Loro

Movies to See Right Now

by
Scarlett Johannson and Adam Driver in MARRIAGE STORY

Of the four top movies of the year, you can still find Parasite in theaters and you can already stream Marriage Story, The Irishman and Once Upon a Time…in Hollywood.

Watch out for the very special opportunity to see a virtually lost film from 1976, Joseph Losey’s Mr. Klein at the Roxie and BAMPFA.

If you enjoy Rian Johnson’s Knives Out, check out his equally inventive take on another genre, the neo-noir Brick.

OUT NOW

  • The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
  • Adam Driver and Scarlett Johannson are brilliant in Noah Baumbach’s career-topping Marriage Story. A superb screenplay, superbly acted, Marriage Story balances tragedy and comedy with uncommon success. Marriage Story is playing in just a couple Bay Area theaters and is now streaming on Netflix.
  • Martin Scorsese’s gangster epic The Irishman is tremendous, and features performances by Al Pacino and Joe Pesci that are epic, too. It’s both in theaters and streaming on Netflix.
  • Filmmaker Taika Waititi takes on hatred in his often outrageous satire Jojo Rabbit. I saw Jojo Rabbit at the Mill Valley Film Festival, where the audience ROARED with laughter.
  • In his Pain and Glory, master filmmaker Pedro Almodovar invites us into the most personal aspects of his own life, illuminated by Antonio Banderas’ career-topping performance.
  • Harriet is excellent history (and Harriet Tubman belongs on the twenty dollar bill), but it’s not great cinema.
  • The atmospheric slow burn neo-noir Motherless Brooklyn gets postwar New York City right, but it’s too long.
  • Loro, Paolo Sorrentino’s send-up of Silvio Berlusconi is much more interesting visually than it is thematically.

ON VIDEO

My Streams of the Week are the six Best Movies of 2019 – So Far that are already available to stream. This week, I’m featuring Once Upon a Time…in Hollywood: masterpiece.

ON TV

I have NO TV recommendations this week – get out there and see the year’s best in theaters!

Movies to See Right Now

by
PARASITE. Photo courtesy of Mill Valley Film Festival (MVFF) .

Three of the best four movies of the year so far are in theaters this weekend: Parasite, Marriage Story and The Irishman.

OUT NOW

  • The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
  • Adam Driver and Scarlett Johannson are brilliant in Noah Baumbach’s career-topping Marriage Story. A superb screenplay, superbly acted, Marriage Story balances tragedy and comedy with uncommon success. Marriage Story is playing in just a couple Bay Area theaters and will be streaming on Netflix on December 6. Complete review coming this weekend.
  • Martin Scorsese’s gangster epic The Irishman is tremendous, and features performances by Al Pacino and Joe Pesci that are epic, too. It’s in theaters now, and will stream on Netflix on November 27. Complete review coming this weekend.
  • Filmmaker Taika Waititi takes on hatred in his often outrageous satire Jojo Rabbit. I saw Jojo Rabbit at the Mill Valley Film Festival, where the audience ROARED with laughter.
  • In his Pain and Glory, master filmmaker Pedro Almodovar invites us into the most personal aspects of his own life, illuminated by Antonio Banderas’ career-topping performance.
  • Harriet is excellent history (and Harriet Tubman belongs on the twenty dollar bill), but it’s not great cinema.
  • The atmospheric slow burn neo-noir Motherless Brooklyn gets postwar New York City right, but it’s too long.
  • The raucous romp Zombieland Double Tap is a fun change of pace to the serious fare in theaters.
  • I liked the Isabelle Huppert drama Frankie, but the Mill Valley Film Festival audience was very indifferent at the screening; I’m guessing that folks failed to warm to an ambiguous ending that leaves some plot threads unresolved.
  • Loro, Paolo Sorrentino’s send-up of Silvio Berlusconi is much more interesting visually than it is thematically.

ON VIDEO

My Stream of the Week is All the Way, with Bryan Cranston (Breaking Bad, Trumbo) becoming the first actor to capture LBJ in all his facets – a man who was boring and square on television but frenetic, forceful and ever-dominating in person. LBJ’s 1964 makes for a stirring story, and All the Way is a compelling film. You can stream it from HBO GO, Amazon’s HBO Now,  iTunes, YouTube and Google Play.

ON TV

On November 27, Turner Classic Movies will air Harry Dean Stanton’s masterpiece in Wim Wenders’ Paris, Texas. In Paris Texas, Harry Dean plays Travis, a man so traumatized that he has disappeared and is found wandering across the desert and mistaken for a mute.  As he is cared for by his brother (Dean Stockwell), he evolves from feral to erratic to troubled, but with a sense of tenderness and a determination to put things right.  We see Travis as a madman who gains extraordinary lucidity about what wrong in his life and his own responsibility for it.

At the film’s climax, Travis speaks to Jane (Natassja Kinski) through a one-way mirror (she can’t see him).  Spinning what at first seems like parable, Travis explains what happened to him – and to her – and why it happened.  It’s a 20-minute monologue so captivating and touching that it rises to be recognized as one of the very greatest screen performances.

Harry Dean Stanton in PARIS, TEXAS
Natassja Kinski and Harry Dean Stanton in PARIS, TEXAS

LORO: just eye candy

by
Kasia Smutniak and Toni Servillo in LORO

Loro is director Paolo Sorrentino’s take on the career end of the despicable Italian media mogul and former prime minister Silvio Berlusconi. The Berlusconi character has a different name, but there’s no mistake that it is the hair-dyed, ever-grinning Berlusconi.

