Mr. Turner

Movies to See Right Now

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Laura Dern in WILD
Laura Dern in WILD

After today, all of the prestige movies of 2014 will be in wide release except for A Most Violent Year and Two Days, One Night, which open more widely next weekend. Of the ones that I’ve seen, here are your best bets:

    • The cinematically important and very funny Birdman. You can still find Birdman, but you may have to look around a bit. It has justifiably garnered several Oscar nominations, including for Best Picture.
    • Reese Witherspoon is superb in the Fight Your Demons drama Wild, and Laura Dern may be even better.
    • The Theory of Everything is a successful, audience-friendly biopic of both Mr. AND Mrs. Genius.
    • The Imitation Game – the riveting true story about the guy who invented the computer and defeated the Nazis and was then hounded for his homosexuality.
    • Big Eyes is a lite audience pleaser.
    • Set in the macho world of Olympic wrestling, Foxcatcher is really a relationship movie with a stunning dramatic performance by Steve Carell.
    • Mr. Turner is visually remarkable and features a stuning performance by Timothy Spall, but it’s toooo loooong.

My DVD/Stream of the week is Boyhood, an important film – a milestone in the history of cinema. It may turn out to be the best film of the decade. It’s a Must See. Boyhood is available on DVD from Netflix and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.

On January 20, Turner Classic Movies is airing A Face in the Crowd. During every year of the 1960s, Andy Griffith entered the living rooms of most Baby Boomers as Sheriff Andy Taylor on The Andy Griffith Show and in guest appearances on Mayberry R.F.D. Younger folks knew him from another ten seasons on television starring as Matlock.

But, in his very first feature film, Griffith shed the likeability and decency that made him a TV megastar and became a searingly unforgettable villain. In the 1957 Elia Kazan classic A Face in the Crowd, Griffith plays Lonesome Rhodes, a failed country guitar picker who is hauled out of an Arkansas drunk tank by talent scout Marcia Jeffries (Patricia Neal). It turns out that he has a folksy charm that is dynamite in the new medium of television. He quickly rises in the infotainment universe until he is an A List celeb and a political power broker. To Jeffries’ horror, Rhodes reveals himself to be an evil, power hungry megalomaniac. Jeffries made him – can she break him? The seduction of a gullible public by a good timin’ charmer predicts the careers of Ronald Reagan and George W. Bush, although Lonesome Rhodes is meaner than Reagan and less ideological than Bush.

Amazingly, A Face in the Crowd did not garner even a nomination for an Academy Award for Griffith – or for any of its other filmmakers. Today, it is well-regarded, having been added to the library of Congress’ preservation list in the US National Film Registry and rating 91% in the critical reviews tallied by Rotten Tomatoes. It is one of the greatest political films.

MR. TURNER: great acting, mesmerizing light and 30 extra minutes

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Timothy Spall in MR. TURNER
Timothy Spall in MR. TURNER

Mr. Turner, Mike Leigh’s biopic of the 19th Century British landscape painter J.M.W. Turner, is visually gorgeous, is centered on a career-topping performance by Timothy Spall as the title character, and is just too damn long.

It kills me to say that, because I’m a huge admirer of Leigh’s films, especially Secrets & Lies and Another Year;. But it’s 150 minutes long, and there’s only 120 minutes of compelling story in there. I took a party of several seasoned art house film goers to a screening at the Mill Valley Film Festival, and EVERYONE agreed that Mr. Turner dragged.

That’s too bad, because it wastes a stunning performance by Leigh regular Timothy Spall. Turner was driven by his artistic passions, distracted by his carnal appetites and didn’t invest much energy in getting along with most people. Spall uses a palette of grunts, not as a gimmick, but as a means to reveal what this guy – otherwise trying to be so contained – was thinking or feeling. (So heartbreaking in Secrets & Lies, Spall is most recognizable as Peter Pettigrew/Wormtail in the Harry Potter movies.)

As in any Leigh film, all the acting is excellent, but Dorothy Atkinson turns in an especially noteworthy and vanity-free performance as Turner’s long suffering maid.

The real Turner was a groundbreaking genius in his use of light. Leigh’s greatest achievement in Mr. Turner is visual – evey exterior shot looks like it could have been painted by Turner. It’s a remarkable visual achievement.

Alas, the stunning photography and two great performances weren’t enough to keep my mind from wandering.