Movies to See Right Now

Charlotte Rampling and Jim Broadbent in THE SENSE OF AN ENDING at CINEQUEST on Sunday
Charlotte Rampling and Jim Broadbent in THE SENSE OF AN ENDING at CINEQUEST on Sunday

Silicon Valley’s own major film festival, Cinequest heads into its final weekend.  I strongly recommend the indie dramedy Quality Problems, screening at 9:30 tomight at the Hammer theater in downtown San Jose; if you’re going to see one Cinequest film, make it this one.  I’ll be linking more festival coverage to my Cinequest 2017 page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

Because Cinequest is underway, my video pick is from the 2013 festival: in the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. Meet the Hitlers is available for streaming rental from Amazon Video and Vudu and for streaming purchase from iTunes.

In theaters:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.
  • Winner of the Best Picture Oscar, the remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • The Salesman is another searing and authentic psychological family thriller from Iranian writer-director Asghar Farhadi (A Separation, The Past). It won the Best Foreign Language Oscar.

On March 14, Turner Classic Movies is airing the 1975 character-driven neo-noir Night Moves, with Gene Hackman as an LA private eye who follows a trail of evidence to steamy Florida. Hackman shines in the role – the detective is deeply in love with his estranged wife, but unsuited for marriage. Night Moves also features Melanie Griffith’s breakthrough role as the highly sexualized teen daughter in the Florida family; Griffith was eighteen or nineteen when this was filmed, and had already been living with Don Johnson for three years.  (That night TCM will also present two even better 1970s neo-noir thrillers – Klute and The French Connection.)

DVD/Stream of the Week: MEET THE HITLERS

MEET THE HITLERS
MEET THE HITLERS

Because Cinequest is underway, my video pick is from the 2015 festival: in the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. And it’s a varied bunch. We meet a delightfully confident Missouri teen girl, a workaday Ecuadorian whose parents didn’t know who Hitler was and an affable Utah oldster who might be the most jovial fellow ever to brighten up a chain restaurant. And there’s an Austrian odd duck burdened with enough personal baggage that he surely didn’t need this name. Do they see the name as a curse, and how has it affected them? It’s a theoretical question to us in the audience, but it’s compelling to see the real world responses of the film’s subjects.

And then there’s a mystery about three Americans who HAVE changed the name – because they are the last living relatives of Adolph Hitler. We follow the journalist who has been tracking them down for over a decade. (Documentarian Matt Ogens makes a great editorial choice as to whether to reveal their current names.)

Finally, there’s the disturbing saga of a New Jersey neo-Nazi who is NOT named Adolph Hitler but WANTS to be. Of course, anybody can choose to adorn themselves with a Hitler mustache and swastika tattoos and spew hatespeech, but his choices are affecting not just himself, but his children.

Some of these threads are light-hearted and some are very dark. Meet the Hitlers works so well because Ogens weaves them together so seamlessly. It’s a very successful documentary.

I first reviewed Meet the Hitlers for its premiere at Cinequest 2015. Now Meet the Hitlers is available for streaming rental from Amazon Video and Vudu and for streaming purchase from iTunes.

Movies to See Right Now

Devin Druid in LOUDER THAN BOMBS
Devin Druid in LOUDER THAN BOMBS

I’m still covering the 59th San Francisco International Film Festival (SFIFF); the fest runs through May 5. Throughout the fest, I’ll be linking more festival coverage to my SFFIF 2016 page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.Here’s some of my SFIFF coverage:

I’m also writing about the fine slate of documentaries at this weekend’s International Film Festival of North Hollywood (IFFNOHO).

Here’s my slate of recommended movies in theaters this week:

    • Critical reception has been mixed on the intricately constructed family drama Louder Than Bombs, but I strongly recommend it.
    • Ethan Hawke’s performance makes the Chet Baker biopic Born to Be Blue a success.
    • Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman.
    • Eccentric meets quirky in the historical comedy Elvis & Nixon, with Michael Shannon and Kevin Spacey.
    • I enjoyed every minute of Jake Gyllenhaal’s breakdown in Demolition (but was ambivalent about why I did).
    • Everybody Wants Some!! is a dead-on 1980 time capsule and an amusing frolic with lots of ball busting and girl chasing – but probably more fun for a heterosexual male audience.

Tom Hiddleston makes a believable Hank Williams, but that can’t save the plodding I Saw the Light, which fails to capture any of the pathos in Hank’s life and death.  The mismatched buddy movie Dough is light, fluffy and empty – just like a Twinkie.

My Stream of the Week is the offbeat documentary Meet the Hitlers, about those few people who choose NOT to change their birth name of “Hitler”. Meet the Hitlers is available for streaming rental from Amazon Video and Vudu and for streaming purchase from iTunes.

