Killer Joe

KILLER JOE: you sure ain’t gonna be bored

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OK, this is NOT FOR EVERYONE.  Here’s a movie that will either thrill or disgust you. Either way, you sure ain’t gonna be bored.

It’s William Friedkin Week at The Movie Gourmet, and we’re looking at three of the director’s more overlooked films. We’ve covered the neo-noir thriller To Live and to Die in L.A., and the psychological horror movie Bug. Today’s Friedkin classic is another neo-noir, that paragon of perversity, Killer Joe

In Killer Joe, Thomas Haden Church, Gina Gershon and Emile Hirsch play a white trash family with a get-rich-quick scheme.  They give a hit man (Matthew McConaughey) the teen daughter (Juno Temple) as a deposit.  They’re all as dumb as a bag of hammers, so what could go wrong?

Killer Joe was directed by William Friedkin (The French Connection, The Exorcist) and shot by cinematographer Caleb Deschanel (The Right Stuff, The Natural) in just 20 days.  These guys know how to tell a story, and Killer Joe pops and crackles.

Emile Hirsch, Gina Gershon, Thomas Haden Church and Juno Temple in KILLER JOE. Photo credit: KillerJoeTheMovie.com.

Killer Joe is rated NC-17 for good reason and Friedkin accepts the rating without complaint.  Indeed, Killer Joe has its share of Sam Peckinpah-style screen violence and an unsettling deflowering scene.  But the piece de resistance is an over-the-top sadistic encounter between McConaughey and Gershon involving a chicken drumstick,  at once disturbing and darkly hilarious.   But Sam Fuller and Quentin Tarantino would have loved it, and so did I.  Nevertheless, some viewers will feel like they need a shower after this movie.

Matthew McConaughey in KILLER JOE. Photo credit: KillerJoeTheMovie.com.

The cast does a good job, but the picture really belongs to McConaughey and Temple.  McConaughey was recalibrating his career a la Alec Baldwin – he had just started his move from playing pretty boys in the rom-coms to taking meatier, more interesting roles.  He is both funny and menacing as Killer Joe (and I liked him in Bernie and Magic Mike, too).  Killer Joe preceded his roles in Mud, The Dallas Buyers Club, True Detective  and The Free State of Jones.

The movie slowly makes Juno Temple’s character more and more central, until she takes command of the denouement.  Temple is always sexy (Kaboom and Dirty Girl), and here she is able to ratchet down her intelligence to play a very simple character, always exploited by others, who is finally empowered to take control.

I saw Killer Joe at a screening where Friedkin said that the screenwriter (famed playwright Tracy Letts) saw Juno Temple’s character as the receptacle for all feminine rage.  Friedkin himself sees it as a Cinderella story – just one where Cinderella’s Prince Charming is a professional killer.  That’s all pretty deep sledding to me – I see Killer Joe as a very dark and violent comedy – kinda like In Bruges with twisted sex.

Killer Joe is available to stream from Amazon, AppleTV, Vudu, YouTube, Google Play and Hulu.

2012 in the Movies: most fun at the movies

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William Friedkin's KILLER JOE

1.  This year I attended over ten screenings that were followed by Q & As with the filmmaker.  My favorite was the rip-snorting Killer Joe, followed by an hour with one of the great raconteurs, director William Friedkin (The French Connection, The Exorcist).

2.  Sitting with other film geeks at the San Francisco International Film Festival, only to be surprised and delighted by the hilarious Norwegian comic thriller Headhunters.

3.  Watching the three-hour director’s cut of Margaret with The Wife and our friend Paula.

4.  Watching Bill W. (about the founder of Alcoholics Anonymous) in an audience that contained over 200 AA members,

5.  Enjoying the  classic Italian comedy Big Deal on Madonna Street for the first time.

6.  Discovering the political satire The Dark Horse and the workplace drama Employees Entrance from the early 1930s, both starring  Warren William, the King of Pre-Code.

7.  Revisiting classics like M, the 1979 Tinker Tailor Soldier Spy and The Exorcist and finding that they all hold up well today.

