Northern Ireland

KNEECAP: sláinte!

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Photo caption: Mo Chara, DJ Próvai and Móglaí Bap and in KNEECAP. Courtesy of Sony Pictures Classics.

In the raucous comedy Kneecap, a trio of Belfast slackers get busted for spraying some pro-republican graffiti, and, in the police station, resist by refusing to speak anything but the Irish language. When the frustrated anti-republican constabulary kick them loose, the guys form a hip-hop group that raps in Gaelic, with the provocative name Kneecap. Amazingly enough, this is the actual origin story of the real band Kneecap, whose members (Mo Chara, Móglaí Bap and DJ Próvai) play themselves in this film.

While Kneecap is about promoting Irish nationalism by embracing the Irish language, it has the tone of Roadrunner versus Wiley Coyote. Plenty of comic situations arise as our three rascals play a frenetic cat-and-mouse with the humorless and repressive cops. Adding a layer of complication to their new local notoriety, the father of one of the band members has faked his death to hide from both the cops and the IRA. The father is played by German-born but Irish actor Michael Fassbinder, he of the two Oscar nominations, who has somehow found himself in this goofy little movie.

You won’t see a more energetic movie this year. Kneecap is the first narrative feature for director and co-wrier Rich Peppiatt, and he is responsible for the zesty pace, even throwing animation and camera effects into his spicy movie, and he’s pulled it off with some first-time screen actors.

Kneecap is a good choice for those especially interested in Ireland, or for those in the mood for some harmless bawdy fun. Mid-movie, The Wife said “at this point, it’s gonna become predictable”, but then she was pleasantly surprised.

For serious dramas about Irish nationalism in Northern Ireland, see my Best Films about The Troubles (Northern Ireland).

Kneecap, which won the audience award in Sundance’s NEXT section, is now streaming on Amazon and AppleTV.

BELFAST: a child’s point of view is universal

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Photo caption: Jude Hill in BELFAST. Courtesy of Focus Features.

In Belfast, Kenneth Branagh’s superb coming of age story, we see Northern Ireland’s Troubles through the eyes of eight-year-old Buddy (Jude Hill). His dad (Jamie Dornan) works for two weeks at a time in Britain, so his mom (Caitriona Balfe) is raising Buddy and his older brother by herself most of the time. The family is under severe financial pressure. They are a nominally Protestant family living in a working class Belfast neighborhood, integrated with Catholics.

The movie’s opening is set on August 15, 1969, the day the Troubles intrude on Buddy’s neighborhood. Branagh perfectly captures the moment – the very second – that external events upend Buddy’s life. Overnight, his block has barbed wire at one end and a barricade at the other. Catholics are pressured to move out in a measure of ethnic cleansing.

Things get real, and the dad has the chance to move the family to Britain. There are factors that make uprooting the family a complicated decision. The audience is thinking, get the HELL out of THERE. After all, the family doesn’t know what we know – that the Troubles will persist for 29 more years.

This is autobiographical, the story of Kenneth Branagh’s own family. They escaped the Troubles by moving to from Belfast to Britain in 1970 when Branagh was Buddy’s age.

Although this story is about a specific child, telling it from the child’s point of view makes it universal. Children need security, but adult grievances, however valid, are prioritized over the security of children. The sectarians may think that they are targeting Catholics or Protestants, but the impact of their violence is to destroy safety, civility and predictability for all.

Judi Dench, Jude Hill and Ciarán Hinds in BELFAST. Courtesy of Focus Features.

The performances are impeccable, especially those by Judi Dench and Ciarán Hinds as Buddy’s grandparents. (The grandfather has the best line in the film.)

And where did Branagh find this kid actor Jude Hill? He is completely believable in every scene – and he might just be the most adorable child on the planet.

Belfast is a family drama, but the family is Irish, so there’s plenty of humor.

Branagh has shot Belfast in a glorious black-and-white which amplifies both the historical period and the grittiness of the setting. The use of Belfast’s own Van Morrison on the soundtrack is perfect.

Belfast is justifiably one of the Oscar favorites. If you have heartstrings, they are gonna get pulled.

