theaters, you can still find my top movie of the year so far, the transcendent Polish drama Ida.
I found the political documentary Citizen Koch to be righteous but lame.
I wasn’t a big fan of the bleak and hyperviolent The Rover, either; watch writer-director David Michôd’s Animal Kingdom instead.
My DVD/Stream of the week – perfect for binge-viewing on the holiday weekend – is the eight one-hour episodes of HBO’s True Detective. It’s a dark tale of two mismatched detectives – each tormented by his own demons – obsessed by a whodunit in contemporary back bayou Lousiana. Wood Harrelson is very good, and Matthew McConaughey’s performance may have been the best on TV this year. True Detectiveis available on DVD from Netflix and streaming from HBO GO.
Turner Classic Movies also offers a pretty appetizing movie smorgasbord this week, starting with The Big Steal (1949) on July 8 – Robert Mitchum and Jane Greer are chased all over Mexico by William Bendix. Then on July 10, we have three great documentaries:
The 1968 Salesman – as good of a depiction of the sales life as Glengarry Glen Ross);
Harlan County, U.S.A, the 1979 Oscar-winner Filmmaker Barbara Kopple embedded herself among the striking coal miners and got amazing footage – including of herself threatened and shot at. Also one of my 5 Great Hillbilly Movies.
The Times of Harvey Milk – the Oscar winner from 1984. The real story behind Milk with the original witnesses. One of the best political movies ever.
Ranging from wry to hilarious, the German dark comedy A Coffee in Berlin hits every note perfectly. I love this little movie, and it may only be in theaters for another week, so see it while you can.
It’s not up to Clint Eastwood’s usual standard, but Jersey Boys, is mostly fun – and features another jaunty performance by Christopher Walken.
Among other movies in theaters now:
I found the political documentary Citizen Koch to be righteous but lame.
I wasn’t a big fan of the bleak and hyperviolent The Rover, either;watch writer-director David Michôd’s Animal Kingdom instead.
My DVD/Stream of the week is the Backwoods thriller Joe, starring an unusually retrained Nicholas Cage and featuring two other great performances from lesser knowns. Joe is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
This week Turner Classic Movies is airing a very fun heist movie – the original 1969 The Italian Jobwith Michael Caine. Another good choice is the WW II spy thriller The Fallen Sparrow with John Garfield and a 22-year-old Maureen O’Hara.
This a GREAT WEEK for cinema. The wonderfully wry German dark comedy A Coffee in Berlin opens today. In a brilliant debut feature, writer-director Jan Ole Gerster has created a warm-hearted but lost character who needs to connect with others – but sabotages his every opportunity. Besides laughing through A Coffee in Berlin, you’ll probably also notice the singularly complementary soundtrack and the vivid sense of time and place.
And don’t miss the two MUST SEE movies out now. The first is the Canadian knee-slapper The Grand Seduction – the funniest film of the year so far and a guaranteed audience pleaser. The second is my pick for the year’s best movie so far – the Polish drama Ida, about a novice nun who is stunned to learn that her biological parents were Jewish victims of the Holocaust – watching shot after shot in Ida is like walking through a museum gazing at masterpiece paintings one after the other. Ida may only be in theaters for another week or so.
The raucous comedy Neighbors is a pleasant enough diversion.
My DVD/Stream of the week is the Italian Caesar Must Die, with maximum security prisoners putting on a performance of Shakespeare’s Julius Caesar. Caesar Must Die is available on DVD from Netflix and streaming on Netflix Instant, Amazon, iTunes, Vudu and Hulu.
Julie Delpy in WHITE
Okay, fire up the DVR for something special coming up on June 22 on Turner Classic Movies: the masterpiece Three Colors trilogy Blue, White and Red from the mid-1990s. The films are in French, and made by the director that I may admire more than any other, Krzysztof Kieslowski of Poland. The first film, Blue, stars Juliette Binoche and addresses grief; it is somber but its humanity is inspiring. Julie Delpy stars in White the second and much lighter film – a relationship dramedy. In Red, Irene Jacob stars in a story about how strangers treat each each other in modern society, with a redemptive conclusion to the trilogy. Together, the three movies profoundly explore aspects of the human condition, and the result is evocative, intelligent and emotionally satisfying. The stories of the three films intersect – and you can spot the characters from the first two movies in the third.