Movies to See Right Now

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A dream girl comes to life in RUBY SPARKS

Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.  In contrast, Killer Joe is NC-17 for a reason and will either thrill or disgust you; that notwithstanding, it pops and crackles with excellent performances by Mathew McConaughey and Juno Temple.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy.  The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles.  Magic Mike has male stripping, but no magic. The relationship drama 360 is a snoozer.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the French drama Time Out – an excellent choice for the current economic environment.

Movies to See Right Now

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Matthew McConaughey in KILLER JOE

Killer Joe is NC-17 for a reason and will either thrill or disgust you; that notwithstanding, it pops and crackles with excellent performances by Mathew McConaughey and Juno Temple.  Ruby Sparks is an hilariously inventive romance that probes whether realizing a fantasy can bring happiness.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.  The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Farewell, My Queen is a lavishly staged and absorbing French drama of Marie Antoinette’s Versailles at the onset of the French Revolution; it features excellent performances and was shot at Versailles itself.

The wistfully sweet and visually singular Moonrise Kingdom is another must see, and it’s hanging around some theaters.  Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.

The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.  The relationship drama 360, which opens this week, is a snoozer.

I haven’t yet seen the franchise thriller The Bourne Legacy with Jeremy Renner (The Hurt Locker).  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the American spy documentary, The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby.

Movies to See Right Now

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Emile Hirsch, Gina Gershon, Thomas Haden Church and Juno Temple in KILLER JOE

Killer Joe, which opens this week, is NC-17 for a reason and will either thrill or disgust you; that notwithstanding, it pops and crackles with excellent performances by Mathew McConaughey and Juno Temple. 

The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Farewell, My Queen is a lavishly staged and absorbing French drama of Marie Antoinette’s Versailles at the onset of the French Revolution; it features excellent performances and was shot at Versailles itself.

Dark Horse is an engaging dramedy from writer-director Todd Solondz (Welcome to the Dollhouse, Happiness); it has his trademark quirkiness, but without the trademark perversion.

The wistfully sweet and visually singular Moonrise Kingdom is another must see. Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids. To Rome with Love is an amusing Woody Allen comedy, but not one of Woody’s masterpieces. If you really like Neil Young, then see Neil Young Journeys. The exceptionally popular The Best Exotic Marigold Hotel is continuing its long run in second-run houses.

The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is from Turkey, the long, enthralling and profound Once Upon a Time in Anatolia.  I must add that The Movie Gourmet is the only place where you can read about Killer Joe and Once Upon a Time in Anatolia in the same week!

Killer Joe: OMG

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Here’s a movie that will either thrill or disgust you. Either way, you sure ain’t gonna be bored.

In Killer Joe, Thomas Haden Church, Gina Gershon and Emile Hirsch play a white trash family with a get rich quick scheme.  They give a hit man (Matthew McConaughey) the teen daughter (Juno Temple) as a deposit.  They’re all as dumb as a bag of hammers, so what could go wrong?

Killer Joe was directed by William Friedkin (The French Connection, The Exorcist) and shot by cinematographer Caleb Deschanel (The Right Stuff, The Natural) in just 20 days.  These guys know how to tell a story, and Killer Joe pops and crackles.

Killer Joe is rated NC-17 for good reason and Friedkin accepts the rating without complaint.  Indeed, Killer Joe has its share of Sam Peckinpah style screen violence and an unsettling deflowering scene.  But the piece de resistance is an over-the-top sadistic encounter between McConaughey and Gershon involving a chicken drumstick,  at once disturbing and darkly hilarious.   But Sam Fuller and Quentin Tarantino would have loved it, and so did I.  Nevertheless, some viewers will feel like they need a shower after this movie.

The cast does a good job, but the picture really belongs to McConaughey and Temple.  McConaughey is currently recalibrating his career a la Alec Baldwin – he’s moving from playing pretty boys in the rom coms to taking meatier, more interesting roles.  He is both funny and menacing as Killer Joe (and I liked him in Bernie and Magic Mike, too).  I’m really looking forward to seeing him in Mud and The Paperboy.