THE JOURNEY: distrust and risk on a path to peace

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Timothy Spall and Colm Meany in THE JOURNEY photo courtesy of SFFILM
Timothy Spall and Colm Meaney in THE JOURNEY
photo courtesy of SFFILM

The Journey imagines the pivotal personal interactions between the long-warring leaders of Northern Ireland’s The Troubles resulting in the 2006 St. Andrews Accords, which set up the current power-sharing government of Northern Ireland.   Ian Paisley had lit the original fuse of the Troubles in the mid-1960s by igniting Protestant backlash to Catholic pleas for civil rights.  Paisley then obstructed every attempted peace settlement for over thirty years.  Martin McGuinness had transitioned to political leadership from chief of staff of the Irish Republican Army, resisting the violent repression of the british Army with a campaign of terror.  Paisley and McGuinness led the two sides in what was essentially a decades-long civil war, although Paisley would dispute that term.  You could fairly say that both had blood on their hands, McGuinness literally and Paisley morally.  Yet they did agree to share power in 2006.

The Journey uses an entirely fictional plot device to isolate the two of them on a road trip.  (The set-up is unlikely,  but you have to go with it.)  Then The Journey relies on the delightful work of two great actors, Timothy Spall, who plays Paisley, and Colm Meaney, who plays McGuinness.

Beyond the political differences and the blood grudge, the two make a classic Odd Couple.  Spall’s Paisley seems completely impregnable to charm.  The Journey is very funny as McGuinesss’ considerable charm and wit keeps falling flat.  In fact, there are plenty of LOL moments from the awkward situations, McGuinness’ quips and their seemingly clueless driver (Freddy Highmore).  Paisley seems utterly devoid of humor until an unexpected moment.

While The Journey is completely fictionalized, it is certainly true that the two had hated each other for decades, did reach agreement in 2006 and thereafter held posts in the same government and personally got along well, evolving an even affectionate personal relationship.  We also see Tony Blair, Bertie Ahern, Gerry Adams and an imagined MI5 character played by John Hurt.

Spall and Meaney took on a considerable challenge:  Paisley and McGuinness dominated the political news in Ireland for decades and are well-known to audiences in the UK and Ireland. Paisley died in 2014, and McGuinness died just last month.  The Journey’s screenwriter Colin Bateman, was born in Northern Ireland, and The Journey was financed by Northern Ireland Screen.

Achieving a sustainable agreement with a longtime blood enemy requires deciding which of your positions are sacrosanct principles and which have more flexibility. It requires risking the loyalty of your political base, which will revolt against leaders perceived as selling them out. It requires gauging the likelihood that your opponent will stick to his side of the deal. And, you have to focus on your outcome – the long-term goal, not just on defeating your enemy in the moment.  “Young men fight for the helluvit. Old men care about their legacy”, says Hurt’s character in The Journey.

I watched The Journey in April at the San Francisco International Film Festival (SFFILMFestival).  To further explore this topic, here is my list of Best Movies About The Troubles.

DVD/Stream of the Week: ’71 – keeping the thrill in thriller

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'71
’71

The title of the harrowing thriller ’71 refers to the tumultuous year 1971 in Northern Ireland’s Troubles. An ill-prepared unit of British soldiers gets their first taste of action in Belfast, and the rookie Private Gary Hook (Jack O’Connell) gets inadvertently left behind in hostile territory. Private Hook races around an unfamiliar and dangerous city at night. He is being hunted by his own regular troops, a shadowy and sketchy military intelligence unit, the regular IRA, the hotheaded Provisional IRA and Ulster paramilitaries – all with their own conflicting agendas. Any civilian who helps him will be at direct and lethal risk from the partisans.

In their feature debuts, director Jann Demange and cinematographer Tat Ratcliffe take us on a Wild Ride, with just a couple of chances for the audience to catch its collective breath. Importantly, the way Private Hook gets left behind amid the escalating chaos is very believable. Then there’s an exhilarating footrace through the alleys and over brick walls. Every encounter with another person is fraught with tension. Finally, there’s a long and thrilling climactic set piece in a Belfast apartment block.

