Magallanes

Movies to See Right Now

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Adam Driver and Jonathan Pryce in THE MAN WHO KILLED DON QUIXOTE

I’ve been absorbed by the 2019 Cinequest, which runs through Sunday. Here’s my Cinequest preview; I’m recommending the closing movie on Sunday evening – Terry Gilliam’s The Man Who Killed Don Quixote, starring Adam Driver and Jonathan Pryce. Throughout the festival, I link my festival coverage to my Cinequest page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). It won multiple Oscars. It is streaming now Netflix.
  • Green Book: This is the Oscar winner for Best Picture. Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

 

ON VIDEO

My stream of the week is the Peruvian psychological drama Magallanes from the 2016 Cinequest. Magallanes can be streamed from iTunes, YouTube and Google Play.

 

ON TV

On March 19, Turner Classic Movies brings us The Best Years of Our Lives. It’s an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

Harold Russell, Dana Andrews and Frederic Mrch in THE BEST YEARS OF OUR LIVES

Stream of the Week: MAGALLANES – some wrongs cannot be righted

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Magallanes_Still

To honor Cinequest, my stream of the week is a remarkable drama from the 2016 Cinequest. The title character in the Peruvian psychological drama Magallanes is a loser, but is he a lovable loser? Played by Damián Alcázar, Magallanes bounces around from odd job to odd job. He can’t break even driving a borrowed outlaw taxi around the squalid streets of Lima, he lives in a basement hovel and he has one friend. Magallanes glimpses a person from his past, and it rocks him into a series of life-changing events.

Magallanes starts out as a caper movie. But we learn that his one friendship is from his military service in a death squad unit, dispatched to repress the indigenous population with the harshest methods. What this unit did years ago has scarred all the characters (except two snarky cops), and Magallanes is revealed to be a study of PTSD.

What is driving Magallanes’ behavior in this story? We find that he is trying to right a past wrong. But what? And by whom? The revelation in Magallanes is that some wrongs cannot be righted.

Magallanes is a showcase for Mexican actor Alcázar, whom U.S. art house audiences saw in John Sayles’ Men with Guns and as the lead in Herod’s Law. Alcázar makes Magallanes so sympathetic that the movie’s climax is jarring and emotionally powerful.

Magallanes can be streamed from iTunes, YouTube and Google Play.

https://youtu.be/oSVxY2-grAk

2016 at the Movies: most overlooked

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CHEVALIER. Photo courtesy of Strand Releasing
CHEVALIER. Photo courtesy of Strand Releasing

This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them.  You don’t need ME to tell you that Loving and La La Land are good movies.  What’s important to me is that you don’t miss the less well-known gems:

  • The character-driven crime drama Hell or High Water has topped my list of Best Movies of 2016 – So Far since I saw it on Labor Day Weekend. It’s now available to rent on DVD from Netflix and to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • Chevalier is a sly and pointed exploration of male competitiveness. Director Athina Rachel Tsangari is obviously a keen observer of male behavior. Both men and women will enjoy laughing at male behavior taken to extreme. I sure did. Chevalier is perhaps the funniest movie of 2016, and it’s on my list of Best Movies of 2016 – So Far. I’m hoping that its popularity explodes now that it’s available to rent on DVD from Netflix and to stream from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • The Hollars is an unabashed crowd pleaser with a great cast, especially the irreplaceable Margot Martindale.
  • San Jose native Matt Sobel’s impressive directorial debut Take Me To the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.
  • NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
  • The highly original documentary Tower retells the story of a famous mass shooting without dwelling on the shooter.
  • All the Way is a thrilling political docudrama with a stellar performance. It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.

These three Cinequest films haven’t gotten an US release, either in theaters or on video. But they are excellent enough to make my list of the year’s best. Here’s hoping that you will be able to see them soon, too. Stay tuned, and I’ll let you know.