Screenwriter Anthony Veiller fleshed out a very brief Hemingway short story, resulting in Robert Siodmak’s compelling 1946 film noir The Killers, which Turner Classic Movies airs on May 4. The Killers was the screen debut of former circus acrobat Burt Lancaster and the breakthrough for the 23-year-old Ava Gardner. The toughest of noir tough guys – Charles McGraw and Broderick Crawford are hunting down Lancaster for offending their mob boss…and the clock is ticking.

Ava Gardner and Burt Lancaster in THE KILLERS
Ava Gardner and Burt Lancaster in THE KILLERS
Charles McGraw (left) and Broderick Crawford (center) are the title characters in THE KILLERS
Charles McGraw (left) and Broderick Crawford (center) are the title characters in THE KILLERS

Stream of the Week: MEET THE HITLERS

MEET THE HITLERS
MEET THE HITLERS

In the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. And it’s a varied bunch. We meet a delightfully confident Missouri teen girl, a workaday Ecuadorian whose parents didn’t know who Hitler was and an affable Utah oldster who might be the most jovial fellow ever to brighten up a chain restaurant. And there’s an Austrian odd duck burdened with enough personal baggage that he surely didn’t need this name. Do they see the name as a curse, and how has it affected them? It’s a theoretical question to us in the audience, but it’s compelling to see the real world responses of the film’s subjects.

And then there’s a mystery about three Americans who HAVE changed the name – because they are the last living relatives of Adolph Hitler. We follow the journalist who has been tracking them down for over a decade. (Documentarian Matt Ogens makes a great editorial choice as to whether to reveal their current names.)

Finally, there’s the disturbing saga of a New Jersey neo-Nazi who is NOT named Adolph Hitler but WANTS to be. Of course, anybody can choose to adorn themselves with a Hitler mustache and swastika tattoos and spew hatespeech, but his choices are affecting not just himself, but his children.

Some of these threads are light-hearted and some are very dark. Meet the Hitlers works so well because Ogens weaves them together so seamlessly. It’s a very successful documentary.

I first reviewed Meet the Hitlers for its premiere at Cinequest 2015. Now Meet the Hitlers is available for streaming rental from Amazon Video and Vudu and for streaming purchase from iTunes.

2015 at the Movies: most overlooked

MEET THE PATELS
MEET THE PATELS

This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them.  You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies.  What’s important to me is that you don’t miss the less well-known gems:

  • The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
  • The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
  • The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
  • The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
  • Phoenix from Germany – a riveting psychodrama with a wowzer ending.  It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
  • The brilliant psychological drama 99 Homes, available on DVD early in 2016.
  • The delightful family centric Meet the Patels – a documentary funnier than most comedies.
  • The character-driven  suspense thriller The Gift.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

 

Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.

CORN ISLAND
CORN ISLAND

Cinequest 2015: festival recap

THE CENTER
THE CENTER

A pronounced overall success, Cinequest 2015 delivered hearty audience-pleasers from a varied and satisfying menu that featured some real gems from the indie, documentary and world cinema categories.

The fest kicked off with two huge popular successes: the feel-good BATKID BEGINS and the hilariously dark WILD TALES, and kept up the pace throughout the first weekend with an assortment of successful premieres.

Cinequest’s Director of Programming Mike Rabehl presented a fest especially rich in first features, including:

  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult; and especially promising debut from filmmaker Charlie Griak.
  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters (actually a second feature).
  • IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.  A festival surprise hit.
  • FOR SOME INEXPLICABLE REASON: A good-natured Belgian comedy containing some very innovative nuggets.

 

CORN ISLAND
CORN ISLAND

Cinequest’s international film scout Charlie Cockey came through once again with the fest’s best film, the transcendent Georgian drama CORN ISLAND, which won the Jury Award for Best Narrative Drama.

 

ASPIE SEEKS LOVE
ASPIE SEEKS LOVE

This 2015 fest was the strongest recent Cinequest for documentaries. The well-deserved Jury Award for best Documentary went to ASPIE SEEKS LOVE, the story of a surprisingly sympathetic subject. Other excellent docs included:

 

Not every film was a home run.  Director John Boorman’s personal appearance was a hit, but his QUEEN AND COUNTRY was only moderately entertaining.  And the eagerly awaited  CLOUDS OF SILS MARIA (Cesar-winning Kristen Stewart) and the Sundance award-winning SLOW WEST were clunkers.

Richard von Busack, the highly respected local film critic, picked Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. A packed house agreed that this was one of Cinequest 2015’s top experiences.

Other highlights included the Belgian romantic dramedy THREE HEARTS, the French comedy GEMMA BOVERY and the exceptionally well-directed Kosovan drama THREE WINDOWS AND A HANGING.

The most underrated movie at Cinequest? Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar. I think this tale of a dysfunctional family is both very smart and very funny.