O’Connell is in 90% of the shots and carries it off very well. All of the acting in ’71 is excellent. Corey McKinley is special as the toughest and most confident ten-year-old you’ll ever meet. Barry Keoghan takes the impassive stone face to a new level. And I always enjoy David Wilmot (so hilarious in The Guard).

I thank the casting and the direction for making it easy for us to tell all of these pale, ginger characters apart. To the credit of writer Gregory Burke, the beginning of the film economically sets up Private Hook as having the fitness and stamina to survive what befalls him throughout the night.

With all the different sides playing each other, the action (and the action is compelling) is set in an especially treacherous version of three-dimensional chess. Some of the double- and triple-crossing at the end is breathtaking. But what ’71 does best is putting the thrill in a thriller – keeping the audience on the edge of our seats for all 99 minutes.

’71, which I saw at Cinequest, made my list of the Best Movies of 2015. It’s now available on DVD from Netflix and Redbox and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

DVD of the Week: OMAGH – after an atrocity, a search for justice

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Gerard McSorley in OMAGH
Gerard McSorley in OMAGH

The compelling and affecting true-life drama Omagh (2004) begins with the infamous 1999 car bombing in Omagh, Northern Ireland. But Omagh is more about the aftermath – the pain and grief of the survivors as they strive for justice and accountability.

The bombing, by a nationalist splinter group, killed 29 on the small town’s market street. It had been just four months since the Good Friday Accord, and both mainstream republicans and unionists were getting used to the day-to-day peace of a post-Troubles era. The bombing was a jarring interruption of that peace, and many felt even more betrayed because the “warning” actually worked to draw more victims toward the lethal blast.

Omagh vividly depicts the carnage and chaos after the blast. The desperate search for loved ones amid the confusion is profoundly moving. We experience Omagh through the perspective of Michael Gallagher, father of one of the victims. He takes the helm of the survivors group as they seek answers – and run into a series of stone walls and cover-ups. The soft-spoken Gallagher may be the least histrionic leader in human history, and he is able to lead because the other survivors rely on his decency, good sense and quiet courage. We also see that – as in real life – people grieve at different paces, and the obsession of some in the family doesn’t work for others.

Michael Gallagher is played by the veteran actor Gerard McSorley (In the Name of the Father, Widow’s Peak, Braveheart, The Boxer, Bloody Sunday). It is McSorley’s powerful and profoundly sad performance that elevates Omagh.

Director Pete Travis employs a jiggly camera and a spare soundtrack to focus our attention on the characters with intimacy and immediacy. When we hear the door closed after the last guest leaves a funeral, the sound of the latch communicates more finality than would any dialogue.

Omagh is high on my list of Best Movies About the Troubles. It is available on DVD from Netflix.

’71: keeping the thrill in thriller

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'71
’71

The title of the harrowing thriller ’71 refers to the tumultuous year 1971 in Northern Ireland’s Troubles. An ill-prepared unit of British soldiers gets their first taste of action in Belfast, and the rookie Private Gary Hook (Jack O’Connell) gets inadvertently left behind in hostile territory. Private Hook races around an unfamiliar and dangerous city at night. He is being hunted by his own regular troops, a shadowy and sketchy military intelligence unit, the regular IRA, the hotheaded Provisional IRA and Ulster paramilitaries – all with their own conflicting agendas. Any civilian who helps him will be at direct and lethal risk from the partisans.

In their feature debuts, director Jann Demange and cinematographer Tat Ratcliffe take us on a Wild Ride, with just a couple of chances for the audience to catch its collective breath. Importantly, the way Private Hook gets left behind amid the escalating chaos is very believable. Then there’s an exhilarating footrace through the alleys and over brick walls. Every encounter with another person is fraught with tension. Finally, there’s a long and thrilling climactic set piece in a Belfast apartment block.

O’Connell is in 90% of the shots and carries it off very well. All of the acting in ’71 is excellent. Corey McKinley is special as the toughest and most confident ten-year-old you’ll ever meet. Barry Keoghan takes the impassive stone face to a new level. And I always enjoy David Wilmot (so hilarious in The Guard).

