DVD of the Week: My Week with Marilyn

Not only is Michele Williams one of our finest film actors (Wendy and Lucy, Blue Valentine, Brokeback Mountain),  but she has the courage to play that icon Marilyn Monroe.  And she does so in a dazzling performance.  Williams so inhabits the persona of Marilyn that we suspend recognition of the physical differences between the two.

My Week with Marilyn is about a young man observing the encounter between Marilyn Monroe and Laurence Olivier (Kenneth Branagh) during the making of the 1957’s The Prince and the Showgirl.  That movie starred and was directed by Olivier, who expected a high level of craft, promptness and professionalism from all actors.  Naturally, Marilyn, with all of her neediness, professional unreliabilty and reliance on The Method, was a bad fit.

Williams perfectly tunes in each frequency of the Marilyn dial, from the terrified, insecure actress to the confident sex symbol.  There’s a great moment – after we’ve already seen her as troubled, flirtatious, needy, mischievous and, above all, lonely  – where she announces that she will become “Her”; she flips an inner switch and becomes the Marilyn sex symbol persona, delighting a crowd of regular folks.

The underrated Zoe Wanamaker has a great turn as Marilyn’s Method acting coach. Judi Dench is perfect as a kind veteran actress.  Emma Watson (so good as Hermione in the Harry Potter films) has an unfortunately tiny role as a non-wizard young adult.  Dougray Scott, Dominic Cooper, Julia Ormand and Toby Jones fill out the great cast.  Wanamaker, Scott and Jones play American characters flawlessly.

some random thoughts on tonight’s Oscars

Oscar deserving Michele Williams (with Dougray Scott as Arthur Miller) in MY WEEK WITH MARILYN

I’m really not too exercised about tonight’s Oscars because I trust that it will a good night for my favorites among the nominated films:  The Artist and The Descendants.  Most of the nominations are relatively deserved, so it’s not like two years ago, when I was gnashing my teeth over the battle between The Hurt Locker (my fave) and Avatar (NOT my fave).

I am really rooting for Michele Williams to win the Best Actress Oscar.  Her performance is deserving, and she warrants recognition as the best of our younger actresses – and one who bravely picks quality scripts (Brokeback Mountain, Wendy and Lucy, Blue Valentine).

If you’re betting, the three biggest locks are Christopher Plummer for Supporting Actor,  Rango for Animated Feature and A Separation for Foreign Language Picture.

 

Few big surprises in the Oscar nods

The Oscar nominations are out, and there are few of the head scratching inclusions and omissions that we frequently see.  Of the Best Picture nominations, The Artist, The Descendants, Hugo and Midnight in Paris all made my Best Movies of 2011Although they didn’t make my Best of the Year list, War Horse and Moneyball are very good movies that I recommend.  I haven’t yet seen The Help, which is, by all accounts, a fine film.  Although I hated The Tree of Life, it was the biggest art film of the year and much praised by mainstream critics.  The one jaw dropper is the critically scorned Extremely Loud and Incredibly Close, which exploits 9/11 in the pursuit of a three hankie weeper.

My biggest disappointments were the snubbing of Michael Shannon’s performance in Take Shelter and the innovative screenplay by Diablo Cody and Jason Reitman for Young Adult.

The acting categories seem a little light to me this year with the exception of Best Actress, with two performances for the ages by Michele Williams in My Week with Marilyn and Meryl Streep in The Iron Lady.

My Week with Marilyn: a dazzling Michele Williams

Not only is Michele Williams one of our finest film actors (Wendy and Lucy, Blue Valentine, Brokeback Mountain),  but she has the courage to play that icon Marilyn Monroe.  And she does so in a dazzling performance.  Williams so inhabits the persona of Marilyn that we suspend recognition of the physical differences between the two.

My Week with Marilyn is about a young man observing the encounter between Marilyn Monroe and Laurence Olivier (Kenneth Branagh) during the making of the 1957’s The Prince and the Showgirl.  That movie starred and was directed by Olivier, who expected a high level of craft, promptness and professionalism from all actors.  Naturally, Marilyn, with all of her neediness, professional unreliabilty and reliance on The Method, was a bad fit.

Williams perfectly tunes in each frequency of the Marilyn dial, from the terrified, insecure actress to the confident sex symbol.  There’s a great moment – after we’ve already seen her as troubled, flirtatious, needy, mischievous and, above all, lonely  – where she announces that she will become “Her”; she flips an inner switch and becomes the Marilyn sex symbol persona, delighting a crowd of regular folks.

The underrated Zoe Wanamaker has a great turn as Marilyn’s Method acting coach. Judi Dench is perfect as a kind veteran actress.  Emma Watson (so good as Hermione in the Harry Potter films) has an unfortunately tiny role as a non-wizard young adult.  Dougray Scott, Dominic Cooper, Julia Ormand and Toby Jones fill out the great cast.  Wanamaker, Scott and Jones play American characters flawlessly.

Late November at the Movies

Promising films coming out in the last part of November include:

The Descendants with George Clooney, director Alexander Payne’s first film since Sideways.

Into the Abyss:  Werner Herzog’s documentary exploring American capital punishment.

My Week with Marilyn:   Reputedly dazzling performance by Michele Williams as Marilyn Monroe.

You can see trailers of upcoming films at Movies I’m Looking Forward To. Here’s the trailer to My Week with Marilyn.

Movies I'm Looking Forward To: Late December Edition

Now we’re at the time of year when the award-aspiring movies are released just in time for Oscar eligibility.  Trailers and descriptions are on my Movies I’m Looking Forward To page.

We’ll start on December 22 with  Sofia Coppola’s (Lost in Translation) semiautographical Somewhere.  On Christmas Day, the Coen Brothers open their version of True GritThe King’s Speech, with Colin Firth, Geoffrey Rush and Helena Bonham-Carter,  will finally get its wide release.

On the 29th, I’ll be awaiting Another Year, a potential masterpiece by one of my favorite directors, Mike Leigh.  We’ll also have a flashy performance by Javier Bardem in a contemporary Job story – Biutiful. Kevin Spacey will star in a real life story of political corruption in Casino Jack.   Peter Weir (Master and Commander, Picnic at Hanging Rock) will showcase The Way Back.

The year’s final release will be the offbeat un-romance Blue Valentine, with Ryan Gosling and Michelle Williams.  Festival critics loved and hated this film.  The trailer, which depicts the beginning of a relationship that falls apart during the movie, is quite charming.

See my Movies I’m Looking Forward To page for descriptions, image and trailers.

Here’s the trailer for True Grit.