Mea Maxima Culpa

MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD: the blame climbs until it cannot climb higher

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MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD

We’ve just seen another appalling Catholic Church sex abuse scandal, this one in Pennsylvania. In Mea Maxima Culpa: Silence in the House of God, documentarian Alex Gibney explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top). The film begins with the horrifying and disgusting abuse of the most vulnerable – children at a residential Catholic school for the deaf; the children’s devout parents could not communicate with the children through American Sign Language, making them even more easy to victimize.

At first it seems like just another story of Church leaders suppressing the truth to avoid bad publicity and lawsuits – and it is for the first few years. But then we learn about an American bishop trying to remove a pedophile from ministry, but being thwarted by superiors across the Atlantic. As Gibney pulls apart the onion, the focus of the story climbs the Church hierarchy. The brilliant and prolific Gibney’s work includes Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Eliot Spitzer, Casino Jack and the United States of Money and the Oscar-winning Taxi to the Dark Side.

I also recommend another documentary on this difficult subject, Deliver Us From Evil, which made my top ten list for 2006. That is the story of a serial pedophile priest moved from parish to parish in the Diocese of Stockton, California. This has become, sadly, a familiar narrative, but what distinguishes Deliver Us From Evil is its breathtaking interviews with the pedophile himself.

Mea Maxima Culpa: Silence in the House of God is available to stream from Amazon (included with Prime), iTunes, Vudu, YouTube, Google Play and HBO GO. Deliver Us from Evil is available to stream from iTunes, Vudu and YouTube.

Movies to See Right Now

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Nina Hoss in BARBARA

This week, the theaters feature three historical dramas, the best being the suspenseful German Barbara.  In No, Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.  Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan, is historical but plodding.

The documentary The Gatekeepers is centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force; these are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror. The documentary
Mea Maxima Culpa: Silence in the House of God is now playing on HBO; it explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top). I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones.

San Jose’s Cinequest Film Festival is over, and for a wrap-up, see my CINEQUEST 2013 page.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the week is, fittingly, the Italian comedy We Have a Pope, especially in a double feature with Mea Maxima Culpa.

I usually don’t think of Dustin Hoffman as a comic actor, but some of his performances have been brilliantly funny, including Tootsie, Little Big Man and the essential The Graduate.  Turner Classic Movies will be broadcasting those three films tomorrow night, March 16.

Movies to See Right Now

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LEAD US NOT INTO TEMPTATION at Cinequest

We’re now in the final two days of San Jose’s Cinequest Film Festival.  It’s been a good year for thrillers at Cinequest, and you can still see Lead Us Not Into Temptation, Dose of Reality and Chaos, as well as the German dark comedy gem Oh Boy.  Check out my CINEQUEST 2013 page for comments on these films, plus another 20 or so that I’ve seen.

In the theaters, I recommend The Gatekeepers, a documentary centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force; these are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror.  The Alex Gibney (Taxi to the Dark Side) documentary
Mea Maxima Culpa: Silence in the House of God is now playing on HBO; it explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top).  I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones.

Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies. The drama Lore is about the innocent children of monstrous people, but its intensity is so unrelenting that it wearies the audience.

I haven’t yet seen the Chilean historical drama No (with Gael Garcia Bernal), which was nominated for the 2013 Foreign Language Oscar and opens widely today. Nor have I seen Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

You can still catch the Academy Award winning Argo, as well as Zero Dark Thirty and Silver Linings Playbook. To ride the momentum of director Ang Lee’s surprise Oscar win, Life of Pi is now out again in 3D, which I recommend. The Oscar winner for Best Foreign Language Picture, Amour, is brilliantly made and almost unbearable to watch.

My DVD of the week is still Undefeated, last year’s Oscar winner for Best Documentary.

Movies to See Right Now

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THE GATEKEEPERS

Three documentaries are dominating this week’s cinematic landscape:

  • The Gatekeepers is a documentary centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force.  These are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror.
  • Mea Maxima Culpa: Silence in the House of God, now playing on HBO, explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top).
  • 56 Up is the surprisingly mellow next chapter in the greatest documentary series ever.  Starting with Seven Up! in 1964, director Michael Apted has followed the same fourteen British children, filming snapshots of their lives at ages 7, 14, 21, 28, 35, 42 and 49 – and now at 56.

We’re now in the third day of San Jose’s Cinequest Film Festival.  I’ve updated my CINEQUEST 2013 page, which includes comments on The Sapphires, In the Shadows, Lead Us Not Into Temptation, The Almost Man, Panahida, Dose of Reality, White Lie, Aftermath and The Hunt.

Opening this week, the drama Lore is about the innocent children of monstrous people, but its intensity is so unrelenting that it wearies the audience. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones. Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies.

You can still catch the Academy Award winning Argo, as well as Zero Dark Thirty and Silver Linings Playbook.  To ride the momentum of director Ang Lee’s surprise Oscar win, Life of Pi is now out again in 3D, which I recommend.  The Oscar winner for Best Foreign Language Picture,  Amour, is brilliantly made and almost unbearable to watch.

My DVD of the week is another documentary, Undefeated, last year’s Oscar winner for Best Documentary.

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. This week, the lineup includes Inherit the Wind and Elmer Gantry.

Mea Maxima Culpa: Silence in the House of God: the blame climbs until it cannot climb higher

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In Mea Maxima Culpa: Silence in the House of God, documentarian Alex Gibney explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top).  The film begins with the horrifying and disgusting abuse of the most vulnerable – children at a residential Catholic school for the deaf whose devout parents cannot communicate with them through American Sign Language.

At first it seems like another story of Church leaders suppressing the truth to avoid bad publicity and lawsuits – and it is for the first few years.  But then we learn about an American bishop trying to remove a pedophile from ministry, but being thwarted by superiors across the Atlantic.  As Gibney pulls apart the onion, the focus of the story climbs the Church hierarchy.  The brilliant and prolific Gibney’s work includes Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Eliot Spitzer, Casino Jack and the United States of Money and the Oscar-winning Taxi to the Dark Side.

I also recommend another documentary on this difficult subject, Deliver Us From Evil, which made my top ten list for 2006.  That is the story of a serial pedophile priest moved from parish to parish in the Diocese of Stockton, California.  This has become, sadly, a familiar narrative, but what distinguishes Deliver Us From Evil is its breathtaking interviews with the pedophile himself.

Mea Maxima Culpa: Silence in the House of God is now playing on HBO.