The Reluctant Fundamentalist: a thriller with an intense star (but with Kate Hudson, too)

THE RELUCTANT FUNDAMENTALIST

Director Mira Nair (Mississippi Masala, Monsoon Wedding, The Namesake) brings the novel The Reluctant Fundamentalist to the screen.  A young Pakistani man flourishes at Princeton and on Wall Street, and he becomes an American Master of the Universe.  But then September 11 changes his world, as Americans reacting and overreacting to terror start treating him badly.  Suddenly, he no longer sees a fit with his American girlfriend, a flighty, overprivileged artist.  He returns to Pakistan to teach in a university, and becomes an intellectual leader for Pakistanis seeking to resist the West.  The movie becomes a thriller when the question arises, has he become a terrorist? 

The thriller works – if you haven’t read the novel, you don’t know whether the guy we’ve been rooting for is or is not a terrorist until the final minutes.  The best thing about the movie is the remarkably intense performance of British actor Riz Ahmed as the protagonist.  Ahmed is a compelling screen presence, and he clearly has impressive acting range when you contrast his hyper-alert role here with the dim terrorist he played in the hilarious terrorist parody Four Lions.  As one would expect, Liev Schreiber is also excellent as the guy who must determine whether Ahmed has become a terrorist. 

What didn’t work for me?  First there was the odd choice of Kate Hudson as the girlfriend.  The character is just too vapid to captivate a Wall Street whiz kid, and Hudson just doesn’t project the sensuality to make up the difference for a guy in his early 20s. 

The story also suggests that non-violent, democratic nationalism can have widespread appeal in Pakistan, and, while I would hope that Pakistanis embrace that path, I’m not sure that it’s a likely outcome. 

If you need a sermon on the blowback from our War on Terror,  then you can sit in the pew for The Reluctant Fundamentalist.  But, for an ambiguous thriller, Homeland is a better choice.

DVD of the Week: Goon (no, really)

Doug Glatt is not very smart and he knows it. He struggles to find the right word in every situation. Because his only talent is the ability to knock others unconscious, he is only in demand as a bar bouncer. But Doug is not a brute – he is goodhearted and loyal, and yearns to be part of something. By chance, Doug gets hired by a minor league hockey team to become its thuggish enforcer – despite his inability to ice skate.

We get lots of funny hockey violence a la the Hanson Brothers in Slap Shot. It’s very funny when Doug mangles his every attempt at cogent conversation. The comedy also comes from Doug’s innocent fish out of water in the cynical, sleazy and cutthroat world of minor league hockey. (He’s even reverential about the team logo on the locker room floor.)

There are lots of nice comic touches. For example, when Doug becomes a sensation, one of his fans in the stands holds up a sign reading “Doug 3:69” (Doug wears jersey number 69); we glimpse the sign for only a second, but I appreciate the filmmakers planting such nuggets in the movie. Doug is also that rarity – a Jewish hockey goon, with parents horrified that he isn’t following his brother to med school.

Although plenty raunchy, Goon is a rung above the normal gross-out guy comedy because Doug is such a fundamentally good and well-meaning person. As Doug, Seann William Scott (Stifler in American Pie) plays a naive simpleton, but one fiercely committed to his core values. It’s got to be hard to play that combination, and Scott’s performance is special.

The cast is excellent. Co-writer Jay Baruchel plays Doug’s sophomoric friend. Alison Pill (Milk, Midnight in Paris) is the troubled smart girl who can’t figure out why she’s attracted to a word-fumbling hockey goon. Liev Schreiber, excellent as always, dons a Fu Manchu and a mullet to play the league’s toughest goon. Kim Coates, who almost stole A Little Help as the personal injury attorney, plays the coach.

Goon has earned the #21 spot on Wikipedia’s “Films that most frequently use the word “f**k” with its 231 f-bombs.

Goon: violence, vulgarity and a nice Jewish boy

Doug Glatt is not very smart and he knows it.  He struggles to find the right word in every situation.  Because his only talent is the ability to knock others unconscious, he is only in demand as a bar bouncer.  But Doug is not a brute – he is goodhearted and loyal, and yearns to be part of something.  By chance, Doug gets hired by a minor league hockey team to become its thuggish enforcer – despite his inability to ice skate.

We get lots of funny hockey violence a la the Hanson Brothers in Slap Shot.  It’s very funny when Doug mangles his every attempt at cogent conversation.  The comedy also comes from Doug’s innocent fish out of water in the cynical, sleazy and cutthroat world of minor league hockey.  (He’s even reverential about the team logo on the locker room floor.)

There are lots of nice comic touches.  For example, when Doug becomes a sensation, one of his fans in the stands holds up a sign reading “Doug 3:69” (Doug wears jersey number 69); we glimpse the sign for only a second, but I appreciate the filmmakers planting such nuggets in the movie.  Doug is also that rarity – a Jewish hockey goon, with parents horrified that he isn’t following his brother to med school.

Although plenty raunchy, Goon is a rung above the normal gross-out guy comedy because Doug is such a fundamentally good and well-meaning person.  As Doug, Seann William Scott (Stifler in American Pie) plays a naive simpleton, but one fiercely committed to his core values.  It’s got to be hard to play that combination, and Scott’s performance is special.

The cast is excellent.  Co-writer Jay Baruchel plays Doug’s sophomoric friend.  Alison Pill (Milk, Midnight in Paris) is the troubled smart girl who can’t figure out why she’s attracted to a word-fumbling hockey goon.  Liev Schreiber, excellent as always,  dons a Fu Manchu and a mullet to play the league’s toughest goon.  Kim Coates, who almost stole A Little Help as the personal injury attorney, plays the coach.

Perhaps because it has just been released, Goon hasn’t yet made Wikipedia’s “Films that most frequently use the word “f**k”, but I am sure that it meets the qualifying threshold of 150 f-bombs.