Morning Glory

Updated Movies To See Right Now

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Black Swan: Natalie Portman is under a little too much pressure

It’s the Holidays – this is your best chance to see a few excellent films.   I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the  crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush).   Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. For some delectable food porn, see Kings of Pastry.

Love and Other Drugs is a passable comedy.

There are some Must See films still kicking around in theaters this week: Inside Job and The Social Network. Both are on my list of Best Movies of 2010 – So Far.

For trailers and other choices, see Movies to See Right Now.

I didn’t pick a new DVD of the Week.  This is the time to catch up on the year’s best, such as Winter’s Bone, Toy Story 3, Inception, The Secrets in Their Eyes, A Prophet, Mademoiselle Chambon, Ajami, The Girl on the Train, The Ghost Writer and Joan River: A Piece of Work, all available on DVD.   For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Arsenic and Old Lace, My Darling Clementine and The Producers on TCM.

2010 in Review: The Year of Lousy Comedies

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It’s not that weren’t ANY good comedies in 2010 – just not many.  And none made my list of the best films of the year.  The funniest movie was Iron Man 2, a comedy masquerading as a super hero movie.

Going the Distance and I Love You, Phillip Morris were good romantic comedies – a particularly meager genre this year.  Going the Distance was a rarity – a sweet, smart, funny and successful romantic comedy for adults.  Screenwriter Geoff LaTulippe tried a novel approach that respected the audience – creating characters like the ones we know in real life, who talk and act like real people do.  Instead of an implausible set-up, the conflict was the real problem of a bi-coastal romance.  The offbeat I Love You, Phillip Morris was a gay version of the con man, prison and rom com genres, and the risk paid off.

Once, we get past the three best comedies, there were the passable (but not especially noteworthy) Get Him to the Greek, Morning Glory, It’s Kind of a Funny Story, Please Give, Get Low, Love and Other Drugs, You Will Meet a Tall Dark Stranger, Youth in Revolt, Cyrus and Death at a Funeral.

The Locksmith, a funny little movie which won the low-budget award at Sundance, didn’t even get a theatrical release.

It was disappointing, because even the good 2010 comedies didn’t match up with 2009’s really funny and original movies:  (500) Days of Summer, Away We Go, Zombieland, The Hangover, In the Loop, Funny People and I Love You, Man.

This year, we had crappy comedies like Pirate Radio, Date Night and Soul Kitchen.   The worst movies that I saw this year were so-called comedies Tooth Fairy and Leap Year – two films that no one thought were good (but that I was stuck with on a long airline flight).   Not to mention that the most reviled movies of the year included the alleged comedies Sex in the City 2, Valentine’s Day, The Back-up Plan, Due Date, How Do You Know, Yogi Bear and Little Fockers.

So here’s the trailer for a non-lousy comedy (a romantic comedy, even), the original and funny Going the Distance.

Movies to See Right Now – Updated

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Naomi Watts and Sean Penn in Fair Game

The best of the recent films is Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn. Morning Glory is a passable comedy, as is Love and Other Drugs.

There are some Must See films still kicking around in theaters this week: Inside Job, The Social Network and Hereafter. All three are already on my list of Best Movies of 2010 – So Far.

The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller.  If you’ve seen the first two Lisbeth Salander movies from Sweden, then you should complete the trilogy with The Girl Who Kicked the Hornet’s Nest.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Black Swan or I Love You, Phillip Morris, opening this weekend.  You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is Mademoiselle Chambon, the year’s best romance.  My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include The Caine Mutiny, Annie Hall, Easy Rider and Stagecoach on TCM.

Morning Glory

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If you’re looking for a light comedy with an appealing lead, then Morning Glory with Rachel McAdams will work for you.  McAdams is funny, cute and sympathetic.  There is promise in the setting – the achingly insipid world of morning television shows. And Diane Keaton nails her supporting role as a jaded but desperate TV anchor.

But Morning Glory would have been more successful if it trusted its source material and performers and didn’t TRY so hard to be funny.  Harrison Ford plays a wooden character woodenly.  There is no electricity in the thread about McAdams’ love interest with Patrick Wilson.  And – here’s a pet peeve of mine – there are two utterly random musical interludes.

Updated Movies to See Right Now

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Pedro Almodovar's Women on the Verge of a Nervous Breakdown

The Must See films in theaters this week remain Inside Job and The Social Network. Hereafter and The Girl Who Kicked the Hornet’s Nest are also good choices.  Morning Glory (more tomorrow) is a passable comedy.

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film. As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.

The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.

Leaving (Partir) is a romantic tragedy with another powerful performance by Kristin Scott Thomas and not much else. Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Welcome to the Rileys. This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay. I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story. You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is Women on the Verge of a Nervous Breakdown. My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Leave Her to Heaven, Seven Days in May and Strangers on a Train on TCM.