Movies to See Right Now (at home)

John Lewis in JOHN LEWIS: GOOD TROUBLE

This COVID Era is taking a toll on all of us. I’ve found that my movie taste hasn’t changed, but my appetite has. I’m having a tougher time selecting movies that are pessimistic or which have unsympathetic protagonists. And I’m watching many more Feel Good movies than usual. It brings to mind the popularity of escapist movies during the Great Depression.

I’m also relating more intensely to real life stories of heroism (John Lewis), redemption (Danny Trejo) and gentleness (Walter Mercado).

ON VIDEO

Dateline-Saigon: documents the efforts of five journalists to cover the Vietnam War in the face of a US government which did not want the facts to be told. Streaming on iTunes.

Mucho Mucho Amor: The Legend of Walter Mercado: the biodoc of the mesmerizing Spanish language TV phenomenon, with his singular combination of flamboyance and gentleness. Streaming now on Netflix.

Our Kind of Traitor: a robust globe-trotting thriller, enlivened by a lusty Stellan Skarsgård and played out in a series of stunning set pieces. If you’re looking for an intelligent summer thriller for adults, this is your movie. You can stream it on Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.

When Jews Were Funny: Documentarian Alan Zweig interviews an impressive collection of Jewish comedians from an earlier generation (Shelly Berman, Jack Carter, Norm Crosby, Shecky Greene) and more recent stars (David Brenner, Super Dave Osborne, Howie Mandel, Judy Gold, Gilbert Gottfried, Marc Maron, David Steinberg). Unfortunately, Zweig himself sucks out the energy with his own midlife naval gazing, which engages, confuses, bemuses and annoys his interviewees. Some great Jewish humor does seep through, including the jokes with the famous punchlines He had a hat. and Is anything alright? When Jews Were Funny can be streamed from Amazon (included with Prime) and a couple more obscure services.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Lizabeth Scott, Dick Powell and Raymond Burr in PITFALL

On July 28, Turner Classic Movies features one of my Overlooked Noir, Pitfall (1948), a noir thriller without either a conventional sap or a conventional femme fatale. Dick Powell plays a WW II vet who is bored with the post-war suburban humdrum, and Lizabeth Scott plays a gal with terrible taste in boyfriends. Neither deserves to be gragged into a thriller, but they are. Raymond Burr, again, makes for a menacing sicko stalker.

Dick Powell and Lizabeth Scott in PITFALL

MUCHO MUCHO AMOR: THE LEGEND OF WALTER MERCADO – gentleness and flamboyance

Walter Mercado in MUCHO MUCHO AMOR: THE LEGEND OF WALTER MERCADO

Just about every Spanish speaker knows who Walter Mercado is – and almost no non-Spanish speaker has heard of him. To describe him as a TV astrologer is profoundly inadequate.

Decades ago, I was flipping through TV channels and happened upon Walter’s astrology show and found him mesmerizing. He was so UNUSUAL, that, late at night, I just couldn’t change the station. The documentary Mucho Mucho Amor: The Legend of Walter Mercado will explain the phenomenon better than I can describe it.

For one thing, 99% of the show’s production value must have been in costume cost. Walter just stood in front of the camera and recited horoscopes, but he was always clad in capes that Liberace and Elvis would have considered WAY over the top. And Walter, for all the machismo in traditional Latino culture, was what we call today non-binary; Walter emanated a singular combination of androgyny and asexuality.

In Mucho Mucho Amor: The Legend of Walter Mercado, we get to meet the elderly Mercado, and find out about his life before and after his 25-year reign as the Spanish language TV ratings king. And why he suddenly disappeared from television.

While often jaw-droppingly flamboyant, Walter possessed a serene gentleness and warm-hearted demeanor that makes this documentary a Feel Good experience. Mucho Mucho Amor: The Legend of Walter Mercado is streaming on Netflix.