IN THE SUMMERS: they mature, he evolves

Photocaption: Rene Perez Joglar (center) in IN THE SUMMERS. Courtesy of NashFilm and Music Box Films.

In the remarkably authentic and evocative In the Summers, two sisters fly to Las Cruces, New Mexico, for annual summer visits with their divorced dad. The father, Vincente, played by Rene Perez Joglar (AKA the rapper Residente) is a spirited and talented underachiever who tries to show them a Disney Dad experience; the girls soak up the fun, but also absorb lessons about Vincente’s less reliable characteristics. Each summer, the girls return to Las Cruces with additional savvy and sponge up real world lessons from Vincente’s changing behavior.

The girls arrive expecting last year’s Vincente, but they get a new model, shaped by his changing circumstances and emotional needs, and reflecting how he sees himself. From year to year, Vincente bounces between unearned swagger to self-loathing distraction to an uneasy humility. It’s a compelling coming of age for the daughters.

Carmen (Emma Ramos), the bartender at the local pool hall, is the one consistent sounding board who can validate what the girls are experiencing with their dad.

Joglar’s performance, only his second acting role in a narrative feature and first lead, is remarkable. He is able to portray a character who is the same man at the core, but whose behavior each year is formed by the cumulative slings and arrows of his life.

The three sets of actors playing Violeta and Eva as they mature (Dreya Castillo and Luciana Eva Quinonez, Kimaya Thais and Allison Salinas, Sasha Calle and Lio Meliel) are excellent.  So is Emma Ramos (New Amsterdam) as Carmen.

Writer-director Alessandra Lacorazza Samudio is able to convey so much narrative without spoon-feeding the audience. She positions the audience in the point of view of the watchful daughters, as they they to assess what is going on with their own father. She also gets fine performances out of actors with little or no movie experience. In the Summers is a triumphant debut feature for Lacorazza and marks the emergence of very promising filmmaker,

In the Summers made my list of Best Movies of 2024 after being my favorite film at last month’s Nashville Film Festival, and it’s streaming now on Amazon, AppleTV, YouTube and Fandango.

ENDLESS SUMMER SYNDROME: there will be hell to pay

Photo caption: Frederika Milano and Gem Deger in ENDLESS SUMMER SYNDROME. Courtesy of NashFilm and Altered Innocence.

In the simmering French drama Endless Summer Syndrome, a professional couple and their two very attractive teenage kids are enjoying August, as upscale Parisians like to do, in a roomy, well-appointed country home. Their idyll is rocked when the mom is tipped off that the dad may be sexually involved with one of the adopted kids. She furtively investigates, trying to find out what is going on with whom. We know that there will be a reckoning once she finds out, but no one in the audience will guess the shattering ending.

First-time director and co-writer Kaveh Daneshmand keeps the tension roiling. All four actors give superb performances: Sophie Colon as the mom, Matheo Capelli as the dad, Frederika Milano as the daughter and Gem Deger as the son. Colon is especially effective, as the audience sees most of the developments (but not all) through her lens. I was surprised to learn that only one of the four actors (Capelli) has substantial film experience.

I screened Endless Summer Syndrome for the Nashville Film Festival. It releases into arthouse theaters this weekend.

Previewing the Nashville Film Festival

Will Ferrell and Harper Steele in WILL & HARPER. Courtesy of Netflix.

The always exquisitely curated Nashville Film Festival opens on Thursday, September 19 and runs through September 25 with a diverse menu of cinema. The Nashville Film Festival is the oldest running film festival in the South (this is the 55th!) and is an Academy Award qualifying festival. The program includes a mix of indies, docs and international cinema, including world and North American premieres.

Programming Director Lauren Thelen says, “I’m impressed, honored and excited to screen this year 150 films from 25 countries. I continue to be impressed by the diverse range of cinema out there, and I’m eager to see how our audience will react.”

I’ve sampled the program and, later this week, will recommend three films by new directors and an indie doc with 100% African-American voices.

The Nashville Film Festival embraces its home in Music City and emphasizes films about music, like Brian Wilson: Long Promised RoadFanny: The Right to RockThe Return of Tanya Tucker: Featuring Brandi Carlile and Louis Armstrong’s Black & Blues from the three most recent fests. That’s the case with this year’s fest opener, Devo, and the closer, This Is a Film About the Black Keys. There’s some insider buzz about Songs from the Hole.

One sure fire crowd-pleaser will be the Netflix doc Will & Harper, featuring a road trip by Will Farrell and his longtime friend, former SNL writer Harper Steele, who has transitioned.

See it here first: several films in the program have already secured distribution and will be available to theater and/or watch-at-home audiences. Before just anybody can watch them, you can get your personal preview at the Nashville Film Festival: Will & Harper, Bob Trevino Likes It, In the Summers, Exhibiting Forgiveness and Endless Summer Syndrome.

Check out the program and buy tickets at the festival’s Film Guide. Watch this space in a couple days for my NashFilm recommendations. Here’s the festival trailer.