Kieslowski labored in obscurity in Communist Poland until he attained European recognition and US art house hits with The Decalogue (1988) and The Double Life of Véronique (1990). The Blue/White/Red trilogy came out in 1993 and 1994 to international acclaim, but Kieslowski, reportedly suffering from AIDS, had to retire and died two years later at age 54. I can’t imagine what cinematic masterpieces would have been produced in two more decades of Kieslowski.
Just so folks can calibrate my taste, I keep a list of the 50 Greatest Movies of All Time, and the Blue/White/Red trilogy is in the first ten films on that list. This trilogy is very special – and perfect for binge viewing.
Ranging from wry to hilarious, the German dark comedy A Coffee in Berlin hits every note perfectly. Opening tomorrow, it’s the debut feature for writer-director Jan Ole Gerster, a talented filmmaker we’ll be hearing from again.
Jan Ole Gerster
We see a slacker moving from encounter to encounter in a series of vignettes. Gerster has created a warm-hearted but lost character who needs to connect with others – but sabotages his every opportunity. He has no apparent long term goals, and even his short term goal of getting some coffee is frustrated.
As the main character (Tom Schilling) wanders through contemporary Berlin, A Coffee in Berlin demonstrates an outstanding sense of place, especially in a dawn montage near the end of the film. The soundtrack is also excellent – the understated music complements each scene remarkably well.
I saw A Coffee in Berlin (then titled Oh Boy) at Cinequest 2013 and singled it out as one of the three most wholly original films in the festival and as one of my favorite movie-going experiences of the year. A Coffee in Berlin was snagged for the festival by Cinequest’s film scout extraordinaire Charlie Cockey.
Charlie Cockey (photo courtesy Around the World in 14 Films)
Charlie Cockey is at a film festival. (Actually, right now he’s probably traveling between the Berlin International Film Festival and Cinequest.) But, whenever you read this, the odds are that he’s sampling cinema at a film fest somewhere.
Cockey, the international film programmer for San Jose’s Cinequest, attends twelve or more international film festivals each year. He never misses the great Berlin and Venice fests, and also makes the rounds of the European national film showcases in Poland, the Czech Republic, Hungary, Romania and other countries.
Cockey is Cinequest’s film scout extraordinaire and responsible for the most singular films on Cinequest’s program, the movies unlike any you have seen before. In my recent Why Cinequest is essential, I highlighted three of his gems from last year’s Cinequest: the German dark comedy Oh Boy (the debut from talented writer-director Jan Ole Gerster), the absurdist Czech comedy Polski Film and the offbeat The Dead Man and Being Happy, with its gloriously wacky road trip through the backwaters of Argentina. (My favorite Charlie Cockey selection is the unsettling 2011 Slovak Visible World – which is creepy even for a voyeur film.) Cockey found 12 of the films in last year’s Cinequest, and has brought as many as 17.
Cockey, who lives in the Czech Republic’s second city Brno, speaks English, Czech, German, French, Italian and Romanian. That’s helpful, but the national film festivals usually have English-subtitled “festival version” screenings for distributors and festival programmers (plus non-subtitled screenings for the local public).
How did an American guy come to live in Brno? “A Czech woman tied my shoelaces together,” Cockey replies. Before he had acquired his Czech language fluency, he was sitting in a darkened Czech theater and was surprised to see no subtitles on the film. Needing to ask the woman next to him for help with the translation, he touched her hand and sparks flew, or at least one literal spark from static electricity. Fourteen years later, the two are still partners.
What are Charlie Cockey’s tips for sampling movies at a festival? Like any festival-goer, he chooses screenings based on the buzz, the director and sometimes a gut feeling. He doesn’t mind bad movies because “if a film’s not working, I leave”. He adds, “The mediocre ones are tough because you need to stick it out”.