  • The Memory of Water: This Chilean drama explores grief, its process and its impact, and was the most masterful filmmaking achievement at Cinequest 2016. Exquisite.
  • Magallanes: Another Cinequest film, this Peruvian psychological drama is about those wrongs that cannot be righted.
  • Lost Solace: Writer-director Chris Scheuerman’s brilliant debut is a highly original psychological thriller. Premiered at Cinequest.
Andrew Jenkins in Chris Scheuerman's brilliant debut LOST SOLACE
Andrew Jenkins in Chris Scheuerman’s brilliant debut LOST SOLACE

Best Movies of 2016 – So Far

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THE MEMORY OF WATER
THE MEMORY OF WATER

Instead of waiting for my year-end Top Ten list, I keep a running list throughout the year: Best Movies of 2016 – So Far. At year’s end, my list usually is comprised of 20-25 films with an Official Top Ten.  I’ll also be updating my list throughout the year as films become available to stream or to rent on DVD.  Right now, my list includes:

  • The Memory of Water
  • Eye in the Sky
  • Magallanes
  • Chevalier
  • Weiner
  • Frank & Lola
  • Take Me to the River
  • Lost Solace
  • Green Room

I usually start my list in April or May, and I don’t think that I’ve ever waited until July before.  I guess that’s because none of these early-in-the-year releases have popped out at me like Ex Machina from last year, Boyhood or Ida from 2014, Blue Is the Warmest Color or The Hunt (2013), Winter’s Bone (2010) and the like. But these are all really, really excellent films.

Eye in the Sky and Take Me to the River are available streaming or on DVD right now, (see Best Movies of 2016 – So Far for details) and Frank & Lola will be in theaters later this year.

I’m self-conscious about how many of these films can’t be seen right now (or maybe ever) because they don’t have US distribution. I really try NOT to be precious and list a bunch of super obscure films. I’m particularly wringing my hands over three gems from Cinequest – The Memory of Water from Chile, Magallanes from Peru and the Canadian indie Lost Solace. But I’m pretty sure that you’ll be able to find the rest of the movies on my list by year’s end.

I’m still waiting to see many, many contenders for my year-end list, including film festival favorites Loving, Manchester By the Sea, The Birth of a Nation and Toni Erdmann.  I also reserve the right to reshuffle the list.

Helen Mirren in EYE IN THE SKY
Helen Mirren in EYE IN THE SKY

Cinequest 2016: Festival Wrap-up

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Andrew Jenkins in Chris Scheuerman's brilliant debut LOST SOLACE
Andrew Jenkins in Chris Scheuerman’s brilliant debut LOST SOLACE

We’ve completed a strong Cinequest 2016, and I’ve seen 36 feature films.   All of my features on this year’s fest , along with recommendations on over twenty Cinequest 2016 films are on my CINEQUEST page.  Here are the festival highlights (and lowlights).

PERSONAL FAVORITE:  I loved writer-director Chris Scheuerman’s brilliant debut – the highly original psychological thriller Lost Solace.

THE MEMORY OF WATER
THE MEMORY OF WATER

BEST OF THE FEST: The Memory of Water: This Chilean drama explores grief, its process and its impact and was the most masterful filmmaking achievement at Cinequest 2016. Exquisite.

BIG MOVIES: The selection of this year’s Spotlight Films, the prime-time movies shown at the California Theatre, may have been Cinequest’s most successful ever. Cinequest programmers led off with a home run with the Opening Night rouser Eye in the Sky, the thriller-meets-thinker from Oscar-winning director Gavin Hood. The screening was preceded by Cinequest co-founder Halfdan Hussey’s interview of Hood, which was probably also the best ever on-stage interview in festival history.

The Cinequest audience also loved the next Spotlight Film, the Norwegian disaster movie The Wave.  Arnaud Desplechin’s affecting coming of age film My Golden Days was also popular.  I liked James Franco and loved Ed Harris in The Adderall Diaries. Cinequest’s Closing Night feature, the Australian drama The Daughter, packed a powerfully emotional punch.

Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY

BIGGEST SENSATION:  The hard-hitting and often excruciating Love Is All You Need?, the exploration of homophobic bullying and hate crimes, will be the Cinequest film that gets the most national attention.

MOST IMPRESSIVE DEBUT: Along with Lost Solace, I was also impressed by Chris Brown’s The Other Kids and Lori Stoll’s Heaven’s Floor.

BEST FOREIGN FILM: Along with The Memory of Water, I most admired Magallanes, a Peruvian psychological drama about those wrongs that cannot be righted. Magallanes won the jury award for international cinema. I also enjoyed the sex, intrigue and murder in the operatic Hungarian period drama Demimonde.