The movie Loro is actually the combination of two television programs. In the first, we see Berlusconi’s corruption through the POV of another amoral grasper, Sergio (Ricardo Scarmacia). Sergio seeks his fortune by collecting a brigade of cocaine-fueled escorts to sexually entertain Berlusconi. In the second half, we follow Berlusconi himself as, out of power, he is unable to climb back into power, he loses his wife and he is sexually humiliated by a 20-year-old aspiring actress. Sorrentino gets his licks in by making Berlusconi, finally, pathetic.

Loro stars Sorrentino’s frequent collaborator Toni Servillo, who is able to play the Berlusconi character as a figure powerful to get all he desires…and then not.

I had high expectations of Loro because I loved Sorrentino’s The Great Beauty and Youth. Sorrentino is a master of the eye candy and those movies are especially beautiful, but also tell stories compelingly. Ultimately, Loro is much more interesting visually than it is thematically.

Loro, which got a screening at the San Francisco international Film Festival, has just concluded a wisp of a theatrical release in the Bay Area. It can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

by
LIGHT FROM LIGHT

Parasite is the best movie in theaters right now, but there’s really something for everyone. I’m also recommending the under-the-radar indie Light from Light. Other audience-friendly movies range from the outrageous Jojo Rabbit and the affirming Linda Ronstadt: The Sound of My Voice to the raucous Zombieland Double Tap. Coming soon: reviews of Loro, Harriet, Midway, Motherless Brooklyn and Marriage Story.

OUT NOW

  • The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
  • Filmmaker Taika Waititi takes on hatred in his often outrageous satire Jojo Rabbit. I saw Jojo Rabbit at the Mill Valley Film Festival, where the audience ROARED with laughter.
  • In his Pain and Glory, master filmmaker Pedro Almodovar invites us into the most personal aspects of his own life, illuminated by Antonio Banderas’ career-topping performance.
  • The indie gem Light from Light ingeniously embeds three portraits of personal awakening into what looks like a familiar haunted house movie. It’s playing in Silicon Valley for only two weeks.
  • The raucous romp Zombieland Double Tap is a fun change of pace to the serious fare in theaters.
  • I liked the Isabelle Huppert drama Frankie, but the Mill Valley Film Festival audience was very indifferent at the screening; I’m guessing that folks failed to warm to an ambiguous ending that leaves some plot threads unresolved.
  • Where’s My Roy Cohn? is Matt Tyrnauer’s superb biodoc of Roy Cohn – and was there a more despicable public figure in America’s 20th Century than Cohn?
  • It’s tough to imagine anyone who wouldn’t enjoy the biodoc Linda Ronstadt: The Sound of My Voice, about the first female mega rock star. 
  • Two rock music documentaries, The Quiet One and Echo in the Canyon. will be of moderate interest to rock fans of a certain age.
  • Watching The Lighthouse is such an ordeal it could drive you crazy before Robert Pattinson goes mad on screen.
  • Skip Netflix’s The Laundromat and watch The Big Short again instead.

ON VIDEO

My stream of the week is Making Montgomery Clift the biodoc that explodes some of the lore that has shaped popular understanding of movie star Montgomery Clift. Making Montgomery Clift is available to stream on Amazon.

ON TV

On November 13, TCM will broadcast The Battle of Algiers, the story of 1950s French colonialists struggling to suppress the guerrilla uprising of Algerian independence fighters.  Although it looks like a documentary, it is not.  Instead, filmmaker Gillo Pontecorvo recreated the actual events so realistically that we believe that we are watching strategy councils of each side. Among the great war films, it may be the best film on counter-insurgency.  In 2003, the Pentagon screened the film for its special operations commanders.

THE BATTLE OF ALGIERS

SFFILM – a peek into world cinema

by

Benjamin Naishtat’s ROJO, playing at the San Francisco International Film Festival April 10-23. Courtesy of SFFILM.

As usual, this year’s San Francisco International Film Festival (SFFILM Festival) features a strong sampling of world cinema. Here some highlights:

  • Rojo is Argentine writer-director Benjamín Naishtat’s slow burn drama.  Rojo is set just before the 1970s coup that some characters expect – but no one is anticipating how long and bloody the coup will be.  Several vignettes are woven together into a tapestry of pre-coup moral malaise. Watch for the several references to desaparecida, a foreboding of the coup.
  • Ramen Shop is about a family’s reconciliation in light of troubled Singaporean-Japanese history. There’s a metaphorical foodie angle here, too, in the fusion of Singaporean pork rib soup with Japanese ramen stock.
  • Winter’s Night is Korean director Woo-jin Jang’s contemplation on a longtime marriage in which one partner has grown profoundly dissatisfied and both partners have become very confused about what to do about it. They are addressing this – or not – on a winter vacation to a remote monastery. This especially visual film (see the still below) makes full use of the frigid nights and the stark landscape to emphasize the wife’s emotional isolation.
  • I haven’t yet seen Loro, but master filmmaker Paolo Sorrrentino’s take on Italian scoundrel/prime minister Silvio Berlusconi is very promising. Sorrentino has already created two of the most brilliant films of this decade – The Great Beauty and Youth.

Here’s my SFFILM Festival preview. The 2019 San Francisco International Film Festival (SFFILMFestival) opens this Wednesday. Here’s SFFILMFestival’s information on the program, the schedule and tickets and passes.

Jang Woo-jin’s WINTER’S NIGHT, playing at the San Francisco International Film Festival April 10-23. Courtesy of SFFILM.