BARCO Escape showcased developing three-screen technology to envelope the audience in the cinematic experience.  I have reservations about the BARCO experience, but the short film WITHDRAWAL was a definite winner.

Here’s all my Cinequest coverage – with several features and comments on over twenty-five movies – conveniently linked on one page.

WILD TALES
WILD TALES

Cinequest 2015 at mid-festival

CORN ISLAND
CORN ISLAND

We’re halfway through Cinequest 2015. What are the biggest hits and the most delightful surprises?

Cinequest’s Director of Programming/Associate Director Mike Rabehl was definitely right: he predicted BATKID BEGINS and WILD TALES to be among the biggest audience pleasers. The opening night audience reveled in BATKID BEGINS, and WILD TALES, the darkly comic Argentine collection of revenge stories, rocked the California Theatre.

And how about those surprise gems?

  • CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
  • IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.
  • FACTORY BOSS: I haven’t yet seen this narrative about the manager of a Chinese sweatshop factory getting squeezed, but I’ve hearing good things around the fest. One of my friends, who has been to factories in Shenzen, entered a screening a little late and initially mistook it for a documentary.

The most underrated movie at Cinequest?  Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar.  I think this tale of a dysfunctional family is both very smart and very funny.

It’s also been a notably strong year for the documentaries at Cinequest:

  • ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
  • MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
  • SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.
  • THERE WILL BE NO STAY: a powerful examination of American capital punishment from the perspective of the executioners.

Most promising film yet to come? I’d say Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.

IN THE COMPANY OF WOMEN
IN THE COMPANY OF WOMEN

Cinequest Picks for Monday, March 2

ANTOINE ET MARIE
ANTOINE ET MARIE

My Cinequest picks for Monday, March 2:

  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
  • THREE WINDOWS AND A HANGING: powerful and artfully shot drama from Kosovo about gender reactions to a wartime atrocity.
  • MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
  • SLOW WEST: This offbeat Western with Michael Fassbender won a prize at Sundance.

Cinequest Picks for Sunday, March 1

CORN ISLAND
CORN ISLAND

Cinephiles need to see the exquisite and lyrical Georgian drama CORN ISLAND. If it’s not the best contemporary art movie at Cinequest, I’ll be shocked.  Today’s other best picks:

  • CLOUDS OF SILS MARIA: The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?). And Stewart just became the first American actress to win a César (the French Oscar) for this performance.
  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
  • DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.
  • ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
  • THE CENTER
    THE CENTER

Cinequest 2015 – festival preview

CinequestIt’s time to dive into the 2015 version of the San Jose film festival Cinequest running from tomorrow through March 8.  This year’s program looks GREAT.  You can find my festival coverage, including both features and movie recommendations, on my Cinequest page (which you may wish to bookmark).  Follow me on Twitter for the very latest.

Here are my 18 best bets at Cinequest 2015:

  • WILD TALES: the darkly comic Argentine collection of revenge stories. Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Oscar.  One of its vignettes features one of my favorite screen actors, Ricardo Darin (the Argentine Joe Mantegna).  See it at Cinequest before it gets to Bay Area art houses on March 6.  Ann Thompson (Thompson on Film) will be receiving a Media Legacy Award at the screening.
  • CLOUDS OF SILS MARIA:   The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?).  And Stewart just became the first American actress to win a César (the French Oscar) for  this performance.
  • ’71:  Everybody says that this thriller about a British soldier trapped overnight in a hostile Northern Ireland neighborhood during the Troubles is pedal-to-the-metal intensity.
  • SLOW WEST:  This offbeat Western with Michael Fassbender won a prize at Sundance.
  • QUEEN AND COUNTRY:  Director John Boorman’s Korean War-Era quasi-sequel to his Hope and Glory.  Boorman (Deliverance) will appear at the screening.  Silicon Valley release on March 6.
  • L’ATALANTE: The 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion.  Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

Here are my pre-festival picks from among the films that I’ve seen:

DRAMA:

  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.

COMEDY:

  • LOS HAMSTERS: A biting darkly hilarious Mexican social satire.
  • DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.

DOCUMENTARY:

  • ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
  • MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
  • SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.

I’ve also gotten tips from insiders about some other very promising films (that I haven’t seen yet):

  • CORN ISLAND: Reportedly transcendent Georgian drama.
  • FOR SOME INEXPLICABLE REASON: Hungarian comedy.
  • GUARD DOG: dark and violent Peruvian thriller. US premiere.
  • MILWAUKEE: US indie sex and relationship comedy. World premiere.
  • THREE WINDOWS AND A HANGING:  Searing Kosovan drama.

Take a look at the program and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the $100 donation for Express Line Access is an awesome deal.) You can download the Festival Guide from this page.