First and foremost, Charlie Cockey is a man who devours culture in any form – books, music, cinema, food – with a voracious but discerning appetite. Cockey’s journey brought him from the East Coast and Idaho to 1960s San Francisco as a musician and as a road manager for a band. He opened San Francisco’s first science fiction bookstore (Fantasy, Etc) and ran it for the last quarter of the 20th Century. “There are no accidents,” he says. “Only surprises.”
Extremely generous with his knowledge and taste, Cockey loves to share the most precisely individual recommendations of books and movies. He relishes the memory of helping a boy – dragged into Fantasy, Etc by his parents – discover a genre of literature (in this case fantasy) that spawned a new love of reading. And he couldn’t resist quizzing me about my interests and then recommending an extremely obscure collection of letters from a German intelligence official in WWII – a book that I NEVER would have otherwise considered but which turned out to be a great read.
Here’s how to experience Cinequest the Charlie Cockey way: “Find films as you live life – by being open, prepared, ready, flexible and friendly”.
Follow The Movie Gourmet on Twitter for my continuing coverage of the 2014 Cinequest.
The year’s biggest breakthrough has to be 19-year-old actress Adèle Exarchopoulos, who delivered the year’s best cinematic performance in the year’s best movie, Blue is the Warmest Color.
American actress Brie Larson‘s star-making performance Short Term 12 showed her to be a big-time talent, possibly another Jennifer Lawrence.
Other remarkable breakthrough acting performances:
Elle Fanning in Ginger & Rosa (in which she, at her actual age of 14, played a 17-year-old).
The Movie Gourmet had a great year at the movies and here are the highlights:
1. Taking The Wife to Bad Girl Night at the Noir City Film Festival. Noir City is the great San Francisco celebration of film noir, and Bad Girl Night is an annual double feature of noir’s nastiest femmes fatale. Now The Wife loves it too!
2. Interviewing Cinequest’s international film programmer Charlie Cockey – a film finder extraordinaire and a man who devours culture in any form. Watch for the interview when I preview the 2014 Cinequest.
3. Seeing three wholly original films at Cinequest: the German dark comedy Oh Boy (the debut from talented writer-director Jan Ole Gerster, the absurdist Czech comedy Polski Film and the offbeat The Dead Man and Being Happy, with its gloriously wacky road trip through the backwaters of Argentina.
4. Seeing five of the year’s best films (Mud, Stories We Tell, Me and You, The Spectacular Now and Before Midnight) in a May fortnight that included The Movie Gourmet’s Film Rampage.
5. I was the only audience member for Not Fade Away. I love sitting all alone in a theater because it makes me feel like a movie mogul in a studio screening room. Because I see lots of obscure movies at odd times like Monday nights and Sunday mornings, I am often part of a very small audience (five or fewer). But I hadn’t been the ONLY viewer since El Mariachi in 1992.
6. The DVD release of Here’s the Kicker featuring a blurb from The Movie Gourmet on the DVD cover. I enjoyed this indie comedy, and I hope my blurb will persuade folks to see it.
We’re now in the final two days of San Jose’s Cinequest Film Festival. It’s been a good year for thrillers at Cinequest, and you can still see Lead Us Not Into Temptation, Dose of Reality and Chaos, as well as the German dark comedy gem Oh Boy. Check out my CINEQUEST 2013 page for comments on these films, plus another 20 or so that I’ve seen.
In the theaters, I recommend The Gatekeepers, a documentary centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force; these are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror. The Alex Gibney (Taxi to the Dark Side) documentary Mea Maxima Culpa: Silence in the House of God is now playing on HBO; it explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top). I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones.
Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies. The drama Lore is about the innocent children of monstrous people, but its intensity is so unrelenting that it wearies the audience.
I haven’t yet seen the Chilean historical drama No (with Gael Garcia Bernal), which was nominated for the 2013 Foreign Language Oscar and opens widely today. Nor have I seen Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
You can still catch the Academy Award winning Argo, as well as Zero Dark Thirty and Silver Linings Playbook. To ride the momentum of director Ang Lee’s surprise Oscar win, Life of Pi is now out again in 3D, which I recommend. The Oscar winner for Best Foreign Language Picture, Amour, is brilliantly made and almost unbearable to watch.
My DVD of the week is still Undefeated, last year’s Oscar winner for Best Documentary.
