2016 at the Movies: farewells

THE HIRED HAND
Vilmos Zsigmond photographed THE HIRED HAND

Vilmos Zsigmond: He was known as a champion of natural light in filmmaking, a major contribution that he and fellow Hungarian László Kovács brought to Hollywood in the late 1960s. Zsigmond shot The Deer Hunter, Deliverance and Close Encounters of the Third Kind,and was nominated for four Oscars, winning for Close Encounters.  Read my Vilmos Zsigmond remembrance for recommendations on one of his overlooked masterpieces and a film ABOUT his art, along with several of his striking film images and a link to an excellent essay by Sheila O’Malley.

 

George Kennedy (left) in COOL HAND LUKE
George Kennedy (left) in COOL HAND LUKE

George Kennedy:  Won his Oscar for Cool Hand Luke (remember the bet on eating boiled eggs?).   Kennedy’s performances were essential elements of The Dirty Dozen, The Eiger Sanction and one of my guilty pleasures, Bandolero!  He labored in episodic TV for years until the mid 1960s when he triumphed in those singular supporting roles in war movies, cop movies and Westerns.   His career peaked throughout the mid 1970s, when he was cast in all of the big disaster movies.

 

Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY

Alan Rickman, the reliable British actor most well-known for playing Snape in the Harry Pottter movies, left us a supremely textured performance in this year’s Eye in the Sky, layered with the character’s wry humor, contained frustration and quiet determination.

 

Gene Wilder (left) in YOUNG FRANKENSTEIN
Gene Wilder (left) in YOUNG FRANKENSTEIN

Gene Wilder:  Star of perhaps the funniest movie of all-time, The Producers.  And star and  CO-WRITER of another comedy classic, Young Frankenstein.

 

Frank Finlay in THE THREE MUSKETEERS
Frank Finlay in THE THREE MUSKETEERS

Frank Finlay:  The British character actor had 137 screen credits, but was talented enough to earn an Oscar nod for  playing Iago to Laurence Olivier’s Othello.  As recently as 2002, he played the father in The Pianist.  But I am a huge fan of Richard Lester’s immensely entertaining The Three Musketeers (1973) and The Four Musketeers (1974), and Finlay’s Porthos was a major ingredient in the fun.

Abe Vigoda: We remember him for one of The Godfather’s most unforgettable lines, “Luca Brasi sleeps with the fishes”.

Jacques Rivette: The prolific French director with one great masterpiece, La Belle Noiseuse (1991); that movie is almost four hours long, yet transfixing.

Robert Vaughn: The icy actor left a body of work with 226 screen credits, mostly on television. He was nominated for a Supporting Actor Oscar for The Young Philadelphians, but I think his most enduring feature film role was as one of The Magnificent Seven.  Of course, for us Baby Boomers, Vaughn will always be remembered as Napoleon Solo in the Bond spy spoof The Man from U.N.C.L.E., which absolutely dominated television briefly in the mid-1960s.

Leon Russell: The band leader in the groundbreaking concert movies Mad Dogs and Englishmen and The Concert for Bangladesh.   (The Concert for Bangladesh, organized by George Harrison, was the first big benefit concert with a collection of mega-stars.)  You can enjoy lots of unfiltered 1972-74 Leon, both on- and off-stage in the documentary A Poem is a Naked Person.

Jacques Rivette's LA BELLE NOISEUSE
Jacques Rivette’s LA BELLE NOISEUSE

Movies to See Right Now

Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

The best reason to go to the movies is to see Isabelle Huppert in the wowzer Elle, which has opened at the Embarcadero in San Francisco and will open more widely in the Bay Area on the Thanksgiving weekend.  Here are top choices that are easier to find:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • John Travolta, Ethan Hawke and Jumpy the dog sparkle in the spaghetti western In a Valley of Violence.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is playing in very few theaters, but it’s streaming on Netflix Instant, too.

Also in theaters or on video:

      • Despite a delicious performance by one of may faves, Michael Shannon, I’m not recommending Nocturnal Animals;  I’m writing about it tomorrow.
      • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
      • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
      • Not much happens in the talented and idiosyncratic filmmaker Kelly Reichardt’s Certain Women, but it’s well-acted and feels real.
      • If you are entertained by the epically disgusting, you can catch the horror comedy The Greasy Strangler before it hits the midnight cult movie circuit. The Greasy Strangler can be streamed from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
      • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

I’ve written farewells to actor Robert Vaughn and musician Leon Russell, who died earlier this week.

My Stream of the Week is the documentary The Lovers and the Despot, the story of a crazy dictator’s kidnapping of a movie director and his movie star wife – and how they escaped and proved that it really happened.  The Lovers and the Despot is now available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and cable and satellite TV on demand.

On November 23, Turner Classic Movies plays a groundbreaking cinéma vérité documentary from 1968. Salesman is as revealing a depiction of the sales life as Glengarry Glen Ross, and just as heartbreaking – you can’t have capitalism without winners and losers. Imagine selling Bibles door-to-door.

SALESMAN
SALESMAN

Leon Russell – leading the first grand benefit concert

Leon Russell in A POEM IS A NAKED PERSON
Leon Russell in A POEM IS A NAKED PERSON

I first noticed the musician Leon Russell with his distinctive top hat in the concert movie Mad Dogs and Englishmen. In another (and really, really good) concert film, The Concert for Bangladesh, I wondered, “who is this long-hair, and why is he the bandleader in a band with George Harrison, Bob Dylan, Eric Clapton and Ringo Starr?”.  (The Concert for Bangladesh, organized by George Harrison, broke ground as the first big benefit concert with a collection of mega-stars.)  I soon became a big fan of Leon’s solo career, and I’m saddened by his death this morning.

You can enjoy lots of unfiltered 1972-74 Leon, both on- and off-stage in the documentary A Poem is a Naked PersonA Poem Is a Naked Person has been a bit of a Lost Film –  until recently only shown at screening where Blank was present. Now you can stream it on Amazon Instant, Vudu, YouTube and Google Play. The Concert for Bangladesh is available to rent on DVD from Netflix.

A POEM IS A NAKED PERSON: Leon Russell in his prime

Leon Russell in A POEM IS A NAKED PERSON
Leon Russell in A POEM IS A NAKED PERSON

During the years 1972-4, documentarian Les Blank hung out and filmed around Leon Russell’s Oklahoma recording studio, and A Poem Is a Naked Person is the result.

This was the period when Russell produced two of my very favorite albums, Leon Live and Hank Wilson’s Back, so I especially enjoyed the music.  There’s also a nice snippet of Willie Nelson (pre-beard and pigtails) singing Good Hearted Woman.

In fact, all of the Leon Russell parts (both talking and performing) are great. The problem is that Blank filmed everybody and everything in the neighborhood, including a tractor pull, the demolition of a building and a seemingly deranged and snake-obsessed artist.  There’s also a lot of conversation between people who are very stoned.  Getting stoned is a lot more fun than listening to stoned people talk.

The documentary’s puzzling title originates from liner notes on a Bob Dylan album.

A Poem Is a Naked Person has been a bit of a Lost Film, until recently only shown at screening where Blank was present.  Now you can stream it on Amazon Instant, Vudu, YouTube and Google Play.