COMEDY:  There really wasn’t a Can’t Miss comedy this year, but fans of absurdist deadpan comedy had The Modern Project and Lost in Munich.  My Guilty Pleasure was the deliciously low brow A Beginner’s Guide to Snuff.

BEST ROMANCE: We don’t always have an extremely strong romance at the festival, but the Hungarian Fever at Dawn was just that – an urgent period romance between Holocaust survivors, with an unexpected nugget at the end.

BEST DOCUMENTARY:  If I had to pick just one, it would be Chuck Norris vs. Communism, but I also liked Dan and Margot, The Promised Band and The Brainwashing of My Dad.

WORST OF THE FEST: Thankfully, there were not many stinkers at this year’s fest, but Remember Me was a disappointing clunker and The Blackcoat’s Daughter was utterly wretched.

See you at Cinequest 2017.

MAGALLANES
MAGALLANES

Encore Day at Cinequest

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LOVE IS ALL YOU NEED?
LOVE IS ALL YOU NEED?

My picks for Encore Day, Sunday, March 13:

The Other Kids 11 AM Hammer Theatre Center
A completely fresh and authentic coming of age film – and a triumphant directorial debut.

Love Is All You Need? 1 PM California Theatre
This is the Cinequest film that will be the most talked-about across the nation. It’s a vivid and sometimes excruciating examination of the impacts of homophobic bullying, hate speech and hate crimes.

The Promised Band 4 PM Camera 12 – Screen 10
This documentary is a successful exploration of the effects of mutual isolation and a very explicit snapshot of the barriers to travel and social integration between Israelis and Palestinians.

The Daughter 6:45 PM California Theatre

This emotionally powerful Australian drama is Cinequest’s Closing Night film.  Top-rate Aussie cast includes Geoffrey Rush and Sam Neill.

OR

Magallanes 6:45 M Camera 12 – Screen 10
This Peruvian psychological drama seems to start out as a lovable loser heist film, but turns out to be an exploration of PTSD. Mexican actor Damian Alcázar brings home the jarring climax. emotionally powerful. Along with The Memory of Water, the best foreign film at Cinequest 2016.

MAGALLANES
MAGALLANES

Cinequest: MAN UNDERGROUND

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MAN UNDERGROUND
MAN UNDERGROUND

The sci-fi comedy Man Underground is centered around the entirely humorless Willem (George Basil), who is emotionally scarred by a failed relationship and an occurrence that he believes was an encounter with space aliens.  Unburdened by any lack of confidence, Willem makes his way as a lecturer and Internet personality specializing in paranoid theories of government cover-ups.  He decides to make his own biopic, assisted by oddball acolytes Todd (Andy Rocco) and Flossie (Pamela Fila).

Most of Man Underground fills out the portrait of the deeply troubled and absurdly misguided Willem.  But, even with cringe humor, it’s hard to watch Willem when it turns out that the really interesting characters are Todd and Flossie.  Todd and Flossie finally get their due, but too much of Man Underground is about Willem.

https://youtu.be/OdLpSNaxaYw

Cinequest: MAGALLANES

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Magallanes_Still

The title character in the Peruvian psychological drama Magallanes is a loser, but is he a lovable loser?  Played by Damián Alcázar, Magallanes bounces around from odd job to odd job.  He can’t break even driving a borrowed outlaw taxi around the squalid streets of Lima, he lives in a basement hovel and he has one friend.  Magallanes glimpses a person from his past, and it rocks him into a series of life-changing events.

Magallanes starts out as a caper movie.  But we learn that his one friendship is from his military service in a death squad unit, dispatched to repress the indigenous population with the harshest methods. What this unit did years ago has scarred all the characters (except two snarky cops), and Magallanes is revealed to be a study of PTSD.

What is driving Magallanes’ behavior in this story?  We find that we is trying to right a past wrong.  But what?  And by whom?  The revelation in Magallanes is that some wrongs cannot be righted.

Magallanes is a showcase for Mexican actor Alcázar, whom U.S. art house audiences saw in John Sayles’ Men with Guns and as the lead in Herod’s Law.  Alcázar makes Magallanes so sympathetic that the movie’s climax is jarring and emotionally powerful.

I saw Magallanes at Cinequest, where it plays again on March 10 and 12.

https://youtu.be/oSVxY2-grAk