The movie slowly makes Juno Temple’s character more and more central, until she takes command of the denouement.  Temple is always sexy (Kaboom and Dirty Girl), and here she is able to ratchet down her intelligence to play a very simple character, always exploited by others, who is finally empowered to take control.

I saw Killer Joe at a screening where Friedkin said that the screenwriter saw Juno Temple’s character as the receptacle for all feminine rage.  Friedkin himself sees it as a Cinderella story – just one where Cinderella’s Prince Charming is a professional killer.  hat’s all pretty deep sledding to me – I see Killer Joe as a very dark and violent comedy – kinda like In Bruges with twisted sex.

August is for Thrillers

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It’s no surprise that we open August with some thrillers.  In The Bourne Legacy, Jeremy Renner (The Hurt Locker, The Town) takes over the lead role from Matt Damon.  (Except the protagonist is named Aaron Cross, not Jason Bourne.)  Tony Gilroy, who wrote the two earlier Bourne films, directs this one.

The oft-delayed Killer Joe is a dark crime comedy/thriller.  A white trash family gives a hitman  (Matthew McConaughey) the teen daughter (Juno Temple) as a deposit. It is directed by 70s guru William Friedkin (The French Connection, The Exorcist).  I’ve seen it, and it rocks.

In 360 , acclaimed director Fernando Meirelles (The Constant Gardener), intersects the stories of several relationships in a film with some very suspenseful moments.  The ensemble cast includes Jude Law, Rachel Weisz, Anthony Hopkins and an even creepier than usual Ben Foster.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for 360.

 

2011 in Movies: biggest disappointments

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LE QUATTRO VOLTE

1.  I haven’t seen Killer Joe, Restless and Tyrannosaur becuase they haven’t been released where I live.  And I haven’t seen Oslo August 3, The Kid on the Bike, Paul Williams Still Alive, Natural Selection, Polisse and Little White Lies because – as far as I know – they haven’t yet been released in the US.  You can read descriptions and watch trailers of these films as Movies I’m Looking Forward To.

 

2.  Meek’s Cutoff is an unfortunate misfire by the excellent director Kelly Reichardt (Old Joy, Wendy and Lucy).

 

3.  Le Quattro Volte is supposed to be a lyrical contemplation on the Circle of Life, but you’ll find yourself checking your watch during the interminable hacking of an aged goatherd.  If the geezer had taken Robitussin DM, there would be no story at all.

 

4.  The bewildering, pompous mess that is The Tree of Life .  It does contain a fine 90-minute family drama about a boy growing up in 1950s Waco (a superb Hunter McCracken) and the friction with his caring but brutishly domineering father (Brad Pitt). Unfortunately, there is another 60 minutes in the movie.

That additional 60 minutes is a self-important muddle that tries to lift the story to an exploration of life itself – from creation through afterlife. There are beautiful shots of clouds and waterfalls, with unintelligible whisperings from cast members. There are Bible verses, the Big Bang and dinosaurs (yes, dinosaurs). And, in case you don’t get how seriously the movie takes itself, there is an overbearingly pretentious score.

 

5. The Hangover Part II.  I really enjoyed The Hangover, but the sequel was just lame.

 

6.  Uncle Boonmee Who Can Recall His Past Lives is by no means a bad film, but I expected more from the winner of the Palm d’Or.

 

7.  David Gordon Green, director of All the Real Girls, Undertow, Snow Angels and Pineapple Express, showed up this year with The Sitter.  Say it ain’t so, Dave.

 

8.  HBO’s take on the financial meltdown, Too Big To Fail, failed in spite of an excellent cast.  It wasn’t nearly as good as last year’s great documentary Inside Job or this year’s fictional Margin Call.

 

9.  James Franco co-hosting the Academy Awards.  Lay off the weed, Jimmy!

 

10.  After watching the jaw droppingly awful trailer, I was hoping that Nicholas Cage’s Season of the Witch would be deliciously and entertainingly laugh out loud bad. But it was just bad.