2010 in Movies: The Year of the Crime Drama

2010 continued a trend of really good recent crime dramas.  This year, most of them came from overseas:  The Secrets in Their Eyes (Argentina) won the most recent Best Foreign Language Oscar and A Prophet (France) and Ajami (Palestine/Israel) were nominated.

All three made my list of the year’s best movies and my list of  Best Recent Crime Dramas.

We also had other strong imports in this genre:  the Mesrine films (France), Animal Kingdom (Australia) and Mother (Korea).

The best American crime drama was The Town, in which the rockin’ first two acts were betrayed by a sappy and implausible climax.

Here’s the trailer for Ajami, an ultra-realistic crime drama set in a scruffy neighborhood in Jaffa, Israel.  The story weaves together Arab Christians and Arab Muslims and both religious and non-religious Israeli Jews.  Everyone aspires to make a living and live in personal safety, but the circumstances and tribal identities make this very difficult at best.  There are two trans-religious romances, but no one is going to live happily ever after. Ajami was co-written and co-directed by Scandar Copti, a Jaffa-born Palestinian, and Yaron Shoni, an Israeli Jew.   After seeing the film, I was surprised to learn that it has no trained actors – all of the roles are played by real-life residents who improvised their lines to follow the story line.

2010 in Review: Foreign Films

It was another year in which foreign cinema was essential.  Three of the nominees for the 2009  Best Foreign Language Oscar were released in the US this year:  Ajami (Israel/Palestine), A Prophet (France) and the Oscar winning The Secrets in Their Eyes (Argentina).   Those three made my list of Best Movies of 2010, along with Mademoiselle Chambon, The Girl on the Train, and The Ghost Writer from France, Carlos from France/Germany, Fish Tank from the UK, and The Girl with the Dragon Tattoo from Sweden.  If I couldn’t see foreign films, I wouldn’t have a Best Movie list.

France also gave us the Mesrine films.  Ireland offered Kisses.  Italy had the food-centric  I Am Love and Mid-August Lunch.  In a tremendous year for crime drama, the Aussies added Animal Kingdom and the Koreans contributed Mother. Police, Adjective was another bleak, cynical drama from Rumania.

Here’s the trailer for Kisses.

Mother

Mother is a Korean film released in America earlier this year and now available on DVD.  It’s about an obsessively protective mother.  Her adult son has a vague mental disability that afflicts his memory and keeps him from understanding the consequences of his words and actions.  The son is framed for a murder and the mother relentless launches a campaign to find The Real Killer.

What is so inventive about this story is that it is told from the points of view of – not one, but – two unreliable narrators.  This causes periodic confusion for the viewer and sets up some shockers in the plot.  On the other hand, the viewer cannot relate to either main character – the dim son or the unhinged mother.  The film is original, well-made and a little off-putting.

Thanks, Paula, for recommending this film.