Mad Max Fury Road

Movies to See Right Now

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Amy Winehouse in AMY
Amy Winehouse in AMY

Here’s one more plaintive final plea: Do yourself a very, very, very big favor and see the coming of age masterpiece Me and Earl and the Dying Girl.

I really liked Amy, the emotionally affecting and thought provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

Besides Me and Earl, two more of my Best Movies of 2015 – So Far are still playing in theaters: Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson and the thoughtful and authentic dramedy I’ll See You in My Dreams.

In case you missed it, I recently wrote about the BBC’s list of 100 greatest American films and why I cancelled my Netflix DVD service.

The coming of age comedy Dope is a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My DVD of the Week The compelling and affecting true-life drama Omagh, available on DVD from Netflix.

We’re in the final eight days of Turner Classic Movies’ wonderful Summer of Darkness series of film noir. Tonight, of course, TCM plays the groundbreaking French Elevator to the Gallows.

Set your DVR for next Friday’s (July 31) featured noir on TCM.  I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.

Ian McKellen as MR. HOLMES
Ian McKellen as MR. HOLMES

Movies to See Right Now

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'71
’71

This week’s opener is Mr. Holmes; Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

If you haven’t seen it yet, you owe it to yourself to see the CAN’T MISS coming of age masterpiece Me and Earl and the Dying Girl. Besides Me and Earl, two more of my Best Movies of 2015 – So Far are playing in theaters:

Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dope is a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My DVD/Stream of the Week is the year’s best thriller so far – ’71, a harrowing tale set in the Troubles of Northern Ireland. ’71 is available on DVD from Netflix and streaming on Amazon Instant Video, Vudu, YouTube, Google Play and Xbox Video.

Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight features next Friday, look out for 99 River Street.

Saturday night, Saturday, July 18, TCM is presenting THREE of the greatest films about politics: The Dark Horse, The Last Hurrah and The Candidate. On the 21st, TCM brings us that classic suspense Western 3:10 to Yuma, along with Peeping Tom – still one of the very best serial killer movies after 50 years.

On July 24, Turner Classic Movies will show the groundbreaking French noir Elevator to the Gallows. It’s a groundbreaking film with so many outstanding elements that I’ll be writing about it next week. But set your DVR now.

Marcel Ronet in ELEVATOR TO THE GALLOWS
Marcel Ronet in ELEVATOR TO THE GALLOWS

Movies to See Right Now

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John Cusack and Elizabeth Banks in LOVE & MERCY
John Cusack and Elizabeth Banks in LOVE & MERCY

If you haven’t seen it yet, you owe it to yourself to see the CAN’T MISS coming of age masterpiece Me and Earl and the Dying Girl.  Besides Me and Earl, two more of my Best Movies of 2015 – So Far are playing in theaters:

Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dope is a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My Stream of the Week is the thriller Nightcrawler, with Jake Gyllenhaal as a highly functioning psychotic. You can stream it from Amazon Instant Video, iTunes and Vudu and rent it on DirecTV PPV.

Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight I recommend D.O.A. and Caged; next Friday, look out for 99 River Street.

On July 15, Turner Classic Movies features the 1948 film noir Pitfall. Dick Powell plays a bored middle class married guy who is aching for some excitement. In his humdrum job as an insurance investigator, he investigates an embezzlement and meets the captivating Lizabeth Scott, the girlfriend of the imprisoned embezzler. They fall into a torrid but short-lived affair. Just when Powell thinks that he’s back to his normal family life, both he and Scott are dragged into a thriller by two baddies – the sexually obsessed sickie of a private eye (Raymond Burr) and the nasty and very jealous embezzler (Byron Barr), just released from the hoosegow. Jane Wyatt plays Powell’s wife.

Pitfall is especially interesting because it deviates from two prototypical characterizations. Unlike the usual noir sap, Powell doesn’t fall for Scott “all in”; although he has a brief extramarital fling, he’s never going to leave his family for her. And Scott, although she allures Powell, is not femme fatale. She’s not a Bad Girl, just an unlucky one. She has horrible taste in a boyfriend and the bad luck to attract a menacing stalker (Burr), but she’s fundamentally decent. Will her sexual promiscuity be punished at the end of this 1948 movie?

I feature Pitfall in my list of Overlooked Noir.

Lizabeth Scott, Dick Powell and Raymond Burr in PITFALL
Lizabeth Scott, Dick Powell and the looming Raymond Burr in PITFALL

Movies to See Right Now

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ME AND EARL AND THE DYING GIRL
ME AND EARL AND THE DYING GIRL

This is as good as it gets until December – FOUR of my Best Movies of 2015 – So Far are playing in theaters:

Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dope is a nice little movie that trashes stereotypes.  This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming.  The Melissa McCarthy spy spoof Spy is a very funny diversion.  Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My DVD/Stream of the Week is the period thriller The Two Faces of January – a tale of dark hearts in sunny Greece. The Two Faces of January is available on DVD from Netflix and streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.

On July 8, Turner Classic Movies will present The Leopard (Il gattopardo), an Italian period epic starring Burt Lancaster as a 19th century Sicilian prince who is trying to remain master of his changing time. Director Luchino Visconti came from Italian nobility himself. As befits an epic of this scope, it’s a sweeping 187 minutes long. One highlight is stunning entrance by 24-year-old Claudia Cardinale as the local mayor’s daughter, suddenly all grown up.

On July 10, TCM is playing Caged, the 1950 prototype for Orange Is the New Black; (I wrote the linked article for for the annual blogathon in celebration of Turner Classic Movies’ 31 Days of Oscars). Sixty-five years later, Caged might still be the best women’s prison movie ever, and it features a rich female cast and two Oscar-nominated performances.

Claudia Cardinale and Burt Lancaster in THE LEOPARD
Claudia Cardinale and Burt Lancaster in THE LEOPARD

MAD MAX: FURY ROAD – mobile battles and little else

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Charlize Theron in MAD MAX: FURY ROAD
Charlize Theron in MAD MAX: FURY ROAD

For some reason, the critical consensus on Mad Max:Fury Road has been pretty favorable. It’s 120 minutes long, of which at least 105 minutes are chase scenes that are really mobile battles. They are remarkable battles, but they are just battles. Writer-director George Miller has produced an adrenaline-filled thrill ride with some unique elements. But there just really isn’t anything exceptional – characters, dialogue, plot, setting – besides the action.

Charlize Theron and Tom Hardy are just fine as the good guys. Poor Hardy has to wear a steel mask for a third of the movie like he did for the entire The Dark Knight Rises. Theron is a fantastic actress, but all she has to do here is glint over her shoulder a lot (and she’s looks great doing that). I really loved Nicholas Hoult, who was so engaging in Warm Bodies, here as a Takes A Licking But Keeps On Ticking pawn-of-the-villain.  Zoe Kravitz rides along with Theron and Hardy, looking adorable.

If you feel the need for a simplistic rock ’em, sock’em action movie, this will fill the bill.  Don’t expect any more.