Magic in the Moonlight

Plenty of good choices in theaters:

• The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
• Alive Inside: The profoundly moving documentary showing Alzheimer patients being pulled out of isolation by music.
• Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
• The mesmerizing drama Calvary, starring Brendan Gleeson.  Gleeson again teams with John Michael McDonagh, the writer-director of The Guard.
• I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie.  It’s also available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.
• Don’t miss Philip Seymour Hoffman’s explosive final performance in the John le Carré espionage thriller A Most Wanted Man.

Boyhood tops my list of Best Movies of 2014 – So Far, and Alive Inside and Calvary also make the list.

Poor writing and directing sabotage the delightful performances of Alfred molina and john Lithgow in the romantic drama Love Is Strange.  I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.  I nodded off during Woody Allen’s disappointing romantic comedy of manners Magic in the Moonlight.

My DVD/Stream of the Week is Go For Sisters , a border thriller with three more great movie characters from master indie writer-director John Sayles. Go for Sisters is available on DVD from Netflix and streaming on Netflix Instant, Amazon and Vudu.

As I wrote yesterday, Turner Classic Movies is airing the prototype for Orange Is the New Black – Caged from 1950 – set your DVR tonight..

On September 7, TCM plays The Battle of Algiers (1966), the story of 1950s French colonialists struggling to suppress the guerrilla uprising of Algerian independence fighters.  Although it looks like a documentary, it is not.  Instead, filmmaker Gillo Pontecorvo recreated the actual events so realistically that we believe that we are watching strategy councils of each side.  Urban insurgency and counter-insurgency are nasty, brutal and not very short – and we see some horrifically inhumane butchering by both sides. Among the great war films, it may be the best film on counter-insurgency.  In 2003, the Pentagon screened the film for its special operations commanders. Re-released to theaters in 2004, The Battle of Algiers made many critics’ top ten lists the second time around.