SOUND OF METAL: seeking anything but stillness

Riz Ahmed in SOUND OF METAL

In Sound of Metal, Ruben (Riz Ahmed) is a heavy metal drummer who suffers immediate and severe hearing loss, complicated because he’s also an addict who has been clean for an uneasy four years. He and his guitarist girlfriend Lou (Olivia Cooke) have been barnstorming through a series of one-nght engagements in their Airstream RV. Ruben is emotionally devastated, and Lou, fearing his relapse, drops him off with drug counselor Joe (Paul Raci) at a twelve-step residence within an all-deaf community.

Ruben may not be using, but he may not be “in recovery”, either. His sobriety hangs on a scaffold of performance, Lou, healthy exercise and constant travel. When his musicianship is snatched away by hearing loss, he panics. The very idea of deafness paralyzes Ruben with terror.

Ruben cycles through denial, anger, bargaining, depression, escape and resistance. Will he get to acceptance and redemption? Joe tells Ruben that he needs to attain the ability to sit with himself in stillness, but Ruben wants anything but that.

Sound of Metal is a super intense ride, but there’s a payoff. The powerful ending is perfect. Director and co-writer Darius Marder follows Billy Wilder’s advice – don’t stick around.

Riz Ahmed’s totally committed and gripping performance as Ruben will likely garner him an Oscar nod. In thinking about his performance days later, I realized that Ahmed was convincing as Ruben played heavy metal, as he veered in desperation and as he mentored deaf children with gentleness and humor.

At one point, I said, “he’s acting just like an addict” seconds before Joe says something like “From where I sit, you’re acting like an addict“.

Ahmed is one of those actors who is good in everything he’s in, whether it’s a broad comedy (Four Lions), a political drama The Reluctant Fundamentalist or a psychological thriller (Nightcrawler and Una}.

Riz Ahmed and Olivia Cooke in SOUND OF METAL

Olivia Cooke, so good in Me and Earl and the Dying Girl and Thoroughbreds, is okay here as Lou. In the first part of the movie, she’s unrecognizable with unflattering bleached eyebrows.

Paul Raci, an actor who became fluent in ASL to communicate with his deaf parents, is just a perfect delight as Joe. I’m suspecting that this character actor/musician (he has a Black Sabbath tribute band) will get more movie work after this turn.

The French actor/director Mathieu Amalric is absolutely superb as Lou’s father. Amalric is a big deal actor who is cast in a lot of prestige films (The Diving Bell and the Butterfly), and I am usually indifferent to him. But here, he absolutely nails a character who is comfortable in his own skin, wise enough to discern what is going on with others less experienced than he and willing, with patience and gentleness, to let life play out. His character is a guy who probably hasn’t gotten to where he is by being kind, so his kindness is a choice.

The brilliant, Oscar-deserving sound design brings us to experience what Ruben can hear and not hear. Make sure that you watch this film on a system or device with excellent sound. Walter Murch will appreciate this movie (which is very high praise from me.).

Sound of Metal is one of my Best Movies of 2020. It is streaming on Amazon (included with Prime).

THE BLUE ROOM: what did I get myself into?

THE BLUE ROOM
THE BLUE ROOM

As the French psychological drama The Blue Room opens, a couple is having sex.  We quickly learn that they are both married, but not to each other.  And next, we see the man being interviewed in a police station. But The Blue Room is not a conventional police procedural, because the audience doesn’t know what crime he is suspected of committing.  He knows what the crime is, but he doesn’t know how it happened. In The Blue Room‘s brisk 75 minutes, more and more is revealed to the audience and to our protagonist. He finally understands it all, but it’s too late.

The structure of the story is very inventive, co-written by the movie’s stars, Mathieu Amalric and Stéphanie Cléau, and directed by Amalric.  Amalric is very good as a guy who spends the movie wondering “how did I get here, and how bad can this get?” It’s a dark little story that requires the audience to keep pace – and it’s pretty successful.