Love, Marilyn: a closer look at Marilyn Monroe

LOVE, MARILYN

The insightful HBO documentary Love, Marilyn uses Marilyn Monroe’s own words and those of people in her life to give us a candid yet sympathetic inside look at Marilyn.  The core of the film is from a recently discovered trove of Marilyn’s own letters and journals.

Her friends Susan Strasberg and Amy Greene appear in this film. Others speak from file footage, including husband Arthur Miller, acting coach Lee Strasberg and her first Hollywood agent.  For the rest, especially Marilyn herself (and biographer Norman Mailer, friends Elia Kazan and Truman Capote and frustrated director Billy Wilder), an all-star cast of readers bring their words to life. 

The readers include four Oscar winners and six Oscar nominees.  The most effective are Marisa Tomei reading Marilyn’s earnest efforts at educational self-improvement and Lili Taylor reading Marilyn’s struggles with a recipe she trying to put on the table for traditional hubby Joe DiMaggio. Everybody else (especially Evan Rachel Wood and Viola Davis) is really good, too, except for Ben Foster, who is mannered and overtheatrical when reading Mailer’s words.

There are some rel nuggets here. We see the book on human body movement that Marilyn used to create her signature jiggling walk.  We hear Kazan’s description of how Arthur Miller made a good first impression by refusing to let Marilyn take a cab to a party.  We understand how she flipped potential career-killing nude photo scandal into a huge publicity boost and better film roles.  We even hear Amy Greene relate Marilyn’s assessment of DiMaggio’s most intimate skill.

Entertaining and sometimes moving, Love, Marilyn is a worthwhile contribution to our understanding of Marilyn, the person, the actress and the phenomenon.

DVD of the Week: My Week with Marilyn

Not only is Michele Williams one of our finest film actors (Wendy and Lucy, Blue Valentine, Brokeback Mountain),  but she has the courage to play that icon Marilyn Monroe.  And she does so in a dazzling performance.  Williams so inhabits the persona of Marilyn that we suspend recognition of the physical differences between the two.

My Week with Marilyn is about a young man observing the encounter between Marilyn Monroe and Laurence Olivier (Kenneth Branagh) during the making of the 1957’s The Prince and the Showgirl.  That movie starred and was directed by Olivier, who expected a high level of craft, promptness and professionalism from all actors.  Naturally, Marilyn, with all of her neediness, professional unreliabilty and reliance on The Method, was a bad fit.

Williams perfectly tunes in each frequency of the Marilyn dial, from the terrified, insecure actress to the confident sex symbol.  There’s a great moment – after we’ve already seen her as troubled, flirtatious, needy, mischievous and, above all, lonely  – where she announces that she will become “Her”; she flips an inner switch and becomes the Marilyn sex symbol persona, delighting a crowd of regular folks.

The underrated Zoe Wanamaker has a great turn as Marilyn’s Method acting coach. Judi Dench is perfect as a kind veteran actress.  Emma Watson (so good as Hermione in the Harry Potter films) has an unfortunately tiny role as a non-wizard young adult.  Dougray Scott, Dominic Cooper, Julia Ormand and Toby Jones fill out the great cast.  Wanamaker, Scott and Jones play American characters flawlessly.

My Week with Marilyn: a dazzling Michele Williams

Not only is Michele Williams one of our finest film actors (Wendy and Lucy, Blue Valentine, Brokeback Mountain),  but she has the courage to play that icon Marilyn Monroe.  And she does so in a dazzling performance.  Williams so inhabits the persona of Marilyn that we suspend recognition of the physical differences between the two.

My Week with Marilyn is about a young man observing the encounter between Marilyn Monroe and Laurence Olivier (Kenneth Branagh) during the making of the 1957’s The Prince and the Showgirl.  That movie starred and was directed by Olivier, who expected a high level of craft, promptness and professionalism from all actors.  Naturally, Marilyn, with all of her neediness, professional unreliabilty and reliance on The Method, was a bad fit.

Williams perfectly tunes in each frequency of the Marilyn dial, from the terrified, insecure actress to the confident sex symbol.  There’s a great moment – after we’ve already seen her as troubled, flirtatious, needy, mischievous and, above all, lonely  – where she announces that she will become “Her”; she flips an inner switch and becomes the Marilyn sex symbol persona, delighting a crowd of regular folks.

The underrated Zoe Wanamaker has a great turn as Marilyn’s Method acting coach. Judi Dench is perfect as a kind veteran actress.  Emma Watson (so good as Hermione in the Harry Potter films) has an unfortunately tiny role as a non-wizard young adult.  Dougray Scott, Dominic Cooper, Julia Ormand and Toby Jones fill out the great cast.  Wanamaker, Scott and Jones play American characters flawlessly.