I thank the casting and the direction for making it easy for us to tell all of these pale, ginger characters apart. To the credit of writer Gregory Burke, the beginning of the film economically sets up Private Hook as having the fitness and stamina to survive what befalls him throughout the night.

With all the different sides playing each other, the action (and the action is compelling) is set in an especially treacherous version of three-dimensional chess. Some of the double- and triple-crossing at the end is breathtaking. But what ’71 does best is putting the thrill in a thriller – keeping the audience on the edge of our seats for all 99 minutes.

’71, which I saw at Cinequest, makes my list of the Best Movies of 2015 – So Far. It’s now available on DVD from Netflix and Redbox and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

’71: keeping the thrill in thriller

by

'71
’71

The title of the harrowing thriller ’71 refers to the tumultuous year 1971 in Northern Ireland’s Troubles.  An ill-prepared unit of British soldiers gets their first taste of action in Belfast, and the rookie Private Gary Hook (Jack O’Connell) gets inadvertently left behind in hostile territory.  Private Hook races around an unfamiliar and dangerous city at night.   He is being hunted by his own regular troops, a shadowy and sketchy military intelligence unit, the regular IRA,  the hotheaded Provisional IRA and Ulster paramilitaries – all with their own conflicting agendas.  Any civilian who helps him will be at direct and lethal risk from the partisans.

In their feature debuts, director Jann Demange and cinematographer Tat Ratcliffe take us on a Wild Ride, with just a couple of chances for the audience to catch its collective breath.  Importantly, the way Private Hook gets left behind amid the escalating chaos is very believable.  Then there’s an exhilarating footrace through the alleys and over brick walls.  Every encounter with another person is fraught with tension.  Finally, there’s a long and thrilling climactic set piece in a Belfast apartment block.

O’Connell is in 90% of the shots and carries it off very well.  All of the acting in ’71 is excellent.  Corey McKinley is special as the toughest and most confident ten-year-old you’ll ever meet.   Barry Keoghan takes the impassive stone face to a new level.  And I always enjoy David Wilmot (so hilarious in The Guard).

I thank the casting and the direction for making it easy for us to tell all of these pale, ginger characters apart.  To the credit of writer Gregory Burke, the beginning of the film economically sets up Private Hook as having the fitness and stamina to survive what befalls him throughout the night.

With all the different sides playing each other, the action (and the action is compelling) is set in an especially treacherous version of three-dimensional chess.  Some of the double- and triple-crossing at the end is breathtaking.  But what ’71 does best is putting the thrill in a thriller –  keeping the audience on the edge of our seats for all 99 minutes.

Best Movies About The Troubles (Northern Ireland)

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James Nesbitt in BLOODY SUNDAY

Sparked by my pick of Shadow Dancer as this week’s DVD/Stream of the Week, I’ve posted a new movie list: Best Movies About The Troubles (Northern Ireland).  The Troubles was the conflict in Northern Ireland between nationalists and unionists that lasted from the late 1960s until the 1998 Good Friday Accord.

2002’s Bloody Sunday tells the story of one of the most significant moments of The Troubles, the 1972 shootings in Derry, from the perspective of a key participant – Ivan Cooper, the leader of a movement to achieve a united Ireland through non-violent means. Northern Irish actor James Nesbitt is brilliant as Cooper, a man who is trying to do the impossible – lead a mass demonstration into a tinderbox and keep it peaceful.  It’s possible that either or both the unionist paramilitaries and the IRA may provoke violence to further their own aims.  The British are supposed to protect the marchers from the unionists, but they’re on edge and trigger-happy.  Cooper is forced to play a desperate game of Whack-a-Mole to prevent violence.

Besides Shadow Dancer and Bloody Sunday, I discuss a number of other outstanding movies about The Troubles. One film contains one of the greatest surprise plot twists in movie history. You can see the list at Best Movies About The Troubles (Northern Ireland), find out how to watch them on DVD or stream them.